If you feel that Unimaginably True is simply a love story, then my friend, think again because Unimaginably True is something more than everything. It is a work of fiction that would make you sail in the alpha and omega of this ocean of life, where somewhere you would place yourself in place of Aarav and Arvika. The book deals with the differences in cultures of IIT and DU. Also, a section of the book is dedicated to those girls who have been struggling to get their very existence in society SAVE GIRL CHILD. With many conflicts and hurdles, the journey of the love birds - Aarav and Arvika sail on! They keep flying!It's not a story, nor you can compare it to a saga like shown in the movies; it is above all...It is simply UNIMAGINABLY TRUE! #v&spublishers

Keith Yandell's Philosophy of Religion: A Contemporary Introduction was one of the first textbooks to explore the philosophy of religion with reference to religions other than Christianity. This new, revised edition explores the logical validity and truth claims of several world religions—Christianity, Judaism, Islam, Hinduism, Buddhism, and Jainism—with updated, streamlined discussions on important topics in philosophy of religion such as: Religious pluralism Freedom and responsibility Evidentialist Moral Theism Reformed Epistemology Doxastic Practice Epistemology The problem of evil Ontological and cosmological arguments Other new features include updated Questions for Reflection,and new Annotated Bibliographies for each chapter, as well as an updated Glossary. This exciting new edition, much like its classic predecessor, is sure to be a classroom staple for undergraduate students studying philosophy of religion, as well as a comprehensive introductory read for anyone interested in the subject.

Don DeLillo, American Original is a startlingly original and provocative reinterpretation of one of the most important novelists of the 20th and 21st centuries. Adopting a direct approach that steers clear of debates with secondary literature and covering the full arc of Don DeLillo's career from A to Z – Americana (1971) to Zero K (2016) – Michael Naas shows that the extraordinary power, authority, insight, and inventiveness of DeLillo's fiction are the result of the way it traffics everywhere in contraband goods and narratives, in doubleness or duplicity of every kind, in multiple voices, story lines, times, places, and media that at once interrupt and complement one another. This is a book that invites skimming and dipping, structured into easily digestible sections on everything from weapons and drugs to erotica, nuclear waste, and secret societies, each preceded by humorous and incisive epigraphs from DeLillo's novels. Michael Naas reads DeLillo's fiction as a way of life or as equipment for living, rather than as a critical puzzle to be solved – and thereby opens up new horizons for thinking about why literature matters in the 21st century.

Provides a comprehensive theological framework in which good eating contributes to the healing of communities and the world.

This is the final volume of this series on "theological dramatic theory" by the great 20th century theologian Balthasar. This series is the second part of Balthasar's trilogy on the good, the beautiful and the true which is his major work. The first series in the trilogy is The Glory of the Lord, and following this Theo-Drama series will be Theo-Logic. In this series "the good" has been the focus. Balthasar maintains that it is in the theater that man attempts a kind of transcendence to observe and to judge his own truth about himself. He sees the phenomenon of theater as a source of fruitfulness for theological reflection on the cosmic drama that involves earth and heaven. This fifth volume is trinitarian, focusing on the mystery of God. He draws heavily on Scripture and many passages from the works of the mystic Adrienne von Spyer. Some of the topics covered include "A Christian Eschotology," "The World is from the Trinity," "Earth moves Heavenward," "The Final Act: A Trinitarian Drama."

A challenging critique of narrative theologies, including the works of George Lindbeck, Robert Jenson, and Herbert McCabe. Francesca Aran Murphy argues that the use of the concept of story or narrative in theology is circular and self-referential, and that the widespread notion that the role of the theologian is to 'tell God's story' has not helped theology to advance the reality of its doctrines. Murphy contends that the scriptural revelation on which Christian theology depends is not a story or a plot but a dramatic encounter between mysterious, free, and unpredictable persons. She offers her own alternative approach, making use of cinema and film theory, and engaging in particular in a dialogue with the work of Hans Urs von Balthasar.