The author invites the reader to unfold and discover an extrordinary world. Includes die-cut pages. Entire book is one continuous folded page, with images on front and back of each panel.

First published in 1987. In Unfolding Meaning, the author, one of the most provocative and original thinkers of our time, argues that there are other ways of thinking to bring about a different, more harmonious reality. Our fragmented, mechanistic notion of order derives from the modem conception that our earth is only part, not - as it was with the Greeks - the centre, of the immense universe of material bodies. The implications of this idea permeate modem science and technology today and also our general attitude to life.

Creativity is fundamental to human experience. In On Creativity David Bohm, the world-renowned scientist, investigates the phenomenon from all sides. This is a remarkable and life-affirming book by one of the most far-sighted thinkers of modern

"From Edith Stein's comment that "being is the unfolding of meaning," the author contends that her understanding of the term is relational and thus resistant to both existentialism and essentialism. He tests his hypothesis against Stein's three modes of being (actual, essential, and mental) from both phenomenological and scholastic perspectives"--

For the first time in one volume in English are the spiritual writings of this outstanding intellectual figure (1401-1464) whose work anticipated modern problems of ecumenicity and pluralism, empowerment and reconciliation, and tolerance and individuality.

With the rise of digital technology as a design tool and its acceptance as simply part of the tool chest for today's design studios, there has been a re-evaluation and return to exploring pre-digital typography. Design studios no longer flaunt their digital hardware, in fact quite the opposite. This attitudinal change toward digital technology has coincided with a growing fascination and re-evaluation of those pre-digital skills and processes that had been considered in recent years to be irrelevant. Mapping the rise of digital technology and examining the infinite possibilities it offers and the profound cultural and technical influence it has had in all aspects of visual communication. This text also focuses on our current post-digital age, in which the technology itself has become sufficiently common-place for us to fully recognize what it excels at and what it does less well. Reinventing Print focuses on those skills and processes which have been re-appropriated and irreverently liberated by a new generation of typographers, designers, and artists, raised with digital technology in their pockets and forever at their fingertips. In this post-digital age, traditional typographic craft is new, different and therefore exciting, potent and culturally subversive.