As part of an online project on short stories, East of the Web presents the full text of "An Unfinished Story." This short story was written by the American author William Sydney Porter (1862-1910), whose pseudonym was O. Henry.

A New York Times bestseller for twenty-one weeks upon publication, J.R.R. Tolkien's Unfinished Tales is a collection of short stories ranging in time from the Elder Days of Middle-earth to the end of the War of the Ring, and further relates events as told in The Silmarillion and The Lord of the Rings. The book concentrates on the lands of Middle-earth and comprises Gandalf's lively account of how he came to send the Dwarves to the celebrated party at Bag-End, the story of the emergence of the sea-god Ulmo before the eyes of Tuor on the coast of Beleriand, and an exact description of the military organization of the Riders of Rohan and the journey of the Black Riders during the hunt for the Ring. Unfinished Tales also contains the only surviving story about the long ages of Númenor before its downfall, and all that is known about the Five Wizards sent to Middle-earth as emissaries of the Valar, about the Seeing Stones known as the Palantiri, and about the legend of Amroth.

An extensive collection of photographs that capture the daily lives of people provides the inspiration for the author's first solo book of words and pictures, making for a lasting glimpse at the fleeting moments she encounters on the streets of London.

Unfinished Stories presents a parallel study of the lives and narrative photography of Hansel Mieth (1909-1998) and Marion Palfi (1907-1978). Mieth was the second woman staff photographer employed by Life magazine. Palfi's photo of Henry Street Settlement kids was the first cover of Ebony magazine. German born émigrés who never met, they constructed remarkably similar photo narratives of unseen America. They were visual storytellers, artists, and citizen-photographers who do not fit easily into contemporary categories of photojournalism or documentary photography. Great risk-takers, they grasped the complexities inherent in representing human beings as individuals, as part of an ethnic, racial or labor group, and as citizens colonized in their own land. They may have photographed the circumstances of alienation, but their themes involved connection, human relationships, and solidarity. Unfinished Stories offers a fresh and theoretically informed eye on representational photography. It forges a place for Hansel Mieth and Marion Palfi in the history of photography and in the history of American race and class struggle.

A Washington Post Best Science Fiction & Fantasy of the Year Selection One of Electric Literature’s Best Short Story Collections of the Year A highly anticipated collection of wildly imaginative short stories from “one of contemporary fiction’s true mad scientists” (Necessary Fiction). In the weird and wonderful tradition of Kelly Link and Karen Russell, Amber Sparks’s dazzling new collection bursts forth with stories that render the apocalyptic and otherworldly hauntingly familiar. In “The Cemetery for Lost Faces,” two orphans translate their grief into taxidermy, artfully arresting the passage of time. The anchoring novella, “The Unfinished World,” unfurls a surprising love story between a free and adventurous young woman and a dashing filmmaker burdened by a mysterious family. Sparks’s stories—populated with sculptors, librarians, astronauts, and warriors—form a veritable cabinet of curiosities. Mythical, bizarre, and deeply moving, The Unfinished World and Other Stories heralds the arrival of a major writer and illuminates the search for a brief encounter with the extraordinary.

Includes 12 collages by Sunandini Banerjee.

Told in alternating timelines, THE THINGS WE LEAVE UNFINISHED examines the risks we take for love, the scars too deep to heal, and the endings we can’t bring ourselves to see coming. Twenty-eight-year-old Georgia Stanton has to start over after she gave up almost everything in a brutal divorce—the New York house, the friends, and her pride. Now back home at her late great-grandmother’s estate in Colorado, she finds herself face-to-face with Noah Harrison, the bestselling author of a million books where the cover is always people nearly kissing. He’s just as arrogant in person as in interviews, and she’ll be damned if the good-looking writer of love stories thinks he’s the one to finish her grandmother’s final novel...even if the publisher swears he’s the perfect fit. Noah is at the pinnacle of his career. With book and movie deals galore, there isn’t much the “golden boy” of modern fiction hasn’t accomplished. But he can’t walk away from what might be the best book of the century—the one his idol, Scarlett Stanton, left unfinished. Coming up with a fitting ending for the legendary author is one thing, but dealing with her beautiful, stubborn, cynical great-granddaughter, Georgia, is quite another. But as they read Scarlett’s words in both the manuscript and her box of letters, they start to realize why Scarlett never finished the book—it’s based on her real-life romance with a World War II pilot, and the ending isn’t a happy one. Georgia knows all too well that love never works out, and while the chemistry and connection between her and Noah is undeniable, she’s as determined as ever to learn from her great-grandmother’s mistakes—even if it means destroying Noah’s career.