Gathers for the first time this southwestern African American writer's works from The Crisis and other significant journals.

The premier scholar of the English-language traditional or popular ballad, Francis James Child spent decades working on his widely read and performed collection, The English and Scottish Popular Ballads. In this first single author monograph of Child's life and work, Mary Ellen Brown analyzes Child's editorial methods, his decisions about which ballads to include, and his relationships with colleagues at Harvard and abroad. Brown draws on his extensive correspondence with collaborators to trace the production of his monumental work from conception and selection through organization and collation of the ballads. Child's Unfinished Masterpiece shows readers what was at stake in Child's search for original manuscript materials housed at libraries and estates far afield and his desire to uncover unedited versions of previous editors' texts. In analyzing Child's letters, Brown also delves into his important network of collaborators, scholars, and friends such as William Macmath, Sven Grundtvig, James Russell Lowell, and Charles Eliot Norton, who influenced the organization and content of his work. Readers learn about the questions Child faced as an editor: whether the materials he gathered were authentic, whether a piece was more ballad or a song, or whether the text was sufficiently old or traditional. In showing Child's struggles with content and organization for The English and Scottish Popular Ballads, Brown notes the difficulty in defining the ballad genre while also showing that a clear definition is not a fatal flaw of the volume or to scholars' continued study of it.

This catalogue focusses on the dynamic and ongoing construction of Gaudi's The Expiatory Church of the Holy Family (La Sagrada Familia). It documents the cathedral's evolution using handmade drawings, plaster models, digital imaging and 3D modeling and examines the geometries and formal languages that have informed generations of architects and builders

An illuminating biography of one of the most famous--and most famously unfinished--buildings in the world, the Sagrada Familia of Barcelona. The scaffolding-cloaked spires of Antoni Gaudí's masterpiece, the Sagrada Familia, dominate the Barcelona skyline and draw in millions of visitors every year. More than a century after the first stone was laid in 1882, the Sagrada Familia remains unfinished, a testament to Gaudí's quixotic ambition, his religious devotion, and the sensuous eccentricity of his design. It has defied the critics, the penny-pinching accountants, the conservative town-planners, and the devotees of sterile modernism. It has enchanted and frustrated the citizens of Barcelona. And it has passed through the landmark changes of twentieth-century Spain, surviving two World Wars, the ravages of the Spanish Civil War, and the "Hunger Years" of Franco's rule. Gijs van Hensbergen's The Sagrada Familia explores the evolution of this remarkable building, working through the decades right up to the present day before looking beyond to the final stretch of its construction. Rich in detail and vast in scope, this is a revelatory chronicle of an iconic structure, its place in history, and the wild genius that created it.

Three of the author’s most highly regarded stories, newly translated: the title story, "An Episode During the Terror," and "Facino Cane."

You are not a mistake. You are not a failure. You are not without hope. You are simply an unfinished masterpiece. No matter what your life circumstances, God is working in you and through you to bring you to the place designed for you. In this gripping memoir of hope and triumph, Angela Wright shares her stories of pain and loss. But in the midst of it all is a powerful message: God is not through bringing you to the place he has designed just for you.