The South Asian region has been especially prone to mass displacement and relocations owing to its varied geographical settings as well as socio-political factors. This book examines the women’s perspective on issues related to displacement, loss, conflict, and rehabilitation. It maps the diverse engagements with women’s experiences of displacement in the South Asian region through a nuanced examination of unexplored literary narratives, life writing and memoirs, cultural discourses, and social practices. The book explores themes like sexuality and the female body, women and the national identity, violence against women in Indian Partition narratives, and stories of exile in real life and fairy tales. It also offers an understanding of the ruptures created by dislocation and exile in memory, identity, and culture by analyzing the spaces occupied by displaced women and their lived experiences. The volume looks at the multiplicity of reasons behind women’s displacement and offers a wider perspective on the intersections between gender, migration, and marginalization. This book will be useful for scholars and researchers of cultural studies, literature, gender studies, conflict studies, development studies, South Asian studies, refugee studies, diaspora studies, and sociology.

Based on original interviews conducted across three continents, this book relates the experiences of nine Syrian women refugees and their perspectives on a range of subjects. Each narrative reveals a displaced woman's concept of the self in relation to memory, history, trauma and reconciliation within familial, international and cultural contexts. Their life stories contribute to building bonds and promoting trust between locals and "strangers" who are often defined only by their status as refugees. The book raises critical questions about stereotypes and racism while reminding readers of the shared joys and concerns of womanhood across cultures.

This volume explores the different mechanisms and forms of expression used by women to come to terms with the past, focusing on the variety and complexity of women’s narratives of displacement within the context of Central and Eastern Europe. The first part addresses the quest for personal (post)memory from the perspective of the second and third generations. The touching collaboration established in reconstructing individual and family (post)memories offers invaluable insights into the effects of displacement, coping mechanisms, and resilience. Adopting the idea that the text itself becomes a site of (post)memory, the second part of the volume brings into discussion different sites and develops further this topic in relation to the creative process and visual text. The last part questions the past in relation to trauma and identity displacement in the countries where abusive regimes destroyed social bonds and had a lasting impact on the people lives.

Providing nuanced accounts of how the social identities of men and women, the context of displacement and the experience or manifestation of violence interact, this collection offers conceptual analyses and in-depth case studies to illustrate how gender relations are affected by displacement, encampment and return. The essays show how these factors lead to various forms of direct, indirect and structural violence. This ranges from discussions of norms reflected in policy documents and practise, the relationship between relief structures and living conditions in camps, to forced military recruitment and forced return, and covers countries in Africa, Asia and Europe.

This book explores the complex assemblage of biopolitics, citizenship, ethics and human rights concerns in South Asia focusing specifically on women poets, writers and artists and their explorations on marginalisation, violence and protest. The book traces the origins, varied historiographies and socio-political consequences of women’s protests and feminist discourses. Bringing together narratives of the Landais from Afghanistan, voices from Pakistan, Bangladesh and Sri Lanka, Miya women poets writing from Assam, and stories of Dalit and queer women across the region, it analyses the diverse modes of women’s protests and their ethical and humanitarian cartographies. The volume highlights the reconfiguration of female voices of protest in contemporary literature and popular culture in South Asia and the formation of closely-knit female communities of solidarity, cooperation and collective political action. The book will be of interest to students and researchers of gender studies, literature, cultural studies, sociology, minority and indigenous studies, and South Asian studies.

This book studies how Development-Induced Displacement (DID) radically restructures gender relations in indigenous tribal societies. Through an indepth case study of the Indian state of Meghalaya, one of the few matrilineal societies of the world, it analyses how people cope with conflicts in their perception of self, family, and society brought on by the transition from traditional modes of living to increased urbanisation, and how these experiences are different for men and women. It looks at the ways in which this gendered change is experienced inter-generationally in different contexts of people’s lives, including work and leisure activities. The book also investigates people’s attitudes towards matrilineal structures and their perception of change on matriliny where mining has played a role in building their view of their matrilineal tradition. Drawing on extensive interviews with individuals directly affected by this phenomenon, the book, part of the Transition in Northeastern India series, makes a significant contribution to the study of DID. It will be useful for scholars and researchers of urbanisation, gender studies, Northeast India studies, development studies, minority studies, public policy, political studies, and sociology.

An old woman enters into a fantastical world of dreams and nightmares in this surrealist classic admired by Björk and Luis Buñuel. Leonora Carrington, painter, playwright, and novelist, was a surrealist trickster par excellence, and The Hearing Trumpet is the witty, celebratory key to her anarchic and allusive body of work. The novel begins in the bourgeois comfort of a residential corner of a Mexican city and ends with a man-made apocalypse that promises to usher in the earth’s rebirth. In between we are swept off to a most curious old-age home run by a self-improvement cult and drawn several centuries back in time with a cross-dressing Abbess who is on a quest to restore the Holy Grail to its rightful owner, the Goddess Venus. Guiding us is one of the most unexpected heroines in twentieth-century literature, a nonagenarian vegetarian named Marian Leatherby, who, as Olga Tokarczuk writes in her afterword, is “hard of hearing” but “full of life.”