This introduction, first published in 2005, considers the philosophical and literary aspects of Wittgenstein's 'Tractatus' and shows how they are related.

Wittgenstein's Mistress is a novel unlike anything David Markson or anyone else has ever written before. It is the story of a woman who is convinced and, astonishingly, will ultimately convince the reader as well that she is the only person left on earth.

These new studies of Wittgenstein's 'Tractatus' represent a significant step beyond recent polemical debate. They cover a wide range of themes, and show that close investigation into the composition of the work, and into the various influences on it, has much to yield in revealing the complexity and fertility of Wittgenstein's early thought.

Though Wittgenstein wrote on the same subjects that dominate the work of other analytic philosophers - the nature of logic, the limits of language, the analysis of meaning - he did so in a peculiarly poetic style that separates his work sharply from that of his peers and makes the question of how to read him particularly pertinent. At the root of Wittgenstein's thought, Ray Monk argues, is a determination to resist the scientism characteristic of our age, a determination to insist on the integrity and the autonomy of non-scientific forms of understanding. The kind of understanding we seek in philosophy, Wittgenstein tried to make clear, is similar to the kind we might seek of a person, a piece of music, or, indeed, a poem. Extracts are taken from Tractatus Logico-Philosophicus and from a range of writings, including Philosophical Investigations, The Blue and Brown Books and Last Writings on the Philosophy of Psychology.

This book is a strikingly innovative study of the Tractatus.

This work seeks to shed light on one of the most enigmatic masterpieces of twentieth-century thought. At the heart of Eli Friedlander's interpretation is the internal relation between the logical and the ethical in the Tractatus, a relation that emerges in the work of drawing the limits of language. Bearing on the question of the divide between analytic and Continental philosophy, this interpretation views Wittgenstein's work as a possible mediation between these two central philosophical traditions of the modern age.

Jos L. Zalabardo puts forward a new interpretation of central ideas in Wittgenstein's Tractatus Logico-Philosophicus concerning the structure of reality and our representations of it in thought and language. He shows the origins of Wittgenstein's picture theory of propositional representation in Russell's theories of judgment, arguing that the picture theory is Wittgenstein's solution to some of the problems that he found in Russell's position. Zalabardo defends the view that, for Wittgenstein, facts in general, and the facts that play the role of propositions in particular, are not composite items, arising from the combination of their constituents. They are ultimate, irreducible units, and what we think of as their constituents are features that facts have in common with one another. These common features have built into them their possibilities of combination with other features into possible situations. This is the source of the Tractarian account of non-actual possibilities. It is also the source of the idea that it is not possible to produce propositions answering to certain descriptions, including those that would give rise to Russell's paradox. Zalabardo then considers Wittgenstein's view that every proposition is a truth function of elementary propositions. He argues that this view is motivated by Wittgenstein's epistemology of logic, according to which we should be able to see logical relations by inspecting the structures of propositions. Finally, Zalabardo considers the problems that we face if we try to extend the application of the picture theory from elementary propositions to truth functions of these.