The series «Duisburg Papers on Research in Language and Culture» presents a forum for linguistic research on the interrelationship between language and culture. The series is interdisciplinary in nature and consists of monographs and collections of papers. The main purpose of the editors is to initiate a dialogue between linguistic science and neighboring disciplines such as sociology, anthropology, semiotics, literary studies, and intercultural communication.

Even a quick glance at popular books, movies, and streaming series says it all-- a skillful application of tropes sells stories. That's because tropes create a foundation between the audience and the action. I'm not suggesting we slap a few tropes together, and call it done. I'm talking about twisting tropes to create characters that fans can't stop thinking about to increase story conflict. How do we do that? By digging down into the functions of tropes. But isn't a trope just a trope? What do secret baby, road trip, and revenge have in common? Conflict. Conflict. Conflict. The Trope Thesaurus explores tropes common in romance, mystery, suspense, thriller, science fiction, and fantasy. It also features a listing of tropes with their definitions, along with some ideas about how to use them more effectively to craft stronger stories. New and established writers will appreciate this different take on a craft topic in the quest to become a fan favorite.

In the book If Tropes, the author attempts to approach and then deal with some of the most basic problems for a theory of tropes. The investigation proceeds from three basic assumptions: (i) tropes (i.e. particular properties) exist, (ii) only tropes exist (that is, tropes are the only basic or fundamental kind of entities), and (iii) the main-function for tropes is to serve as truth-makers for atomic propositions. Provided that one accepts these assumptions the author finds that the trope-theorist will have to deal with two important matters. Some atomic propositions seem to require universal truth-makers and others seem to require concrete truth-makers. This means that universals and concrete particulars will need to be constructed from the material of tropes. Such constructions are attempted and it is argued that it is possible to deal at least with these basic issues while staying squarely within the boundaries of a purely trope-theoretical framework. The book is written in an untechnical language but requires some prior understanding of basic metaphysics.

The Oxford American College Dictionaryis completely new, based on the New Oxford American Dictionary, which was published in October 2001. Drawing on Oxford's unparalleled language resources, including a 200-million-word database, this college dictionary contains: * more than 175,000 entries and more than 1000 illustrations, including line drawings, photographs and maps * boxed quotes from famous writers, demonstrating word usage and style * country guides-shaded boxes highlighting the most important geographical information on more than 180 countries-with maps * "core sense" organization of definitions, a brand-new and utterly sensible plan in which subordinate definitions flow logically from primary ones, and the most important usage of the word comes first * thumb index tabs for easy searching

In 1993, Scott McCloud tore down the wall between high and low culture with the acclaimed international hit Understanding Comics, a massive comic book that explored the inner workings of the worlds most misunderstood art form. Now, McCloud takes comics to te next leavle, charting twelve different revolutions in how comics are created, read, and preceived today, and how they're poised to conquer the new millennium. Part One of this fascinating and in-depth book includes: The life of comics as an art form and as literture The battle for creators' rights Reinventing the business of comics The volatile and shifting public percptions of comics Sexual and ethnic representation on comics Then in Part Two, McCloud paints a brethtaling picture of comics' digital revolutions, including: The intricacies of digital production The exploding world of online delivery The ultimate challenges of the infinite digital canvas

After getting in a fight with his best friends from high school-his bros-shortly after graduation, Griffin Nichols is faced with a reality he'd never imagined. He's alone. In his version of manhood, he figures he needs to stash his feelings and pack them away among the ruins like dusty remnants. His job is to keep solitary watch, keep trudging through the dust, and keep protecting his jailed heart. Then he meets Maxwell Wallace, and she challenges everything he's ever believed about what it means to be a man, flinging the jail door wide open. But is Griffin ready to face those feelings when they are too heavy to carry alone and he thinks it's his job to do so?

A Revolution in Tropes is a groundbreaking study of rhetoric and tropes. Theorizing new ways of seeing rhetoric and its relationship with democratic deliberation, Jane Sutton and Mari Lee Mifsud explore and display alloiōsis as a trope of difference, exception, and radical otherness. Their argument centers on Aristotle’s theory of rhetoric through particular tropes of similarity that sustained a vision of civic discourse but at the same time underutilized tropes of difference. When this vision is revolutionized, democratic deliberation can perform and advance its ends of equality, justice, and freedom. Marie-Odile N. Hobeika and Michele Kennerly join Sutton and Mifsud in pushing the limits of rhetoric by engaging rhetoric alloiostrophically. Their collective efforts work to display the possibilities of what rhetoric can be. A Revolution in Tropes will appeal to scholars of rhetoric, philosophy, and communication