As part of a routine research project, Brenda James applied a 16th century code-breaking technique to a small passage of Shakespeare's writing. What she discovered will stun the literary world. She discovered the true identity of the man who wrote Shakespeare's works.

The Invisible Actor presents the captivating and unique methods of the distinguished Japanese actor and director, Yoshi Oida. While a member of Peter Brook's theatre company in Paris, Yoshi Oida developed a masterful approach to acting that combined the oriental tradition of supreme and studied control with the Western performer's need to characterise and expose depths of emotion. Written with Lorna Marshall, Yoshi Oida explains that once the audience becomes openly aware of the actor's method and becomes too conscious of the actor's artistry, the wonder of performance dies. The audience must never see the actor but only his or her performance. Throughout Lorna Marshall provides contextual commentary on Yoshi Oida's work and methods. In a new foreword to accompany the Bloomsbury Revelations edition, Yoshi Oida revisits the questions that have informed his career as an actor and explores how his skilful approach to acting has shaped the wider contours of his life.

An electrifying new study that investigates the challenges of the Bard’s inconsistencies and flaws, and focuses on revealing—not resolving—the ambiguities of the plays and their changing topicality A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn’t tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. In This Is Shakespeare, Emma Smith—an intellectually, theatrically, and ethically exciting writer—takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.

Perfect for fans of Jodi Picoult, Carla Buckley’s Invisible is a stunning novel of redemption, regret, and the complex ties of familial love. Growing up, Dana Carlson and her older sister, Julie, are inseparable—Dana the impulsive one, Julie calmer and more nurturing. But then a devastating secret compels Dana to flee from home, not to see or speak to her sister for sixteen years. When she receives the news that Julie is seriously ill, Dana knows that she must return to their hometown of Black Bear, Minnesota, to try and save her sister. Yet she arrives too late, only to discover that Black Bear has changed, and so have the people in it. Julie has left behind a shattered teenage daughter, Peyton, and a mystery—what killed Julie may be killing others, too. Why is no one talking about it? Dana struggles to uncover the truth, but no one wants to hear it, including Peyton, who can’t forgive her aunt’s years-long absence. Dana had left to protect her own secrets, but Black Bear has a secret of its own—one that could tear apart Dana’s life, her family, and the whole town. “Beautifully written and unsettling . . . leaves you with a lingering sense of dread long after you close the last page.”—Chevy Stevens Look for special features inside. Join the Circle for author chats and more.

The invisible man is the unnamed narrator of this impassioned novel of black lives in 1940s America. Embittered by a country which treats him as a non-being he retreats to an underground cell.

The organization of Shakespeare's plays has challenged, even baffled audiences and critics since the 17th century. Cymbeline has been dismissed as "incoherent." Hamlet "is of no clear shape." And Antony and Cleopatra "bewilders the mind." These judgments result from an incomplete understanding of Shakespeare's constructive practice. It is not the narrative arc alone that organizes the plays but a complex structure of interwoven narrative and thematic actions. While the narrative varies from play to play, thematic actions are invariably created in mirroring pairs around the central scene: A-B-C-B-A. This symmetrical pattern, which can be visualized as an arch with a focal keystone, is the foundation of all of Shakespeare's mature work, as shown through an analysis of the 26 plays in this book. This arch illuminates the structure of plays that have long been puzzling, demonstrating that they are thematically organized and rigorously crafted. It also reveals subtleties otherwise invisible.