Presents a comparative overview of the cultural imaginations of nuclear weapons and the anticipation of nuclear destruction. It considers representations of elements of the Cold War in popular culture and thought across Europe, Japan, USSR and the USA, providing a significant addition to Cold War historiography.

This collection offers a fresh interpretation of the Cold War as an imaginary war, a conflict that had imaginations of nuclear devastation as one of its main battlegrounds. The book includes survey chapters and case studies on Western Europe, the USSR, Japan and the USA. Looking at various strands of intellectual debate and at different media, from documentary film to fiction, the chapters demonstrate the difficulties to make the unthinkable and unimaginable - nuclear apocalypse - imaginable. The book will be required reading for everyone who wants to understand the cultural dynamics of the Cold War through the angle of its core ingredient, nuclear weapons.

"Duck and cover" are unforgettable words for a generation of Americans, who listened throughout the Cold War to the unescapable propaganda of civil defense. Yet it would have been impossible to protect Americans from a real nuclear attack, and, as Guy Oakes shows in The Imaginary War, national security officials knew it. The real purpose of 1950's civil defense programs, Oakes contends, was not to protect Americans from the bomb, but to ingrain in them the moral resolve needed to face the hazards of the Cold War. Uncovering the links between national security, civil defense, and civic ethics, Oakes reveals three sides to the civil defense program: a system of emotional management designed to control fear; the fictional construction of a manageable world of nuclear attack; and the production of a Cold War ethic rooted in the mythology of the home, the ultimate sanctuary of American values. This fascinating analysis of the culture of civil defense and the official mythmaking of the Cold War will be essential reading for all those interested in American history, politics, and culture.

"Duck and cover" are unforgettable words for a generation of Americans who listened throughout the Cold War to the unescapable propaganda of civil defense. Yet it would have been impossible to protect Americans from a real nuclear attack and, as Guy Oakes shows in The Imaginary War, national security officials knew it. Oakes contends that the real purpose of 1950s civil defense programs was not to protect Americans from the bomb, but to ingrain in them the moral resolve needed to face the hazards of the Cold War. Uncovering the links between national security, civil defense, and civic ethics, Oakes reveals three sides to the civil defense program: a system of emotional management designed to control fear; the fictional construction of a manageable world of nuclear attack; and the production of a Cold War ethic rooted in the mythology of the home, the ultimate sanctuary of American values. This fascinating analysis of the culture of civil defense is a strong indictment of the official mythmaking of the Cold War. It will be essential reading for all those interested in American history, politics, and cultural studies.