How do you find out about historic buildings and places? A good place to start is with visual evidence. Original drawings, topographical views, surveys, maps, photographs and other historic visual sources help to build up an understanding of how a building or location appears the way it does today. Interpreting such material requires knowledge of historic design and mapping conventions, the place of the drawings in the construction process, the methods and techniques used to create engraved or topographical views, and the equipment and processes used in photography at particular times. In Historical Visual Sources: a guide to understanding the historic built environment the authors - professional architectural and art historians - explain the provenance, purpose and terminology of a range of visual sources from the 16th to the 20th centuries, and how they can help - or sometimes hinder - an understanding of the original form and subsequent changes to a building, site or landscape. In addition, they list the most widely used archives, such as the Royal Institute of British Architects Drawings Collection, and online and published databases of historic visual sources. This book will be of particular interest to historic buildings professionals, archaeologists, conservation architects, students of architectural history, and those involved in the preparation of conservation plans. More widely, it is hoped that the visual sources discussed and listed here may open a new and rich vein of material to different kinds of historians, genealogists, educators, students and authors.

This guidance describes a method of recording historic buildings for the purpose of historical understanding using analytical site drawing and measuring by hand. The techniques described here have a long tradition of being used to aid understanding by observation and close contact with building fabric. They can be used by all involved in making records of buildings of all types and ages, but are particularly useful for vernacular buildings and architectural details which are crucial to the history of a building or site. . Record drawings are best used alongside other recording techniques such as written reports and photography or to supplement digital survey data. They can also be used as a basis for illustrations that disseminate understanding to wider audiences.

The detailed, highly illustrated, comprehensive guide to architectural working drawings The Professional Practice of Architectural Working Drawings is a complete guide to the skills you need to create a set of drawings that clearly and effectively communicate your design. Covering everything from site, floor, framing, and foundation plans to building sections and elevations, this book presents crucial concepts and real-world techniques architects rely on every day. You'll learn the standards, customs, regulations, and symbols, alongside computer-generated drawings, 3D modeling, Building Information Modeling, and other architectural technology. This new fifth edition includes updated information on sustainability concepts, layering systems in line with AIA standards, deeper explorations of dimensioning, more sample ADA drawings, and a new selection of case studies that offer a real-world glimpse into how these topics relate to the architect's everyday work. Hundreds of drawings demonstrate important skills and concepts, and online ancillary materials offer a robust set of resources to students and instructors. Architectural drawings must be precise, accurate, and complete; they must follow certain standards that make them universally understood in the proper context. This book teaches you how to produce professional-level drawings that leave no room for questions or confusion. Create architectural drawings that effectively communicate your design Learn techniques used in both residential and light commercial projects Investigate BIM, 3D modeling, and other architectural technologies Understand dimensioning, sustainability, ADA standards, and more Architects use drawings as a second language, to effectively communicate ideas to clients, contractors, builders, and other design professionals throughout all stages of the project. The Professional Practice of Architectural Working Drawings teaches you how to become fluent in the visual language of architecture, to communicate more effectively with all project stakeholders.

Do you know a Doric column when you see one? Of course. But what about an entablature, a hypostyle, a pylon, or a pagoda? Architecture Styles uses beautifully engraved plates from the great works of architectural history to illustrate a show-and-tell journey round the architecture of civilizations east and west, from Ancient Egypt to the Industrial Revolution. Most of the drawings and engravings have been taken from early sources, unparalleled for their elegance and delicacy of line, as well as for the amount of fine detail they offer. Extended captions and annotation supply you with a complete naming of parts which, as well as identifying and defining the correct terminology, will help you to understand how architects have planned and made the buildings of the past, from Amenhotep to Palladio, and Vitruvius to Wren.

Architecture and ekphrasis examines how eighteenth-century prints and drawings of antique architecture operated as representations of thought. Using original archival material, it considers the idea of the past in the period, specifically how it was discovered and described, and investigates how space and time inform visual ekphrasis or descriptions of architecture. The idea of embodiment is used to explore the various methods of describing architecture – including graphic techniques, measurement and perspective – all of which demonstrate choices about different modes of ekphrasis. This well-illustrated, accessibly written study will be of interest to academics and students working in a broad range of subject areas. It will also be an essential teaching tool for increasingly popular cross-disciplinary courses.

The Art of Understanding Art reveals to students and other readers new and meaningful ways of developing personal ideas and opinions about art and how to express them with confidence. Offers an inquiry—unique among introductory art texts—into the learning process of understanding and appreciating art Examines the multiple issues and processes essential to making, analyzing and evaluating art Uses cross-cultural examples to help readers develop comprehensive, yet personal, ways of looking at and thinking about art Includes an annotated glossary of the 'Art World', institutions and individuals that play a role in defining art as well as diagrams, textboxes callouts and other visual elements to highlight information and enhance learning Richly illustrated with over 40 images Suggests innovative class assignments and projects useful for developing lesson plans, and offers an online companion site for additional illustrations and information

This is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding. Architecture and the Senses in the Italian Renaissance offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of 'experiential trigger' that shaped ways of both thinking and being in the world.