The decaying industrial rust-belt city of Buffalo, NY had a vibrant punk/new-wave art & music scene that started in the late '70's and continued into the 2000's. The Goo Goo Dolls and 10,000 Maniacs were two Western New York bands that went on to international fame while others had to settle for status as local legends. In August of 2018, Robby Takac, of the Goo Goo Dolls, presented a show at his GCR Audio Studio Gallery in Buffalo that renewed interest in the vintage rock posters and flyers from that era. The show was organized and curated by Don Keller a local illustrator, artist and former nightclub owner. Keller asked fellow artist, Karl Kotas, a former Buffalo native now living in New York City, to contribute his work from that era, and Karl came up with the idea to document and archive the collection into a large-format paperback. This book is the result of that collaboration. Collected from band members and the poster artists themselves, these flyers, handbills and posters seen together create a comprehensive time-capsule of a wild and crazy history of Buffalo's pop culture. The wit, wisdom, humor and satire of these printed peices of throwaway art make a compelling case that Buffalo might have had a rock scene that was just as good, and certainly as much fun, as Seattle, Austin, Chicago or even San Francisco, Los Angeles and New York City. Included are works by well-known Western New York artists like David Kane, Mark Freeland, Don Keller, Karl Kotas, Mark Wisz, Ed Besch, Bud Redding, candio, as well as other anonymous artists and band members. Groups included are: Goo Goo Dolls, The Fems,10,000 Maniacs, Electroman, Erectronics, Paper Faces, Green Jelly, Famous Blue Raincoat, Funk Monsters & Woman, Trek With Quintronic, The Headhunters, Splatcats, Factor, Full Of Grace, Consorting Angels, The Tails, Jacklords, Homeboy Sacred, ELK, Pluto Gang, David Watts, Dolly Dew & The Weiner, Crawlspace, Asleep In Church, Blaze of Glory, Tension, The Pinheads, Nullstadt, and many more. Clubs and venues featured include: The Continental, Crash, Icon, Adventure Club, Scrapyard, Uncle Sam's, The Tralfamadore, Nietzches, Goodbar, Schooners, McVans, Jingles, Cabaret 650, Hat Trick, Artist's and Models Affair and others.

Ken Follett’s magnificent historical epic begins as five interrelated families move through the momentous dramas of the First World War, the Russian Revolution, and the struggle for women’s suffrage. A thirteen-year-old Welsh boy enters a man’s world in the mining pits. . . . An American law student rejected in love finds a surprising new career in Woodrow Wilson’s White House. . . . A housekeeper for the aristocratic Fitzherberts takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with a German spy. . . . And two orphaned Russian brothers embark on radically different paths when their plan to emigrate to America falls afoul of war, conscription, and revolution. From the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty, Fall of Giants takes us into the inextricably entangled fates of five families—and into a century that we thought we knew, but that now will never seem the same again. . . .

The ideal handbook for every rock-n-roll pilgrim, Music USA tours the musical heritage of America, from New York to Seattle, stopping at all the shrines of sound in between. Coverage includes background on the development of local music styles, with details on clubs and venues, radio stations and record stores nationwide.

"Music journalist Andrew Earles provides a rundown of 500 landmark albums recorded and released by bands of the indie rock genre"--

This exhibition catalogue is published for the career retrospective of the late Manuel Spain' Rodriguez, at The Burchfield Penney Art Centre in Buffalo, NY. A curated selection of the best of Spain's work as a graphic artist, underground comic pioneer, illustrator and graphic novelist and biographer spans over 43 years. There are nearly 60 illustrations in all, more than 40 of which are plates of works in the exhibition, mostly original ink-over-pencil drawings. The book contains a foreword by Anthony Bannon, gallery director, as well as many essays.'