This collection brings together political, personal and literary essays by Israel s most celebrated living writer. Lively and undogmatic, Oz s compelling insight makes for consistently stimulating reading, while his commentary on Israel s cultural and political situation seems more relevant than ever in the light of recent events. These essays, which offer a unique perspective on the author s own experience and development, will win for Oz new readers, while delighting those already familiar with his writings.

Life of Goya and his twenty-year love affair with Maria Teresa, Duchess of Alba.

A rich and varied selection of writings from the early sixties to the present by Amos Oz, one of Israel s leading novelists, public intellectuals, and political activists. The Amos Oz Reader draws on Oz's entire body of work and is loosely grouped into four themes: the kibbutz, the city of Jerusalem, the idea of a "promised land," and his own life story. Included are excerpts from his celebrated novels, among them Where the Jackals Howl, A Perfect Peace, My Michael, Fima, Black Box, and To Know a Woman. Nonfiction is represented by selections from Under This Blazing Light, The Slopes of Lebanon, In the Land of Israel, and Oz s masterpiece, A Tale of Love and Darkness. With an illuminating introduction by Robert Alter. Praise for A Tale of Love and Darkness "A[n] ingenious work that circles around the rise of a state, the tragic destiny of a mother, a boy s creation of a new self." The New Yorker "Detailed and beautiful As he writes about himself and his family, Oz is also writing part of the history of the Jews." Los Angeles Times AMOS OZ is a prize-winning novelist and essayist whose honors include the Prix Femina, the Israel Prize, the Frankfurt Peace Prize, and the Prince of Asturias Award for Letters. Most recently, his memoir, A Tale of Love and Darkness, received the Koret Jewish Book Award. He lives in Arad. NITZA BEN-DOV is Professor of Hebrew and Comparative Literature at Haifa University, as well as a scholar of biblical poetics. ROBERT ALTER is an esteemed scholar and translator. His recent translations include The Book of Psalms and The Five Books of Moses. "

Camus’s Meursault and Thelma and Louise meet up under the blazing sun. Vexed by the ‘unremarkable star’ that ‘presses’ Camus’s Meursault to commit murder, Because the Sun considers the blazing sun as a material symbol of ambient violence – violence absorbed like heat and fired at the nearest victim. Likewise, as a friendship between women confronts gendered aggression in Thelma and Louise, the sun becomes the repository of pain, the high noon that pushes us through desert after desert. Because the Sun’s pastiche of voices embodies both stylistic and formal relentlessness by teasing out tonalities that blend and merge into each other, generating a blinding effect, like looking into the sun. “Breathless and death defying, the poems in Because the Sun are high-wire work. They sway above us in a blazing light of Burgoyne’s making. It is so rare that a book of poems is both a tuning fork for our minds as well as a balm for our bodies. But that is exactly what happens page after page in this blazing book.” —Michael Dickman, author of Days & Days “This beautiful work wraps Camus’s The Stranger in a poetics concerning erasure/+ hope. Out of the titular Sun’s burning punctum burst telling shards of what is erased by Camus’s remarkable construction of whiteness in-the-masculine: the dead ‘Arab,’ the female body’s interminable violations – but also its warming, even blinding capacity for consequential pleasures.” —Gail Scott, author of Heroine “Sarah Burgoyne begins with the sun and ends with flowers. In between is a complicated exploration of what it means to exist within a tradition that is Camus, Rimbaud, Blake. Taking her cue from Sara Ahmed, she notices how hard it is to challenge this tradition and yet that it matters to do it anyway.” —Juliana Spahr, author of That Winter the Wolf Came

Explores creative genius and fame through the life of a writer whose search for a muse has led him into dangerous and destructive places.

Two stars of contemporary architecture explore the unique handling of light and heat in the architecture of Burkina Faso Across the African continent, but especially in the sub-Saharan regions, the light has a particularly stark quality, which becomes most apparent in relation to older buildings. Before electricity, architecture was required to make use of the sun as a light source within a building, while also protecting its inhabitants from the heat. This resulted in vernacular architecture that features very few or small openings, which consequently render the inside of a building near pitch black, while the outside is illuminated by sunshine that bears down mercilessly. On the initiative of the lighting technology company Zumtobel Group, photographer Iwan Baan (born 1975) and architect Francis Kéré (born 1965) set out to capture how the sun's natural light cycle shapes vernacular architecture in Burkina Faso with little to no artificial light sources. They traveled to three exemplary locations: communal compounds in Gando; the main mosque of Bobo Dioulasso; and the terraced houses in Dano. Baan's pictures are accompanied by architectural sketches by Francis Kéré, who himself grew up in this light environment and whose architecture is inspired by it. The stunning photographs are printed using a special technique, to give a sense of being immersed in the very light conditions documented here.

"Perhaps most of the essays in this book are substitutes for stories that I have not managed to write," says Amos Oz in the preface to Under This Blazing Light. Published for the first time in English, this collection of essays reveals the personal and political thoughts of Israel's most celebrated novelist. The essays in this volume put a unique perspective on the author's own experiences and development, and reveal a complex and deeply human figure of practical political influence as well as of significant literary stature. Oz's refreshing blend of skepticism and idealism will win for him new readers, while delighting those who will recognize here the qualities evident in his other writings. Relevant in light of recent developments in the Middle East, the topics covered include an examination of the Israeli-Palestinian conflict as a dispute between "Right and Right"; a look at the meaning of socialism in the Israeli context; reflections on the concept of "Homeland" and on the nature of the Kibbutz; and reflections on the character of Zionism. The essays also include portraits of several Jewish writers and thinkers whose ideas and themes in one way or another have proved influential or determinative for Amos Oz himself. Amos Oz is widely considered to be Israel's most famous living writer. His fifteen books include My Michael, Touch the Water, Touch the Wind, In the Land of Israel, Black Box, To Know a Woman, and Fima. His work has been translated into twenty-nine languages, and he has received several major literary awards. He is currently a Professor of Modern Hebrew Literature at Ben-Gurion University.