An expert explains how the conventional wisdom about decision making can get us into trouble—and why experience can’t be replaced by rules, procedures, or analytical methods In making decisions, when should we go with our gut and when should we try to analyze every option? When should we use our intuition and when should we rely on logic and statistics? Most of us would probably agree that for important decisions, we should follow certain guidelines—gather as much information as possible, compare the options, pin down the goals before getting started. But in practice we make some of our best decisions by adapting to circumstances rather than blindly following procedures. In Streetlights and Shadows, Gary Klein debunks the conventional wisdom about how to make decisions. He takes ten commonly accepted claims about decision making and shows that they are better suited for the laboratory than for life. The standard advice works well when everything is clear, but the tough decisions involve shadowy conditions of complexity and ambiguity. Gathering masses of information, for example, works if the information is accurate and complete—but that doesn't often happen in the real world. (Think about the careful risk calculations that led to the downfall of the Wall Street investment houses.) Klein offers more realistic ideas about how to make decisions in real-life settings. He provides many examples—ranging from airline pilots and weather forecasters to sports announcers and Captain Jack Aubrey in Patrick O’Brian’s Master and Commander novels—to make his point. All these decision makers saw things that others didn’t. They used their expertise to pick up cues and to discern patterns and trends. We can make better decisions, Klein tells us, if we are prepared for complexity and ambiguity and if we will stop expecting the data to tell us everything. “I know of no one who combines theory and observation—intellectual rigor and painstaking observation of the real world—so brilliantly and gracefully as Gary Klein.” —Malcolm Gladwell, author of Outliers and Blink

Contemporary Plays by Women of Color is a ground-breaking anthology of eighteen new and recent works by African American, Asian American, Latina American and Native American playwrights. This compelling collection includes works by award-winning and well-known playwrights such as Anna Deavere Smith, Cherrie Moraga, Pearl Cleage, Marga Gomez and Spiderwoman, as well as many exciting newcomers. Contemporary Plays by Women of Color is the first anthology to display such an abundance of talent from such a wide range of today's women playwrights. The plays tackle a variety of topics - from the playful to the painful - and represent numerous different approaches to playmaking. The volume also includes: * an invaluable appendix of published plays by women of color * biographical notes on each writer * the production history of each play Contemporary Plays by Women of Color is a unique resource for practitioners, students and lovers of theatre, and an inspiring addition to any bookshelf.

The NLT Streetlights New Testament is a visually compelling, easy-to-understand resource for churches, ministries, and individuals. Linking to remarkably creative audio and video resources, the NLT Streetlights New Testament explains Christian truth to young people and serves as a basic discipleship tool for ministries. Its unique tone and approach to the gospel have strong appeal for those in an urban culture. The feature content focuses on helping the reader engage the Word of God. The Corner Talk features answer these key questions: Who is God? Who am I? What do I do? This New Testament also includes QR codes that link to the entire Streetlights New Testament Audio Bible, as well as to visually compelling teaching videos.

The Long Journey to Glory My Side of the Jacksons' Story seeks to finally set the record straight as to who discovered Michael Jackson and the Jackson 5. The book describes the truth about the real beginning of the Jackson singing group and Michael and their climb to fame. It will include the story of the Jacksons, from the family's very meager beginning in Gary, Indiana, like it has never before been told. We learn more about Joe, the father, and also the neighborhood he chose to live in. There are details surrounding the neighborhood, the little community's Little League baseball teams, the long days of practicing their music in the basement of a neighbor's home, the deceptive maneuvers used by Tito Jackson to develop his guitar-playing skills, and finally, the events surrounding the talent show at Gary's Roosevelt High School that introduced the Jacksons. The story is told by the original unknown member and leader of the group. The Jacksons continue to perform to this day. Although refined by experience and technology, the act has not essentially changed from its inception. In the early days, no one except their families knew about their rehearsals. They couldn't practice together at Joe's house, but they did practice at Reynaud's house. Since they were using his basement and he was the oldest, he automatically made himself the leader. They decided they would surprise Joe with their progress. Before then, the Jackson family wasn't charismatic to the neighbors. The neighborhood was booming with children, and the majority of them laughed teasingly at the Jacksons. There were nine Jackson children at the time living in a two-bedroom basement less house with their parents.

“An explosive read . . . Amanda Kyle Williams sets the classic private eye novel on fire.”—#1 New York Times bestselling author Lee Child Hailed by The Atlanta Journal-Constitution as “one of the most addictive new series heroines,” Keye Street is the brilliant, brash heart of a sizzling thriller full of fear and temptation, judgments and secrets, infidelity and murder. He likes them smart. In the woods of Whisper, Georgia, two bodies are found: one recently dead, the other decayed from a decade of exposure to the elements. The sheriff is going to need help to track down an experienced predator—one who abducts girls and holds them for months before ending their lives. Enter ex–FBI profiler and private investigator Keye Street. He lives for the struggle. After a few weeks, Keye is finally used to sharing her downtown Atlanta loft with her boyfriend, A.P.D. Lieutenant Aaron Rauser. Along with their pets (his dog, her cat) they seem almost like a family. But when Rauser plunks a few ice cubes in a tumbler and pours a whiskey, Keye tenses. Her addiction recovery is tenuous at best. And loves the fear. Though reluctant to head out into the country, Keye agrees to assist Sheriff Ken Meltzer. Once in Whisper, where the locals have no love for outsiders, Keye starts to piece together a psychological profile: The killer is someone who stalks and plans and waits. But why does the sociopath hold the victims for so long, and what horrible things must they endure? When a third girl goes missing, Keye races against time to connect the scant bits of evidence. All the while, she cannot shake the chilling feeling: Something dark and disturbing lives in these woods—and it is watching her every move. Praise for Amanda Kyle Williams and Don’t Talk to Strangers “There’s a new voice in Atlanta, and her name is Amanda Kyle Williams.”—Julia Spencer-Fleming, New York Times bestselling author “One of the most addictive new series heroines since Stephanie Plum.”—The Atlanta Journal-Constitution “Keye Street is my kind of detective—complicated, savvy, flawed, and blessed with a sharply observant dark wit.”—Joshilyn Jackson, New York Times bestselling author “Both Williams and Street should be around for the long haul, so discover them now from the start.”—Alafair Burke, author of Long Gone “The exciting thing about Williams’ writing is how easily she draws the reader into the drama of the story . . . and she adds enough twists and turns to keep the reader off kilter to the very end.”—The Huffington Post

How Do They Do That? A young man of Dublin walks past a row of streetlights at night--and they go out, one by one, as he passes. An engineer in Woodville, Washington, is stopped by police and his car searched to nd out what he's doing to their streetlights. An Australian in the entertainment industry parks his car in a parking lot, and the light above him goes out-until the following evening when he parks in precisely the same space and the light comes on again. And that's not all. When a guest in a restaurant in Athens, Greece, asks that the music be turned down, they refuse--whereupon she "kills" the restaurant's electricity and they eat the rest of their meal by candlelight. Other people affect traf c lights, computers, railway crossings... This is Street Light Interference (SLI). Once considered to be folklore--something that happened to a friend of a friend--today it is recognized as a scienti c enigma with implications for our knowledge of the universe, including ourselves. In this, the rst full-length book on SLI, we hear from some of the hundreds of SLIders who have reported their uncanny experiences, and consider the wider implications of this fascinating phenomenon.

Myths of the Free Market is arguably the most significant book in economics and politics since John Maynard Keynes. It systematically presents a broad range of telling criticisms of free market economics, criticisms that have not been presented elsewhere. Despite our genuine faith in the free market, laissez faire has not maximized wealth. When we moved from the purer free market policies of the 1920s and early 1930s to the proto-socialism of Roosevelt, our economic growth increased. As we have moved back to a purer free market, growth has slowed. We have lagged our trading partners who have mixed economies. Nor is this new. In the late 1800s the mixed economies of Bismarck's Germany and Meiji Japan outperformed the relatively free market economies of Great Britain and France. It is worse. Even in principle, laissez faire cannot work - it is incompatible with institutions that increase wealth. Patent protection is one example, easily generalized. It is worse yet. Laissez faire promotes the excessive concentration of wealth and exposes us all to avoidable danger. Over the last millennium there has been a 200-300 year cycle of wealth dispersion. Each time wealth disparity grew beyond a critical point it presaged decline and disaster for all of society. We now have the greatest disparity of wealth in our history. Kenneth Friedman holds an MS in Physics and PhD in Philosophy of Science from MIT. He has been interviewed in Barron's and on CNBC and quoted in The Wall Street Journal.