A stunning, powerful debut novel set against the backdrop of the Cambodian War, perfect for fans of Chris Cleave and Chimamanda Ngozi Adichie For seven-year-old Raami, the shattering end of childhood begins with the footsteps of her father returning home in the early dawn hours bringing details of the civil war that has overwhelmed the streets of Phnom Penh, Cambodia's capital. Soon the family's world of carefully guarded royal privilege is swept up in the chaos of revolution and forced exodus. Over the next four years, as she endures the deaths of family members, starvation, and brutal forced labour, Raami clings to the only remaining vestige of childhood - the mythical legends and poems told to her by her father. In a climate of systematic violence where memory is sickness and justification for execution, Raami fights for her improbable survival. Displaying the author's extraordinary gift for language, In the Shadow of the Banyanis testament to the transcendent power of narrative and a brilliantly wrought tale of human resilience. 'In the Shadow of the Banyanis one of the most extraordinary and beautiful acts of storytelling I have ever encountered' Chris Cleave, author of The Other Hand 'Ratner is a fearless writer, and the novel explores important themes such as power, the relationship between love and guilt, and class. Most remarkably, it depicts the lives of characters forced to live in extreme circumstances, and investigates how that changes them. To read In the Shadow of the Banyan is to be left with a profound sense of being witness to a tragedy of history' Guardian 'This is an extraordinary debut … as beautiful as it is heartbreaking' Mail on Sunday

Poems are fragments of life. In this contemporary poetry collection for women by Simi K. Rao, there are blissful moments; cries for help; declarations of defiance and philosophical observations. These inspirational poems are fragments of life elucidating the different phases of the human condition and will have an impact on women of all ages.

The stories of Raghbir Dhillon delight, entertain, and educate as they offer a glimpse into Indian culture, its sects, gods, and social rules and practices, but beyond this cultural veneer universal human qualities shine through and elevate these narratives beyond the simple elements of fiction.

Since his undergraduate days in Cambridge, George Yeo has spoken and written much in and out of government. Many remember the things which he said or wrote years ago. This book is a compilation of some of his best speeches and writings which were selected by Asad Latif and Lee Huay Leng in consultation with him.The book has a rather unusual title because there are many aspects to George Yeo which makes him difficult to classify. As a student leader, he was radical but conciliatory. In the Singapore Armed Forces, he was atypical, moving from the Army to the Air Force before becoming Director of Joint Operations and Planning. In politics, he is fondly remembered by artists, journalists, doctors, businessmen and foreign diplomats, and by his colleagues and constituents. His own staff said he had a curious mind. They complained that he rarely used the drafts which they had prepared for him.George Yeo describes himself as a Taoist even though he is a Roman Catholic and is now on the Papal staff. Buddhists are surprised he championed the revival of Nalanda University as an international project. He remains close to Singaporeans of different races and religions even though he has a deep sense of his own ancestral roots and religion. In politics, he has been described both as a liberal and a conservative. In his Parliamentary maiden speech, he spoke of the importance of democracy but has repeated many times that democracy is only a means and not an end in itself. He has a deep interest in history which partly explains his seeing the re-emergence of China and India earlier than most others.The bonsai and the banyan are metaphors he uses for Singapore. Singapore is a city-state and must never have an inflated view of itself. The bonsai describes Singapore modestly, but he adds that the bonsai can be intensely interesting and valuable. The banyan provides shade and we are grateful for it, but too much makes us weak. As for the Tao, that perhaps is what gives unity to his many interests.

Leading landscape photographers Diane Cook and Len Jenshel present Wise Trees—a stunning photography book containing more than 50 historical trees with remarkable stories from around the world. Supported by grants from the Expedition Council of the National Geographic Society, Cook and Jenshel spent two years traveling to fifty-nine sites across five continents to photograph some of the world’s most historic and inspirational trees. Trees, they tell us, can live without us, but we cannot live without them. Not only do trees provide us with the oxygen we breathe, food gathered from their branches, and wood for both fuel and shelter, but they have been essential to the spiritual and cultural life of civilizations around the world. From Luna, the Coastal Redwood in California that became an international symbol when activist Julia Butterfly Hill sat for 738 days on a platform nestled in its branches to save it from logging, to the Bodhi Tree, the sacred fig in India that is a direct descendent of the tree under which Buddha attained enlightenment, Cook and Jenshel reveal trees that have impacted and shaped our lives, our traditions, and our feelings about nature. There are also survivor trees, including a camphor tree in Nagasaki that endured the atomic bomb, an American elm in Oklahoma City, and the 9/11 Survivor Tree, a Callery pear at the 9/11 Memorial. All of the trees were carefully selected for their role in human dramas. This project both reflects and inspires awareness of the enduring role of trees in nurturing and sheltering humanity. Photographers, environmentalists, history buffs, and nature-lovers alike will appreciate the extraordinary stories found within the pages of Wise Trees!

They are trees of life and trees of knowledge. They are wish-fulfillers rainforest royalty more precious than gold. They are the fig trees, and they have affected humanity in profound but little-known ways. Gods, Wasps, and Stranglers tells their amazing story.

An exquisite, lovingly crafted meditation on plants, trees, and our place in the natural world, in the tradition of Robin Wall Kimmerer’s Braiding Sweetgrass and Annie Dillard’s Pilgrim at Tinker Creek “I was tired of speed. I wanted to live tree time.” So writes Sumana Roy at the start of How I Became a Tree, her captivating, adventurous, and self-reflective vision of what it means to be human in the natural world. Drawn to trees’ wisdom, their nonviolent way of being, their ability to cope with loneliness and pain, Roy movingly explores the lessons that writers, painters, photographers, scientists, and spiritual figures have gleaned through their engagement with trees—from Rabindranath Tagore to Tomas Tranströmer, Ovid to Octavio Paz, William Shakespeare to Margaret Atwood. Her stunning meditations on forests, plant life, time, self, and the exhaustion of being human evoke the spacious, relaxed rhythms of the trees themselves. Hailed upon its original publication in India as “a love song to plants and trees” and “an ode toall that is unnoticed, ill, neglected, and yet resilient,” How I Became a Tree blends literary history, theology, philosophy, botany, and more, and ultimately prompts readers to slow down and to imagine a reenchanted world in which humans live more like trees.