In ancient Ammon, a sheltered young woman fleeing her rich and powerful father’s plans for her marriage is thrust into a violent world in which her only tools – or weapons – are her knowledge of plants and healing. Under the Pomegranate Tree is a stand-alone historical novel, but does contain a character featured in the author's historical novel Judith, which is based on the apocryphal Book of Judith.

“Tariq Ali captures the humanity and splendor of Muslim Spain . . . real history as well as fiction . . . a book to be relished and devoured” (The Independent). The savagery of the Reconquest tore apart the world of the Banu Hudayl family. For the doomed Muslims of late-fifteenth-century Spain, the approaching forces of Christendom bring not peace but the sword. Capturing the brutality of a war both military and cultural—and the price paid by the innocent—Tariq Ali opens his Islam Quintet with a harrowing and profound historical fiction.

'It wasn't even a proper diary ... no dates or days or even 365 pages. But after this morning I'd be surprised to make it to the end of the week - so seven pages would be plenty. As we sat in the little courtyard listening to the gunfire in the streets below us, I started to write ... In the summer of 2014 a black plague swept across Syria, a killer cult spreading misery and murder. Sitting in the shade of the Pomegranate Tree, we meet Dilvan, a young Kurdish girl. Through the pages of her diary, we follow her quest to find her family with a determination to fight, maybe even to die - but never to surrender.

Five nuanced and powerful historical novels depicting the clashes among Muslims, Christians, and Jews from the Crusades to twenty-first-century London. Celebrated British-Pakistani journalist and author Tariq Ali takes a mind-expanding journey through the ages with these five acclaimed works of fiction, available now in one collection. Shadows of the Pomegranate Tree: “Ali captures the humanity and splendor of Muslim Spain” in “an enthralling story, unraveled with thrift and verve” (The Independent). For the doomed Moors, the fall of Granada and the approaching forces of Christendom bring not peace but the sword. The Book of Saladin: After Saladin reclaims the holy city of Jerusalem from the Crusaders, he turns to a Jewish scribe to record his story, which Edward Said calls “a narrative for our time, haunted by distant events and characters who are closer to us than we had dreamed.” The Stone Woman: “Ali paints a vivid picture of a fading world,” proclaims the New York Times Book Review, as a distant descendant of an exiled Ottoman courtier suffers a stroke in Istanbul, and his family rushes to his side to hear his last stories. A Sultan in Palermo: In “a marvelously paced and boisterously told novel of intrigue, love, insurrection and manipulation,” cartographer Muhammad al-Idrisi is caught between his friendship with King Roger of Sicily and the resentments of his fellow Muslims (The Guardian). Night of the Golden Butterfly: A Lahore-born writer living in London is called back to his homeland by an old friend who, at seventy-five, has finally fallen in love. “If Pakistan is a land of untold stories,” writes the New Statesman, Ali is “the country’s finest historian and critic.”

'Ali spins a web of tales that is as inventive and fantastical as the Arabian nights.'âe"The Times.

Mary Ellen Sanger had made her life in Mexico for 17 years when she suddenly found herself in prison in Oaxaca, Mexico, arrested on invented charges. She spent 33 days in Ixcotel State Prison in the fall of 2003. These stories of the women she met there, illuminate her biggest surprise and her only consolation in prison: the solidarity that formed among the women she lived, ate, swept and passed long days with while inside. Nine lyrical tales show the depth of emotions that insist on their own space, even in these harshest of circumstances. The largest and brawniest woman in the prison, doing time for armed robbery, kills a rat with her foot, then turns to the author for help with a very special letter. Another young woman, only nineteen years old, has already been in for three years, guilty of kidnapping her own child. And Ana, a political prisoner, teaches the author about creative ways to turn the tide, one including frog-eating snakes. Mary Ellen weaves her own tale through the stories. Accused of a crime that doesn't exist by a powerful man in Mexico, she depends on the fierce solidarity of friends on the outside, and a brilliant lawyer who trusts in the rule of law... even in Mexico. The women incarcerated in Ixcotel State Prison said that the blackbirds chattered in the lone pomegranate tree in the courtyard whenever a woman was about to be released. They are chattering now. ________________________________ Excerpt from introduction by Elena Poniatowska: Mary Ellen's hands blister, but she never shows her wounds. Nor does she show her resulting callouses. She assembles in the courtyard and joins the circle of women who at first reject her for her blond hair and her blue eyes. She shares pistachios with them, and when she innocently tells them that she likes to write poetry but the words won't come here in the pen, Concha sends her a lifeline: "Don't worry, blondie, someday you'll write the good stuff again." ... "Blackbirds in the Pomegranate Tree" is a life lesson. If they were to throw me in jail, I would carry it with me to read each night, as some read the Bible or the Gospels. In its pages I would find strength and faith in humankind, and I would know that to believe in "the others" is a path to salvation. I suppose and believe that I am not wrong in saying that for Mary Ellen, Mexico is a woman who one day, will find herself.

The Book of Saladin is the fictional memoir of Saladin, the Kurdish liberator of Jerusalem, as dictated to a Jewish scribe, Ibn Yakub. Saladin grants Ibn Yakub permission to talk to his wife and retainers so that he might present a full portrait in the Sultan’s memoirs. A series of interconnected stories follows, tales brimming over with warmth, earthy humor and passions in which ideals clash with realities and dreams are confounded by desires. At the heart of the novel is an affecting love affair between the Sultan’s favored wife, Jamila, and the beautiful Halina, a later addition to the harem. The novel charts the rise of Saladin as Sultan of Egypt and Syria and follows him as he prepares, in alliance with his Jewish and Christian subjects, to take Jerusalem back from the Crusaders. This is a medieval story, but much of it will be uncannily familiar to those who follow events in contemporary Cairo, Damascus, and Baghdad. Betrayed hopes, disillusioned soldiers and unrealistic alliances form the backdrop to The Book of Saladin.