This is the second edition, revised, of The Collections and Programs of the American Antiquarian Society - A 175th Anniversary Guide (1987). The American Antiquarian Society was founded in 1812 by the famed printer-patriot Isaiah Thomas. Today, its library houses the world's best and most accessible collections of material related to the history and culture of the United States to the year 1876.

"On January 6, 2021, Americans and the world witnessed a mob ransack the US Capitol, the "People's House," as the US Congress attempted to carry out a basic function of democracy, the certification of an election and the peaceful transfer of power. While this attack was unprecedented in its scale, threats to the Capitol are not new; and since the 1990s have included a crazed lone gunman, the attempted Al-Qaeda attack of 9/11, and bioterrorism in the form of anthrax. In addition, time and the weather have taken their toll on the building itself, as Congress chronically does not appropriate enough funds for the Capitol's preservation. The job of sustaining the Capitol building and grounds - as well as the Library of Congress and the Supreme Court - falls to the Architect of the Capitol, who also supervises the Capitol police with the sergeant at arms of the House and the Senate. As the steward of the People's House, the Architect must balance secuirty for the building and members with access by the public. As the 10th Architect of the Capitol, Alan Hantman oversaw the largest development of the Capitol in more than a century, the construction of the Capitol Visitor Center. This book describes the struggle to build the CVC, along with Hantman's negotiations with members of Congress for the funds to repair the Capitol dome and balance security with openness. Hantman was eye witness to some unforgettable scenes with new resonances after January 6th: Al Gore presiding over the certification of his own defeat in January 2001; the shooter who breached the Capitol in 1998 and murdered two police officers; and the evacuation of the Capitol on 9/11 as a hijacked plan approached. This book will be of interest to anyone who, after the tragic events of Jan 6, wants to know more about how the Capitol works a physical space; who runs it, how and why decisions are made about the security of the Capitol and the people who work there; and how politicians think about the Capitol Building"--

Explores personal and professional issues in the study of race, gender, and culture.

Prior to the nineteenth century, few Americans knew anything more of Egyptian culture than what could be gained from studying the biblical Exodus. Napoleon’s invasion of Egypt at the end of the eighteenth century, however, initiated a cultural breakthrough for Americans as representations of Egyptian culture flooded western museums and publications, sparking a growing interest in all things Egyptian that was coined Egyptomania. As Egyptomania swept over the West, a relatively young America began assimilating Egyptian culture into its own national identity, creating a hybrid national heritage that would vastly affect the memorial landscape of the nineteenth and twentieth centuries. Far more than a study of Egyptian revivalism, this book examines the Egyptian style of commemoration from the rural cemetery to national obelisks to the Sphinx at Mount Auburn Cemetery. Giguere argues that Americans adopted Egyptian forms of commemoration as readily as other neoclassical styles such as Greek revivalism, noting that the American landscape is littered with monuments that define the Egyptian style’s importance to American national identity. Of particular interest is perhaps America’s greatest commemorative obelisk: the Washington Monument. Standing at 555 feet high and constructed entirely of stone—making it the tallest obelisk in the world—the Washington Monument represents the pinnacle of Egyptian architecture’s influence on America’s desire to memorialize its national heroes by employing monumental forms associated with solidity and timelessness. Construction on the monument began in 1848, but controversy over its design, which at one point included a Greek colonnade surrounding the obelisk, and the American Civil War halted construction until 1877. Interestingly, Americans saw the completion of the Washington Monument after the Civil War as a mending of the nation itself, melding Egyptian commemoration with the reconstruction of America. As the twentieth century saw the rise of additional commemorative obelisks, the Egyptian Revival became ensconced in American national identity. Egyptian-style architecture has been used as a form of commemoration in memorials for World War I and II, the civil rights movement, and even as recently as the 9/11 remembrances. Giguere places the Egyptian style in a historical context that demonstrates how Americans actively sought to forge a national identity reminiscent of Egyptian culture that has endured to the present day.

"Collections: A Journal for Museum and Archives Professionals" is a multi-disciplinary peer-reviewed journal dedicated to the discussion of all aspects of handling, preserving, researching, and organizing collections. Curators, archivists, collections managers, preparators, registrars, educators, students, and others contribute.

How a bottom-up problem-solving ethos, multidisciplinary approach, and experimental mindset has nurtured entrepreneurship at MIT. MIT is world-famous as a launching pad for entrepreneurs. MIT alumni have founded at least 30,000 active companies, employing an estimated 4.6 million people, with revenues of approximately $1.9 trillion. In the 2010s, twenty to thirty ventures were spun off each year to commercialize technologies developed in MIT labs (with intellectual property licensed by MIT to these companies); in the same decade, MIT graduates started an estimated 100 firms per year. How has MIT become such a hotbed of entrepreneurship? In From the Basement to the Dome, Jean-Jacques Degroof describes how MIT's problem-solving ethos, multidisciplinary approach, and experimental mindset nurture entrepreneurship. Degroof explains that, at first, the culture of entrepreneurship sprang from such extracurricular activities as forums, clubs, and competitions. Eventually, the Institute formally supported these activities, offering courses in entrepreneurship. Degroof describes why entrepreneurship is so uniquely aligned with MIT's culture: a history of bottom-up decision-making, a tradition of academic excellence, a keen interest in problem-solving, a belief in experimentation, and a tolerance for failure on the way to success. Entrepreneurship is the logical outcome of MIT's motto, Mens et Manus (mind and hand) ), translating theories and scientific discoveries into products and businesses--many of which have the goal of solving some of the world's most pressing problems. Degroof maps MIT's current entrepreneurial ecosystem of students, faculty, and researchers; considers the effectiveness of teaching entrepreneurship; and outlines ways that the MIT story could inspire conversations in other institutions about promoting entrepreneurship.

An arresting memoir of the final years and tragic suicide of one of twentieth-century Europe’s greatest poets, published on the centenary of his birth. "Daive's memoir sensitively conjures a portrait of a man tormented by both his mind and his medical treatment but who nonetheless remained a generous friend and a poet for whom writing was a matter of life and death."—The New Yorker "Jean Daive's memoir of his brief but intense spell as confidant and poetic confrère of Paul Celan offers us unique access to the mind and personality of one of the great poets of the dark twentieth century."—J.M. Coetzee Paul Celan (1920–1970) is considered one of Europe's greatest post-World-War II poets, known for his astonishing experiments in poetic form, expression, and address. Under the Dome is French poet Jean Daive's haunting memoir of his friendship with Celan, a precise yet elliptical account of their daily meetings, discussions, and walks through Paris, a routine that ended suddenly when Celan committed suicide by drowning himself in the Seine. Daive's grief at the loss of his friend finds expression in Under the Dome, where we are given an intimate insight into Celan's last years, at the height of his poetic powers, and as he approached the moment when he would succumb to the debilitating emotional pain of a Holocaust survivor. In Under the Dome, Jean Daive illuminates Celan's process of thinking about poetry, grappling with questions of where it comes from and what it does: invaluable insights about poetry's relation to history and ethics, and how poems offer pathways into a deeper grasp of our past and present. This new edition of Rosmarie Waldrop’s masterful translation includes an introduction by scholars Robert Kaufman and Philip Gerard, which provides critical, historical, and cultural context for Daive’s enigmatic, timeless text. "Under the Dome breathes with Celan while walking with Celan, walking in the dark and the light with Celan, invoking the stillness, the silence, of the breathturn while speaking for the deeply human necessity of poetry."—Michael Palmer, author of The Laughter of the Sphinx "The fragments textured together in this more-than-magnificent rendering of Jean Daive’s prose poem by this master of the word, Rosmarie Waldrop, grab on and leave us haunted and speechless."—Mary Ann Caws, author of Creative Gatherings: Meeting Places of Modernism and editor of the Yale Anthology of Twentieth Century French Poetry "Rosmarie Waldrop's brilliant translation resonates with her profound knowledge of both Celan's and Daive's poetry and the passion for language that she shares with them. The text brings these three major poets together in a highly unusual and wholly successful collaboration."—Cole Swensen, author of On Walking On "Rosmarie Waldrop takes up Celan’s question to Jean Daive as her own. I cannot unread her inimitable ease in these pages. This is a book that contends with time."—Fady Joudah, author of Footnotes in the Order of Disappearance "Daive's writing is a highly punctuated recollection, a memoir, perhaps a testimony, but also surely a way of attending to the time of the writing, the conditions and coordinates of Celan's various enunciations, his linguistic humility. … Celan’s death, what Daive calls 'really unforeseeable,' remains as an 'undercurrent' in the conversations recollected here, gathered up again, with an insistence and clarity of true mourning and acknowledgement."—Judith Butler, author of The Force of Nonviolence