Under Fishbone Clouds is a universal love story, a family saga, and a journey through Chinese history, myth, and culture. Following a young Chinese couple as their love grows, and is tested, during Mao's Cultural Revolution, this elegant debut novel provides a rare and personal glimpse into the birth modern China. When the Kitchen God is challenged by the Jade Emperor to fathom the workings of the human heart, he chooses to follow the life of Jinyi and his wife Yuying, from their blossoming love until their old age, in hope of finding an answer. The Kitchen God watches as the new government strictures split their family in two, living inside their hearts as they they endure the loss of two children, homesickness, and isolation, all while keeping alive a love that survives famine, forced labor, and even death. Weaving together the story of their life with China's recent political history, as well as traditional folktales and myths, the Kitchen God illuminates the most impenetrable aspects the human condition. Sam Meekings's remarkable debut novel showcases his luminous, poetic writing, as well as insights that belong to a writer twice his age. Part love story and part historical narrative, Under Fishbone Clouds carries the weight and beauty of a lifetime's achievement.

In a series of delicately interlaced stories, Sam Meekings' richly poetic and gripping second novel follows the journeys of characters whose lives, separated by millennia, are all in some way touched by the mysterious Book of Crows - a mythical book in which the entire history of the world - past, present and future - is written down.

Three hundred years after the Conquest, as the Great Mage rules over all humankind, the long peace is over as a mysterious and omnipotent force rises on the planet Aramen, where sentient trees keep human symbionts as slaves.

On the heels of her Oprah-selected debut blockbuster "Mother of Pearl, " Melinda Haynes returns with a lush and deeply affecting story of redemption and renewal set in 1960s Mississippi.

Meera is happily submerged in the role of corporate wife and cookbook writer. Then, one day, her husband fails to come home. Overnight, Meera, disoriented and emotionally fragile, becomes responsible not just for her two children, but also her mother, grandmother and the running of Lilac House, their rambling old family home in Bangalore. A few streets away, Professor J.A. Krishnamurthy or Jak, cyclone studies expert, has recently returned from Florida, to care for his nineteen-year-old daughter, the victim of a tragic accident. What happened on her holiday in a small beachside village? The police will not help, Smriti's friends have vanished, and a wall of silence and fear surrounds the incident. But Jak cannot rest until he gets to the truth. Meera and of Jak's paths intertwine as they uncover the truth about the secrets of their pasts and the promise of the future. The Lilac House is a sweeping story of redemption, forgiveness and second chances.

Startlingly restless and immaculately compact, Manazuru paints the portrait of a woman on the brink of her own memories and future. Twelve years have passed since Kei’s husband, Rei, disappeared and she was left alone with her three–year–old daughter. Her new relationship with a married man—the antithesis of Rei—has brought her life to a numbing stasis, and her relationships with her mother and daughter have spilled into routine, day after day. Kei begins making repeated trips to the seaside town of Manazuru, a place that jogs her memory to a moment in time she can never quite locate. Her time there by the water encompasses years of unsteady footing and a developing urgency to find something. Through a poetic style embracing the surreal and grotesque, a quiet tenderness emerges from these dark moments. Manazuru is a meditation on memory—a profound, precisely delineated exploration of the relationships between lovers and family members.

Named a Most Anticipated Book by Vogue and Vulture “Alternately whimsical, sweet, and dark,” this astonishing debut novel about a lonely girl waiting for her mother “brim[s] with uncompromisingly African magical realism” (The New York Times). Ayosa is a wandering spirit—joyous, exuberant, filled to the brim with longing. Her only companions in her grandmother’s crumbling house are as lonely as Ayosa herself: the ghostly Fatumas, whose eyes are the size of bay windows, who teach her to dance and wail at the death news; the Jolly-Annas, cruel birds who cover their solitude with spiteful laughter; the milkman, who never greets Ayosa and whose milk tastes of mud; and Sindano, the kind owner of a café no one ever visits. Unexpectedly, miraculously, one day Ayosa finds a friend. Yet she is always fixed on her beautiful mama, Nabumbo Promise: a mysterious and aloof photographer, she comes and goes as she pleases, with no apology or warning. Set at the intersection of the spirit world and the human one, Things They Lost sets out a rich and magical vision of “girlhood as a time of complexity, laced with unparalleled creativity and expansion” (Vogue). Heartbreaking, elegant, and written in “giddily exuberant prose” (Financial Times), it’s a story about connection, coming-of-age, and the dizzying dualities of love at its most intoxicating and all-encompassing.