Until recently the people of Kulbi-Kenipaqan lived on the fringes of the modern world following traditional customs and beliefs, practicing shifting agriculture, and leading an outwardly peaceful existence in a remote corner of Palawan island. Yet this small community, basically indistinguishable in society and culture from its immediate neighbors to the north, has one of the highest rates of suicide in the world. Why would the comparatively happy and well-off inhabitants of Kulbi fall victim to despair? Uncultural Behavior investigates the mystery of self-inflicted death among this nonviolent and orderly people in the Southern Philippines. To make sense of such a phenomenon, Charles Macdonald probes the beliefs, customs, and general disposition of this Palawan people, exploring how they live, think, behave, and relate to one another. Early chapters examine group formation and the spatialization of social ties, material culture, marriage, and law, providing an extensive ethnographic account of the Kulbi way of life. The author offers insights into the spiritual world of the community and addresses the local theory of emotions and the words that supply the vocabulary and idiom of indigenous commentaries on suicide. A well-documented case study of a suicide and its aftermath gives readers an idea of how Kulbi people treat suicide and their conflicting views on the subject. Following an analysis of statistical information, the author presents five "profiles," bringing together motivations, actors, and circumstances. He concludes by examining the perspectives of neurobiology and genetics as well as psychology, sociology, and history.

Shame is a common and pervasive feature of the human response to death and other losses, yet this often goes unrecognized due to a reluctance to acknowledge and confront it. This book intends to expose shame for what it is, allowing clinicians to see that it is the central psychological force in the understanding of death and mourning. Kauffman and his fellow authors explore the psychology of shame via observation, reflection, theory, and practice in order to demonstrate the significant role it can play in our processing of grief, death, and trauma. The authors avoid defining a unified theory of shame in order to emphasize its multitude of meanings and the impact this has on grief and grief therapy. First-person narratives provide a personal look at death and associated feelings of guilt, shock, and grief; and other chapters consider shame in the context of cultural differences, recent events, and contemporary art, literature, and film. This is the first book to offer a comprehensive examination of this topic and, as such, will be a valuable resource for all clinicians who work with clients affected by grief and loss.

This volume celebrates the life and work of Robin Fox and the idea of a biosocial science. From his early studies of kinship, primates, the brain, evolution, the incest taboo, and aggression, to his later work on literature, politics, civilization, law, the Bible, Shakespeare, and the history of ideas, Robin Fox inspired many with an evolutionary vision of humanity that goes beyond narrow disciplinary boundaries and embraces the universal history of mankind. Fox's work represents an independent biosocial science stream of thinking that accepts the Darwinian mandate while avoiding reductionism by recognizing culture as a natural phenomenon. The essays cover Fox's life and his contributions, and address topics as diverse as the meaning and function of laughter; the unforgiving discipline of writing popular anthropology; extreme drinking rituals among young men training for the British army; Darwin and close-cousin marriage; the universal essence of the epic form as a super-attractor; anthropologists' autobiographies; the conflict between science and anti-science; and the decline of British imperial education. This engaging collection on a mainstream maverick has been edited by Michael Egan. It includes essays by Sir Antony Jay, Lionel Tiger, Howard Bloom, Michael McGuire, Kate Fox, Melvin Konner, Alan Macfarlane, Adam Kuper, Dieter Steklis, Alexandra Maryanski, Bernard Chapais, Jonathan Turner, Linda Stone, Charles Macdonald, Anne Fox, David Jenkins, Frederick Turner, Robert Trivers, and an essay by Robin Fox himself.

Twenty-three years of joint endeavors and extensive field collecting of the narratives referred to in the present volume have resulted in the availability of a multimedia archive of Philippine epics, ballads and rituals both at the Pardo de Tavera collection of the Rizal Library, Ateneo de Manila University, and online. The linguists, anthropologists, and ethno-musicologists who have contributed to this book have long been conscious of the close links between ‘Intangible Heritage’ and ‘Tangible Heritage’. In the Philippines, sung narratives have been recorded in situ (through both audio and audio-video media), transcribed, translated, digitized, and analyzed by scholars and knowledgeable persons from fifteen cultural communities in the islands of Luzon, Panay, Palawan, Mindanao, Sulu, and Tawi-Tawi. Meanwhile, other scholars have dedicated their lifelong research to the Mergui Archipelago, central Sulawesi, southwest Maluku, and East Timor. Emerging from international collaboration, the scholarship provided here seeks not only to safeguard and comprehend the uniqueness and evolving beauty of ancient sung narratives that are currently performed in the islands of Southeast Asia, but also to defend their vitality in today’s changing world. This collection of twelve essays is the most recent achievement of ongoing studies of performances by singers of tales and ritualists in contemporary socio-cultural contexts by means of pioneering initiatives in the Digital Humanities, multiple analytical approaches and expert use of our growing technical capacity to safeguard and explore Intangible Heritage.

The remains that archaeologists uncover reveal ancient minds at work as much as ancient hands, and for decades many have sought a better way of understanding those minds. This understanding is at the forefront of cognitive archaeology, a discipline that believes that a greater application of psychological theory to archaeology will further our understanding of the evolution of the human mind. Bringing together a diverse range of experts including archaeologists, psychologists, anthropologists, biologists, psychiatrists, neuroscientists, historians, and philosophers, in one comprehensive volume, this accessible and illuminating book is an important resource for students and researchers exploring how the application of cognitive archaeology can significantly and meaningfully deepen their knowledge of early and ancient humans. This seminal volume opens the field of cognitive archaeology to scholars across the behavioral sciences.

A book about the role America plays in the French imagination, as it translates to the French stage. Informed by a rich variety of Western cultural scholarship, Essif examines two dozen post-1960 works representing some of the most innovative dramaturgy of the last half century, including works by Gatti, Obaldia, Cixous, Koltes, and Vinaver.