Study of the African diaspora is now a dynamic field in the development of new methods and approaches to African history. This book brings together the latest research on African diaspora in Asia with case studies about India and the Indian Ocean islands.

A Global History of Blacks in the 19th Century: Detailed Chronologically from 1800 to 1899 is a book by Keni Hines that shines a bright spotlight on many of the missing pages of world history. His extremely informative manuscript has been designed to provide an educational uplift to the reader by presenting historical information not taught in school. The hardcover book features more than 1,200 historical accounts taken from North America, South America, Africa, Europe, Asia, and Australia. It is complete with an expansive bibliography and a detailed index.Those who enjoy reading the undisguised truth about Black History, African History, World History, U.S. History, 19th Century History, African-American History, European History, and/or Caribbean History will fall in love with the contents of this work as a textbook. Readers who have a particular focus on Black History Month, Black Studies, and African Studies will also find it to be an enormous resource. As a reference book, Hines's eye-opening book uncovers many aspects of global racism occurring during the 1800s including rebellions, slavery, the international slave trade, colonization, human and land exploitation, and the highly developed system of White Supremacy. His wide-ranging text also informs the reader about important achievements and leadership displayed by people of African descent worldwide in numerous areas including literature, music, sports, inventions, art, science, education, scholarship, religion, and military warfare.Those studying the specific role that segregation, discrimination, Jim Crow laws, systemic racism, lynchings, race riots, and massacres played in the United States during the 19th century will be thoroughly informed. Much of the fascinating details found in this book of history will mesmerize the reader-novice and scholar alike-who seeks to examine and become educated about these generally unknown details regarding the past.A Global History of Blacks in the 19th Century examines the past to allow better forward movement in the present and the future. Its ultimate goal is to enlighten and provide a positive vision to those who seek to learn more about African people during this period. The book is an excellent resource for study groups, book clubs, and educators.

Ocean of Trade offers an innovative study of trade, production and consumption across the Indian Ocean between the years 1750 and 1850. Focusing on the Vāniyā merchants of Diu and Daman, Pedro Machado explores the region's entangled histories of exchange, including the African demand for large-scale textile production among weavers in Gujarat, the distribution of ivory to consumers in Western India, and the African slave trade in the Mozambique channel that took captives to the French islands of the Mascarenes, Brazil and the Rio de la Plata, and the Arabian peninsula and India. In highlighting the critical role of particular South Asian merchant networks, the book reveals how local African and Indian consumption was central to the development of commerce across the Indian Ocean, giving rise to a wealth of regional and global exchange in a period commonly perceived to be increasingly dominated by European company and private capital.

Africa is the birthplace of humanity and civilization. And yet people generally don’t want to accept the scientific impression of Africa as the birthplace of human civilization. The skeptics include Africans themselves, a direct result of the colonial educational systems still in place across Africa, and even those Africans who acquire Western education, particularly in the humanities, have been trapped in the symptomatology of epistemic peonage. These colonial educational systems have overstayed their welcome and should be dismantled. This is where African agency comes in. Agential autonomy deserves an authoritative voice in shaping the curricular direction of Africa. Agential autonomy implicitly sanctions an Afrocentric approach to curriculum development, pedagogy, historiography, literary theory, indigenous language development, and knowledge construction. Science, technology, engineering, mathematics?information and communications technology (STEM-ICT) and research and development (R&D) both exercise foundational leverage in the scientific and cultural discourse of the kind of African Renaissance Cheikh Anta Diop envisaged. “Mr. Francis Kwarteng has written a book that looks at some of the major distortions of African history and Africa’s major contributions to human civilization. In this context, Mr. Kwarteng joins a long list of thinkers who roundly reject the foundational Eurocentric epistemology of Africa in favor of an Afrocentric paradigm of Africa’s material, spiritual, scientific, and epistemic assertion. Mr. Kwarteng places S.T.E.M. and a revision of the humanities at the center of the African Renaissance and critiques Eurocentric fantasies about Africa and its Diaspora following the critical examples of Cheikh Anta Diop, Ama Mazama, Molefi Kete Asante, Abdul Karim Bangura, Theophile Obenga, Maulana Karenga, Mubabingo Bilolo, Kwame Nkrumah, Ivan Van Sertima, W.E.B. Du Bois, and several others. Readers of this book will be challenged to look at Africa through a critical lens.” Ama Mazama, editor/author of Africa in the 21st Century: Toward a New Future “There are countless books about the evolution of European intellectual thought but scarcely any that captures the pioneering contributions of Africans since the beginning of recorded knowledge in Kmet, a.k.a. Ancient Egypt. Well, that long drought has ended with the publication of Kwarteng's An Intellectual Biography of Africa: A Philosophical Anatomy of Advancing Africa the Diopian Way. Prepare to be educated.” Milton Allimadi, author of Manufacturing Hate: How Africa Was Demonized in the Media

Rethinking the history of African enslavement in the western Indian Ocean through the lens of Iranian cinema From the East African and Red Sea coasts to the Persian Gulf ports of Bushihr, Kish, and Hurmuz, sailing and caravan networks supplied Iran and the surrounding regions with African slave labor from antiquity to the nineteenth century. This book reveals how Iranian cinema preserves the legacy of this vast and yet long-overlooked history that has come to be known as Indian Ocean slavery. How does a focus on blackness complicate traditional understandings of history and culture? Parisa Vaziri addresses this question by looking at residues of the Indian Ocean slave trade in Iranian films from the second half of the twentieth century. Revealing the politicized clash between commercial cinema (fīlmfārsī) and alternative filmmaking (the Iranian New Wave), she pays particular attention to the healing ritual zār, which is both an African slave descendent practice and a constitutive element of Iranian culture, as well as to cinematic sīyāh bāzī (Persian black play). Moving beyond other studies on Indian Ocean and trans-Saharan slavery, Vaziri highlights the crystallization of a singular mode of historicity within these cinematic examples—one of “absence” that reflects the relative dearth of archival information on the facts surrounding Indian Ocean slavery. Bringing together cinema studies, Middle East studies, Black studies, and postcolonial theory, Racial Blackness and Indian Ocean Slavery explores African enslavement in the Indian Ocean through the revelatory and little-known history of Iranian cinema. It shows that Iranian film reveals a resistance to facticity representative of the history of African enslavement in the Indian Ocean and preserves the legacy of African slavery’s longue durée in ways that resist its overpowering erasure in the popular and historical imagination. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

The coastal belts and hinterlands of East Africa and South Asia have historically shared a number of cultural traits, commodities and cosmologies circulated on the wings of the monsoon winds. The forced and voluntary migrations of Asians and Africans across the Indian Ocean littoral over several centuries have reverberated in the memories, literatures, travelogues and religious, architectural, and socio-political imaginations of both the regions. And, they continue to do so in various forms and platforms. This book explores nuances of various narratives on these long-term transcultural exchanges with a special focus on India. It explores the ways in which Africa and Africans have been narrated in South Asian history and culture in order to unravel the nuanced layers of reflexive, rhetorical, stereotypical, populist, racialist, racist and casteist frameworks that informed diverse narratives in vernacular texts, songs, films and newspaper reports. Emphasizing the interdisciplinary approaches of narratology, Afro-Asian studies, and Indian Ocean studies, the contributors enunciate how the African lives in South Asia have been selectively remembered or systematically forgotten. Through multi-sited ethnographies, multilingual archival researches and interdisciplinary frameworks, each chapter provides theoretical engagements on the basis of empirical research in such regions as Gujarat, Kerala, Karnataka, Goa, Hyderabad and Mumbai as well as in Sri Lanka. This book was originally published as a special issue of South Asian History and Culture.