(An Urban Monarch Novel Book 2) Mature Theme 18+ After being pushed away by Marcus multiple times, Ivy has given up on anything more than great sex with him. Being hurt in more ways than possible by him and his lifestyle, she runs away to Europe and returns four months later to nothing but drama. When Marcus finally tracks Ivy down, He finds out quickly that she wants nothing more to do with him and that he needs to prove to her that he's willing to change. They both want each other but are both convinced the other is Uncontainable. Will they finally be able to live a normal life or will Ivy finally give up on Marcus?

“When he robbed the casino, he left with more than money. He took me and stole a night of my life.” A DARK ROMANCE Once upon a time, a thief stole me in the middle of the night. He took what he wanted, gave me an illusion, and ripped it all away to claim his ultimate trophy. My heart may be physically weak, but fighting to live made me stronger. I won’t perish as easily as that. I’m turning the tables on him. After all, I learned from the best. I’m robbing him of what he stole from me. Note: Stolen Love is Book 3 of the Beauty in the Stolen trilogy and concludes Cas and Ian's story. Stolen Lust (Book 1) and Stolen Life (Book 2) must be read first. This dark romance trilogy is part of the Diamond Magnate collection. You don't have to read the other books to follow the story. The Diamond Magnate collection in order: Standalone Novels (Dark Arranged Marriage & Mistaken Identity Romance) Beauty in Deception Beauty in the Broken Diamonds are Forever Trilogy (Dark Mafia / Kidnapping Romance) Diamonds in the Dust (Book 1) Diamonds in the Rough (Book 2) Diamonds are Forever (Book 3) Beauty in the Stolen Trilogy (Dark Heist Romance) Stolen Lust (Book 1) Stolen Life (Book 2) Stolen Love (Book 3) Beauty in Imperfection Duology (Dark Arranged Marriage Romance) Imperfect Intentions (Book 1) Imperfect Affections (Book 2)

A vision of architecture that transcends concerns of form and function and finds the connections between the architect's wish to design a beautiful world and architecture's imperative to provide a better place for society. The forced polarity between form and function in considerations of architecture—opposing art to social interests, ethics to poetic expression—obscures the deep connections between ethical and poetical values in architectural tradition. Architecture has been, and must continue to be, writes Alberto Pérez-Gómez, built upon love. Modernity has rightly rejected past architectural excesses, but, Pérez-Gómez argues, the materialistic and technological alternatives it proposes do not answer satisfactorily the complex desire that defines humanity. True architecture is concerned with far more than fashionable form, affordable homes, and sustainable development; it responds to a desire for an eloquent place to dwell—one that lovingly provides a sense of order resonant with our dreams. In Built upon Love Pérez-Gómez uncovers the relationship between love and architecture in order to find the points of contact between poetics and ethics—between the architect's wish to design a beautiful world and architecture's imperative to provide a better place for society. Eros, as first imagined by the early lyric poets of classical Greece, is the invisible force at the root of our capacity to create and comprehend the poetic image. Pérez-Gómez examines the nature of architectural form in the light of eros, seduction, and the tradition of the poetic image in Western architecture. He charts the ethical dimension of architecture, tracing the connections between philia—the love of friends that entails mutual responsibility among equals—and architectural program. He explores the position of architecture at the limits of language and discusses the analogical language of philia in modernist architectural theory. Finally, he uncovers connections between ethics and poetics, describing a contemporary practice of architecture under the sign of love, incorporating both eros and philia.

In 1870, Dante Gabriel Rossetti published the first version of his sonnet sequence The House of Life. The next thirty years saw the greatest flourishing of the sonnet sequence since the 1590s. John Holmes's carefully researched and eloquent study illuminates how leading sonneteers, including the Rossettis, John Addington Symonds, Wilfrid Blunt and Augusta Webster, and their early twentieth-century successors Rosa Newmarch and Rupert Brooke, addressed the urgent questions of selfhood, religious belief and doubt, and sexual and national identity which troubled late Victorian England. Drawing on the heritage of the sonnet sequence, the poetic self-portraits they created are unsurpassed in their subtlety, complexity, courage, and honesty.

"Jesus wants evangelizers who proclaim the good news not only with words, but above all by a life transfigured by God's presence." -- Pope Francis In their travels around the country teaching individuals, parishes, and diocese to evangelize, authors Chris Stewart and Tony Brandt have discovered something amazing: when Catholics live their Faith it fills their lives so much joy so that they can't help but share their Faith - which increases their joy! In Casting Nets you'll learn to "catch" people for the Lord using THE SEVEN PILLARS OF EFFECTIVE EVANGELIZATION, Stewart and Brandt's tested and proven principles that allow for effective evangelization, all modeled in the life of Jesus. Prayerful Invitational Hospitable Inspirational Sacramental Formational Missionful Casting Nets is perfect for individuals or parishes searching for an effective program to share the Faith, and as a result, watch their own faith grow!

Many regard religious experience as the essence of religion, arguing that narratives might be created and rituals invented but that these are always secondary to the original experience itself. However, the concept of "experience" has come under increasing fire from a range of critics and theorists. This Reader presents writings from both those who assume the existence and possible universality of religious experience and those who question the very rhetoric of "experience". Bringing together both classic and contemporary writings, the Reader showcases differing disciplinary approaches to the study of religious experience: philosophy, literary and cultural theory, history, psychology, anthropology; feminist theory; as well as writings from within religious studies. The essays are structured into pairs, with each essay separately introduced with information on its historical and intellectual context. The ultimate aim of the Reader is to enable students to explore religious experience as rhetoric created to authorize social identities. The book will be an invaluable introduction to the key ideas and approaches for students of Religion, as well as Sociology and Anthropology. CONTRIBUTORS: Robert Desjarlais, Diana Eck, William James, Craig Martin, Russell T. McCutcheon, Wayne Proudfoot, Robert Sharf, Ann Taves, Charles Taylor, Joachim Wach, Joan Wallach Scott, Raymond Williams

This collection aims to enable the reader to disentangle some of the ambiguities and confusions which have characterized the use of the term 'historiography'.