Perceptual experience emerges from neural computations. "Unconscious Memory Representations in Perception "focuses on the role of implicit (non-conscious) memories in processing sensory information. Making sense of the wealth of information arriving at our senses requires implicit memories, which represent environmental regularities, contingencies of the sensory input, as well as general contextual knowledge. Recent findings and theories in cognitive and computational neuroscience provided new insights into the structure and contents of implicit memory representations. The chapters of this book examine implicit memories both in relatively simple situations, such as perceiving auditory and visual objects, as well as in high?level cognitive functions, such as speech and music perception and aesthetic experience. By nature, implicit memories cannot be directly studied with behavioral methods. Therefore, a large part of the evidence reviewed was obtained in neuroscientific studies. Readers with limited experience in neuroscience will find information about the most commonly used techniques in the appendix of this volume. (Series B)

"In Perception: First Form of Mind, Tyler Burge develops an understanding of the most primitive type of representational mind: perception. Focusing on its form, function, and underlying capacities, as indicated in the sciences of perception, Burge provides an account of the representational content and formal representational structure of perceptual states, and develops a formal semantics for them. The account is elaborated by an explanation of how the representational form is embedded in an iconic format. These structures are then situated in current theoretical accounts of the processing of perceptual representations, with an emphasis on the formation of perceptual categorizations. An exploration of the relationship between perception and other primitive capacities-conation, attention, memory, anticipation, affect, learning, and imagining-clarifies the distinction between perceiving, with its associated capacities, and thinking, with its associated capacities. Drawing on a broad range of historical and contemporary research, rather than relying on introspection or ordinary talk about perception, Perception: First Form of Mind is a scientifically rigorous and agenda-setting work in the philosophy of perception and the philosophy of science"--

"What is the difference between seeing and thinking? Is the border between seeing and thinking a joint in nature in the sense of a fundamental explanatory difference? Is it a difference of degree? Does thinking affect seeing, i.e. is seeing "cognitively penetrable"? Are we aware of faces, causation, numerosity and other "high-level" properties or only of the colors, shapes and textures that-according to the advocate of high level perception--are the basis on which we see them? Is perception conceptual and propositional? Is perception iconic or more akin to language in being discursive? Is seeing singular? Which is more fundamental, visual attribution or visual discrimination? Is all seeing seeing-as? What is the difference between the format and content of perception and do perception and cognition have different formats? Is perception probabilistic and if so, why are we not normally aware of this probabilistic nature of perception? Are the basic features of mind known as "core cognition" a third category in between perception and cognition? Are there perceptual categories that are not concepts? Where does consciousness fit in with regard to the difference between seeing and thinking? Do the lessons from seeing apply to other senses? These are the questions I will be exploring in this book. I will be exploring them not mainly by appeals to "intuitions" as is common in philosophy of perception but by appeal to empirical evidence, including experiments in neuroscience and psychology"--

This landmark volume brings together the work of the world's leading researchers in sublimated perception. This compilation marks a fundamental shift in the current study of subliminal effects: No longer in question is the notion that perception without awareness occurs. Now, the emphasis is on elucidating the parameters of subliminal effects and understanding the conditions under which stimuli perceived without awareness significantly influence affect, cognition, and behavior. PERCEPTION WITHOUT AWARENESS firmly establishes subliminal perception within the mainstream of psychological science. Well represented here are the two main research branches that have emerged: One directly investigates the nature of subliminal effects; the other uses subliminal techniques as tools for investigating psychological phenomena such as hypnosis, dreaming, repression, social judgment and inference, psychopathology, and symptom formation. Broadly grouped into three main sections, the contributed chapters explore * The cognitive perspective--including implicit memory and implicit perception, the measurement of unconscious perceptual processes, and methods for revealing unconscious processes * The clinical perspective--exploring the cognitive and dynamic aspects of subliminal perception, memory, and consciousness; direct recovery of subliminal stimuli; and validation of subliminal psychodynamic activation * The social perspective--discussing subliminal mere-exposure effects, affect and social perception, and the role of subliminality in social psychology Timely and thought-provoking, PERCEPTION WITHOUT AWARENESS is sure to be of enormous interest to all psychoanalytic clinicians and scholars, as well as cognitive, clinical, and social psychologists whose work touches upon issues relating to psychopathology, perception, cognition, and memory.

Is psychoanalysis a narrative of self-knowledge, or a movement of lived time and the body? Psychoanalysis and the Time of Life examines the relationship between therapy and the time of life, presenting an original and thought-provoking re-reading of psychoanalysis in relation to questions of lived time. Jan Campbell investigates the early work of Freud, Janet, Breuer and Ferenczi, linking their ideas to the philosophy of Bergson. The link between psychoanalysis and the question of time connects these early debates with current issues that are central to our global society. Questions considered include: • is the unconscious based on representation or affect? • is the Oedipal Complex hysterical? • how is therapy related to the time of our life? • what is the role of hypnosis, in relation to psychoanalytic theory and transference? • Freud conceptualised the unconscious as timeless space, but what would it mean to think of the unconscious as the very essence of psychic bodily time? This book draws on the fields of traditional psychoanalysis, philosophy, neuroscience, and trauma studies providing a valuable new perspective on familiar concepts such as identity and consciousness. It will be of interest to students across the humanities and social sciences, and practicing psychoanalysts and psychoanalytic psychotherapists.

This handbook is an essential, comprehensive resource for students and academics interested in topics in cognitive psychology, including perceptual issues, attention, memory, knowledge representation, language, emotional influences, judgment, problem solving, and the study of individual differences in cognition.

What makes a prodigy? Although child prodigies can be found in various disciplines such as music, mathematics, chess, and art, the origins of exceptional has long been controversial. Some have dismissed the notion of innate talent, arguing that prodigies benefit from strong parental, cultural, and environmental influences that helped them develop their extraordinary abilities. Others emphasize the role of genes supported by inborn predispositions. And what role do cognitive processes, from memory to the use of imagery and language, play in such rapid and early talent development? The notion of prodigy reaches to the heart of questions about creativity, intelligence, development, and the relationship between nature and nurture. This ground-breaking book presents the first scientific exploration of musical prodigies, bringing together research from psychology, neurobiology, genetics, education, musicology, and ethnomusicology, to provide a thorough exploration of prodigious talent. With fascinating case studies of prodigies and their often complex transitions into adolescence and adulthood, this is a unique investigation of a remarkable phenomenon, for anyone interested in child development, music, and the arts. --Cover.