Have hot, passionate, and deeply satisfying sex with your partner, and fall in love all over again.Are you in a sexless marriage? Wanting more passion and intimacy and afraid that without it you'll end up divorced? Do you yearn to fall in love again...adored, cherished, and enjoying the feeling that comes with knowing your partner is deeply devoted to you?Evoking Brene Brown, Esther Perel, and a voice that is uniquely her own, Alexandra Stockwell's writing is part inspiration, part practical application, and part invitation to a new world view--one where you get to bring all of who you are into your relationship and be loved because of it.You know what you want, so get this book now and learn how to create it!

This work explores how barebackers think about transmitting HIV, especially the idea that deliberately sharing it establishes a new network of kinship among the infected.

quirkyalone (kwur.kee.uh.lohn) n. adj. A person who enjoys being single (but is not opposed to being in a relationship) and generally prefers to be alone rather than date for the sake of being in a couple. With unique traits and an optimistic spirit; a sensibility that transcends relationship status. Also adj. Of, relating to, or embodying quirkyalones. See also: romantic, idealist, independent. Are you a quirkyalone? Do you know someone who is? Do you believe life can be prosperous and great with or without a mate? Do you value your friendships as much as your romantic relationships? Do gut instincts guide your most important decisions? Are you often among the first on the dance floor? Coupled or single, man or woman, social butterfly or shrinking violet, quirkyalones have walked among us, invisible until now. Through the coining of a new word, this tribe has been given a voice. Meet the quirkyalones. Read about: The quirkyalone nation: where we live, what we do Quirkytogethers (quirkyalones who have entered long–term relationships) Sex and the single quirkyalone Romantic obsession: the dark side of the quirkyalone's romantic personality Quirkyalones throughout history (profiles in courage)

In Drawing Near, John Bevere invites readers to explore a life of intimacy with God. Emphasizing the need for obedience, he urges us to practice-just as we would practice anything we hope to improve-our communication with the Holy Spirit. Understanding that prayer is a dialogue, not a monologue, Bevere encourages us to listen at the Father's feet. Study questions in each chapter offer opportunity for reflection, and a "How to draw near to God" section offers practical steps toward developing true intimacy with Him.

For fans of Sarah Dessen and John Green, this is a breathtaking debut about a couple who fall in love...twice. Before: Reena Montero has loved Sawyer LeGrande for as long as she can remember. But he's never noticed that Reena even exists...until one day, impossibly, he does. Reena and Sawyer fall in messy, complicated love. Then Sawyer disappears without a word, leaving a devastated—and pregnant—Reena behind. After: Almost three years have passed, and there's a new love in Reena's life: her daughter. Reena's gotten used to life without Sawyer, but just as suddenly as he disappeared, he turns up again. Reena wants nothing to do with him, though she'd be lying if she said his being back wasn't stirring something in her. After everything that's happened, can Reena really let herself love Sawyer LeGrande again?

A man suffering from a rare neurological disease records his thoughts about life, love, and death so that his child will know and remember his father.

In Vulgar Beauty Mila Zuo offers a new theorization of cinematic feminine beauty by showing how mediated encounters with Chinese film and popular culture stars produce feelings of Chineseness. To illustrate this, Zuo uses the vulgar as an analytic to trace how racial, gendered, and cultural identity is imagined and produced through affect. She frames the vulgar as a characteristic that is experienced through the Chinese concept of weidao, or flavor, in which bitter, salty, pungent, sweet, and sour performances of beauty produce non-Western forms of sexualized and racialized femininity. Analyzing contemporary film and media ranging from actress Gong Li’s post-Mao movies of the late 1980s and 1990s to Joan Chen’s performance in Twin Peaks to Ali Wong’s stand-up comedy specials, Zuo shows how vulgar beauty disrupts Western and colonial notions of beauty. Vulgar beauty, then, becomes the taste of difference. By demonstrating how Chinese feminine beauty becomes a cinematic invention invested in forms of affective racialization, Zuo makes a critical reconsideration of aesthetic theory.