THE STORY: Comprised of a collage of interrelated scenes, the action begins with a reunion, six years after graduation, of five close friends and classmates at Mount Holyoke College. They compare notes on their activities since leaving school and t

Imagine yourself in a pool of strong swimmers, all swimming clockwise. You, a Christian woman, are swimming counter-clockwise...counter-cultural, if you will. This book is for the woman who longs to rise up out of the stereotypical behavior of gossip, insecurity, pettiness, and small dreams. She has an unfulfilled desire to be someone who goes against the grain of the common for the sole purpose of living a life with conviction. The woman who reads this book is ready to believe in her deep value, ready to accept her high calling, and ready to make a difference in a world in need of her influence. Go ahead, swim against the stream to become The Uncommon Woman.

The authorized biography of Pulitzer Prize-winning playwright Wendy Wasserstein. In Wendy and the Lost Boys bestselling author Julie Salamon explores the life of playwright Wendy Wasserstein's most expertly crafted character: herself. The first woman playwright to win a Tony Award, Wendy Wasserstein was a Broadway titan. But with her high- pitched giggle and unkempt curls, she projected an image of warmth and familiarity. Everyone knew Wendy Wasserstein. Or thought they did. Born on October 18, 1950, in Brooklyn, New York, to Polish Jewish immigrant parents, Wendy was the youngest of Lola and Morris Wasserstein's five children. Lola had big dreams for her children. They didn't disappoint: Sandra, Wendy's glamorous sister, became a high- ranking corporate executive at a time when Fortune 500 companies were an impenetrable boys club. Their brother Bruce became a billionaire superstar of the investment banking world. Yet behind the family's remarkable success was a fiercely guarded world of private tragedies. Wendy perfected the family art of secrecy while cultivating a densely populated inner circle. Her friends included theater elite such as playwright Christopher Durang, Lincoln Center Artistic Director André Bishop, former New York Times theater critic Frank Rich, and countless others. And still almost no one knew that Wendy was pregnant when, at age forty-eight, she was rushed to Mount Sinai Hospital to deliver Lucy Jane three months premature. The paternity of her daughter remains a mystery. At the time of Wendy's tragically early death less than six years later, very few were aware that she was gravely ill. The cherished confidante to so many, Wendy privately endured her greatest heartbreaks alone. In Wendy and the Lost Boys, Salamon assembles the fractured pieces, revealing Wendy in full. Though she lived an uncommon life, she spoke to a generation of women during an era of vast change. Revisiting Wendy's works-The Heidi Chronicles and others-we see Wendy in the free space of the theater, where her many selves all found voice. Here Wendy spoke in the most intimate of terms about everything that matters most: family and love, dreams and devastation. And that is the Wendy of Neverland, the Wendy who will never grow old.

"Comprised of a collage of interrelated scenes, the action begins with a reunion, six years after graduation, of five close friends and classmates at Mount Holyoke College. They compare notes on their activities since leaving school and then, in a series of flashbacks, we see them in their college days and learn of the events, some funny, some touching, some bitingly cynical, that helped to shape them. Each of the group is a distinct individual, and it is their varying reaction to the staid, sheltered and often anachronistic university environment (with its undercurrent of sometimes darker personal desires and conclusions) gives the play its special meaning for today's young women as they go forth into the changing and often disquieting world that awaits them after graduation."--Back cover.

THE STORY: The play deals with the post-college careers (and dilemmas) of two former classmates, a short, slightly plump would-be writer named Janie Blumberg, and her tall, thin gorgeous WASP friend, Harriet Cornwall. Both are struggling to escape

This volume is a collection of essays focusing on marginalized women mostly in Central and Eastern Europe from around 1350 to 1650. "Other" women are discussed in three different categories: women whose religious practices put them on the social margins, "common women" who are in society but not of society because they are in the sex trade, and women whose occupations were reason enough to shunt them. In order to fill a gap in gender history for countries east of the Rhine River, the studies included present how official city-funded brothels in medieval Austria worked, how a princess' disability affected her life as Byzantine empress, how one unmarried Transylvanian woman who got pregnant dealt with being the center of a court case, and how enslaved women in medieval Hungary were treated as sexual property. The hope with this volume is that it will show the many interdisciplinary ways that women on the margins can be studied in this region, and to diminish the taboo of discussing this topic to begin with.

Now in paperback, an engaging and eclectic collection of essays from "the best-known living historian in the world" (The Times, London). Uncommon People collects twenty-six essays by Eric Hobsbawm, "one of the truly great synthesizers of the last few centuries of European history" (Philadelphia Inquirer). It brings back into print his classic works on labor history, working people, and social protest, pairing them with more recent, previously unpublished pieces on everything from the villainy of Roy Cohn to the genius of Count Basie, Duke Ellington, and Billie Holliday. A true Renaissance man, Hobsbawm explores topics from Mario Puzo and the MaÃŒa to Tom Paine and the radical tradition. Highlighting Hobsbawm's passionate concern for the lives and struggles of ordinary men and women, Uncommon People offers both an exciting introduction for the uninitiated as well as a broad-ranging retrospective of the work of this "erudite and influential historian" (Los Angeles Times).