A Chinese American girl describes the festivities surrounding her uncle's Chinese wedding and the customs behind each one.

A homeless boy who lives in an airport with his father, moving from terminal to terminal trying not to be noticed, is given hope when a trapped bird finally finds his freedom. Full-color illustrations.

Everyone knows that kids from Chinatown don't go to the park when the kids from Little Italy are there. They're rough, they're big, and they don't like Chinese kids. That's okay-Henry doesn't like them, either. But what Henry does like are kites. He loves them. Even more, he loves to help his friend Grandfather Chin make them, and fly them over Chinatown and the park. But when Tony Guglione and his friends from Little Italy keep throwing rocks and destroying their beautiful creations, Henry and his friends decide enough is enough! In this touching story based on true 1920's events, two rival groups of children representing two different cultures come face to face, and when they do, they find they share much more than just the same sky.

The sights, sounds, and smells of a busy Chinese take-out restaurant are seen through the eyes of the owner's young son.

SHORTLISTED FOR THE 2020 WORLD FANTASY AWARD Gods meddle in the fates of men, men play with the fates of gods, and a pretender must be cast down from the throne in this masterful first fantasy novel from Ann Leckie, New York Times bestselling author and winner of the Hugo, Nebula, and Arthur C. Clarke Awards. "Absolutely wonderful. . .utterly brilliant." -- The New York Times Book Review For centuries, the kingdom of Iraden has been protected by the god known as the Raven. He watches over his territory from atop a tower in the powerful port of Vastai. His will is enacted through the Raven's Lease, a human ruler chosen by the god himself. His magic is sustained by the blood sacrifice that every Lease must offer. And under the Raven's watch, the city flourishes. But the Raven's tower holds a secret. Its foundations conceal a dark history that has been waiting to reveal itself. . .and to set in motion a chain of events that could destroy Iraden forever. "It's a delight to read something so different, so wonderful and strange." -- Patrick Rothfuss For more Ann Leckie, check out:Ancillary JusticeAncillary SwordAncillary Mercy Provenance

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.