An overview of the traditional, changing folklife from a vibrant southern state

Winner • NAACP Image Award for Outstanding Literary Work (Fiction) Winner • Anne Izard Storytellers’ Choice Award Holiday Gift Guide Selection • Indiewire, San Francisco Chronicle, and Minneapolis Star-Tribune These nearly 150 African American folktales animate our past and reclaim a lost cultural legacy to redefine American literature. Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The Annotated African American Folktales revolutionizes the canon like no other volume. Following in the tradition of such classics as Arthur Huff Fauset’s “Negro Folk Tales from the South” (1927), Zora Neale Hurston’s Mules and Men (1935), and Virginia Hamilton’s The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly. Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull” and “Witches Who Ride,” as well as out-of-print tales from the 1890s’ Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation—a spider who plots and weaves in scandalous ways—The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of “Negro folklore” that Booker T. Washington proclaimed had emanated from a “grapevine” that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar’s volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris’s volumes by creating cartoon characters drawn from this African American lore. Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive. The Annotated African American Folktales includes: Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical background The familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s’ Southern Workman An entire section of Caribbean and Latin American folktales that finally become incorporated into the canon Approximately 200 full-color, museum-quality images

This fascinating collection of myths, legends and folktales celebrates the diversity of characters and cultures across the Sunshine State. Florida boasts mysterious tales that stretch back more than twelve thousand years. In Florida Lore, storyteller Caren Schnur Neile shares a treasure trove of colorful, curious tales that capture her home state’s history, mystery, and unique personality. Delve into the lives of the proud Wakulla Pocahontas and the Ghost of Bellamy Bridge. Meet local lawbreakers like John Ashley, as well as transplants like Ma Barker and Al Capone. Stalk stumpy gators or Hogzilla as they prowl Florida's swamps and suburbs. Discover the quintessential Cracker cowboy and the Barefoot Mailman, plus the origin of names like Boca Raton and Orlando.

Witchcraft and magic in America is an inherently multicultural experience and the folklore of our ancestors from every country converges here at a crossroads. It’s a complicated history; one of uncertainty and fear, displacement and enslavement, merging and migration. Our ancestors may not have agreed on how they saw the world or the magic that inhabits the world, but they shared a very real fear of Witches. Hags, Devils, charms and spells; witchery is rooted in our deepest superstitions and folklore. The traditions of people and their cultures stretch and intersect across the country and this is where the unique traditions of American witchcraft and magic are born. As practitioners seek to revive and reconstruct the paths of our ancestors, we’ve begun to trace the interconnected roots of witchcraft folklore as it emerged in the Americas, from the blending of people and their faiths. For multiracial practitioners, this is part of our identity as Americans and as witches of this country. Folkloric American Witchcraft and the Multicultural Experience is an exploration of the folklore, magic and witchcraft that was forged in the New World.

20+ Diverse Traditions from New England to the West Coast Drawing on the expertise of twenty-four renowned practitioners, this book features contemporary folk traditions from all over North America. Diverse as the landscapes they thrive on, these authentic practices will expand your worldview and inspire you to enrich your own spirituality. Explore the history, tools, and spiritual beliefs of many different paths of folk magic from Mexico, the United States, and Canada. You'll tour the continent's rich and varied cultures region by region, taking an insider's look at more than twenty traditions, including: Appalachian Mountain Magic • Brujeria Curanderismo • Detroit Hoodoo Florida Swamp Magic • Irish American Folk Magic Italian American Magic • Melungeon Folk Magic New England Cunning Craft • New Orleans Voodoo Ozark Folk Magic • Pennsylvania Powwow & Braucherei Slavic American Folk Magic • Southern Conjure Stephanie Rose Bird • H. Byron Ballard • Starr Casas • Ixtoii Paloma Cervantes • Kenya T. Coviak • J. Allen Cross • Alexander Cummins • Morgan Daimler • Mario Esteban Del Ángel Guevara • Lilith Dorsey • Morrigane Feu • Via Hedera • Cory Thomas Hutcheson • Melissa A. Ivanco-Murray • E. F. E. Lacharity • Dee Norman • Aaron Oberon • Robert Phoenix • Jake Richards • Sandra Santiago • Robert L. Schreiwer • Eliseo “Cheo” Torres • Benebell Wen • Brandon Weston

Digital ethnography can be understood as a method for representing real-life cultures through storytelling in digital media. Enabling audiences to go beyond absorbing facts, computer-based storytelling allows for immersion in the experience of another culture. A guide for anyone in the social sciences who seeks to enrich ethnographic techniques, Digital Ethnography offers a groundbreaking approach that utilizes interactive components to simulate cultural narratives. Integrating insights from cultural anthropology, folklore, digital humanities, and digital heritage studies, this work brims with case studies that provide in-depth discussions of applied projects. Web links to multimedia examples are included as well, including projects, design documents, and other relevant materials related to the planning and execution of digital ethnography projects. In addition, new media tools such as database development and XML coding are explored and explained, bridging the literature on cyber-ethnography with inspiring examples such as blending cultural heritage with computer games. One of the few books in its field to address the digital divide among researchers, Digital Ethnography guides readers through the extraordinary potential for enrichment offered by technological resources, far from restricting research to quantitative methods usually associated with technology. The authors powerfully remind us that the study of culture is as much about affective traits of feeling and sensing as it is about cognition—an approach facilitated (not hindered) by the digital age.