Humorous and involved tale of the attempted kidnapping of the prize pig, the Empress of Blandings.

“P.G. Wodehouse is still the funniest writer ever to have put words on paper.”—Hugh Laurie Uncle Fred’s nephew Pongo has just smashed the prized statue of his lady love’s father. His troubles multiply as the replacement bust is revealed to be a smuggling vessel filled with jewels. This bust busting gut buster has Uncle Fred and Wodehouse himself at the very height of their work.

Whenever Uncle Fred arrives in London, problems get solved, true lovers are reunited, and his nephew Pongo goes into spasms. Frederick Altamont Cornwallis Twistleton, 5th Earl of Ickenham, better known as Uncle Fred, is back “to spread sweetness and light” wherever he goes . . . much to the dismay of his nephew Pongo. Whether disguised as an eminent nerve specialist helping the ailing upper class, an anesthesiologist ready to help clip a parrot’s claws, a major returned from an exploration of Brazil, or simply George Robinson of 14 Nasturtium Road, East Dulwich, Uncle Fred is always available to help people in need (even more so if a false identity is involved). Included are three novels—Cocktail Time, Uncle Dynamite, and Service With a Smile—and the short story “Uncle Fred Flits By.”

ýWitty and effortlessly fluid. His books are laugh-out-loud funny.ýýArabella Weir Three sparkling volumes featuring that most effervescent of peers, Trederick, fifth Earl of Ickenham Perhaps it is due to the fact that his wife Jane keeps a watchful eye on him for much of the time, but when Lord Ickenham breaks free he becomes pure dynamite and bumps-a-daisy as billy-o. These three stories, ýUncle Fred in the Springtimeý, ýUncle Dynamiteý and ýCocktail Timeý, will vouch for that. Foiling a plot to relieve Lord Emsworth of his beloved prize pig, the Empress; arranging a little match-making for his love-lorn nephew Pongo Twistleton; knocking off Sir Raymond Bastableýs topper with a Brazil nut: there really are, as Uncle Fred himself admits, ýno limits, literally none, to what I can accomplish in the springtimeý.

“Wodehouse is the greatest comic writer ever.”—Douglas Adams A Brazil nut playfully flung through the window of the Drones Club catapults Uncle Fred into action in P. G. Wodehouse’s jab at the publishing industry. An anonymously penned novel about the nut incident has nobody suspecting the culprit and everybody scrambling for the royalties . . . then the movie rights come up for sale.

"[Blandings] is an entire world unto itself and, one senses, Wodehouse pours into it his deepest feelings for England." —Stephen Fry The Honourable Galahad Threepwood has decided to write his memoir—a tell-all that could destroy polite society. Everyone wants this manuscript gone, particularly Lord Emsworth’s neighbor Sir Gregory Parsloe-Parsloe, who would do anything to keep the story of the prawns buried in the past. But the memoir isn’t the only problem. A chorus girl disguised as an heiress, a double-dealing detective, a stolen prize-winning sow, and a crazy ex-secretary are only a few of the complications that must be dealt with before everyone can have their happy ending.

P.G. Wodehouse (1881-1975) was perhaps the most widely acclaimed British humorist of the twentieth century. Throughout his career, he brilliantly examined the complex and idiosyncratic nature of English upper-crust society with hilarious insight and wit. The works in this volume provide a wonderful introduction to Wodehouse’s work and his unique talent for joining fantastic plots with authentic emotion. In The Code of the Woosters, Wodehouse’s most famous duo, Bertie Wooster and his unflappable valet Jeeves, risks all to steal a cream jug. Uncle Fred in the Springtime, part of the famous Blandings Castle series, follows Uncle Fred as he attempts to ruin the Duke of Blandings while he is preoccupied with his favorite pig. Fourteen stories feature some of Wodehouse’s most memorable characters, and three autobiographical pieces provide a revealing look into Wodehouse’s life. With his gift for hilarity and his ever-human tone, Wodehouse and his work have never felt more lively. With a New Introduction by John Mortimer