The man and the idea that created modern science, as seen by one of today's most celebrated writers.

"It's impossible to grasp the whole planet or integrate all the descriptions of it. But because we live here, we have to try. This is not just an artistic compulsion or an existential yearning, still less an academic exercise. It's a survival issue. This is the only planet we have. We're stuck here, and we don't own the place—it would be the height of arrogance to assume that we do. We're tenants here, not owners, but we're tenants with hope for a long-term tenancy. We want to extend our lease just as far as we can."—from Earth: A Tenant's Manual In Earth: A Tenant's Manual, the distinguished geologist Frank H. T. Rhodes, President Emeritus of Cornell University, provides a sweeping, accessible, and deeply informed guide to the home we all share, showing us how we might best preserve the Earth's livability for ourselves and future generations. Rhodes begins by setting the scene for our active planet and explaining how its location and composition determine how the Earth works and why it teems with life. He emphasizes the changes that are of concern to us today, from earthquakes to climate change and the clashes over the energy resources needed for the Earth's exploding population. He concludes with an extended exploration of humanity's prospects on a complex, protean, and ultimately finite world. It is not a question of whether the planet is sustainable; the challenge facing life on Earth—and the life of the Earth—is whether an expanding and high-consumption species like ours is sustainable. Only new resources, new priorities, new policies and, most of all, new knowledge, can reverse the damage that humanity is doing to our home—and ourselves. A sustainable human future, Rhodes concludes in this eloquent, sobering, but ultimately optimistic book, will require a sense of responsible stewardship, for we are not owners of this planet; we are tenants. Surveying the systems, large and small, that govern Earth's processes and influence its changes, Rhodes addresses the negative consequences of human activities for the health of its regulatory systems but offers practical suggestions as to how we might effect repairs, or at least limit further damage to our home.

A cogent portrayal of a turning point in the evolution of the freedom of thought and the beginnings of modern science. Celebrated, controversial, condemned, Galileo Galilei is a seminal figure in the history of science. Both Stephen Hawking and Albert Einstein credit him as the first modern scientist. His 1633 trial before the Holy Office of the Inquisition is the prime drama in the history of the conflict between science and religion. Galileo was then sixty-nine years old and the most venerated scientist in Italy. Although subscribing to an anti-literalist view of the Bible, as per Saint Augustine, Galileo considered himself a believing Catholic. Playing to his own strengths—a deep knowledge of Italy, a longstanding interest in Renaissance and Baroque lore—Dan Hofstadter explains this apparent paradox and limns this historic moment in the widest cultural context, portraying Galileo as both humanist and scientist, deeply versed in philosophy and poetry, on easy terms with musicians, writers, and painters.

We say that the sun "rises" in the morning and "sets" at night, but is it really moving? Readers will learn about the long, sometimes dangerous struggle to discover whether the sun revolves around Earth, or Earth around the sun, and find out what scientists now know about our planet's place in the universe.

Talking bugs, electricity, the founding of empires, hobos, Nazis, whores, violence, drugs, murder, secret cabals, Heaven, Hell--William T. Vollmann is a writer of enormous novels that are stuffed with entire worlds of creation and destruction. This first ever book-length critical study traces his career to date with chapters devoted to each of his novels, as well as his short stories and major nonfiction. Vollmann is a writer of obsessions, and this study concentrates on three of them--freedom, redemption, and prostitution--while arguing that the author that dwells on them is worthy of being called one of our greatest living American writers. Also included are seven interviews spanning the years 1991-2007 that reinforce the persistence of Vollmann's attraction to these themes.

The idea of the "outside" as a space of freedom has always been central in the literature of the United States. This concept still remains active in contemporary American fiction; however, its function is being significantly changed. Outside, America argues that, among contemporary American novelists, a shift of focus to the temporal dimension is taking place. No longer a spatial movement, the quest for the outside now seeks to reach the idea of time as a force of difference, a la Deleuze, by which the current subjectivity is transformed. In other words, the concept is taking a "temporal turn." Discussing eight novelists, including Don DeLillo, Richard Powers, Paul Theroux, and Annie Proulx, each of whose works describe forces of given identities—masculine identity, historical temporality, and power, etc.—which block quests for the outside, Fujii shows how the outside in these texts ceases to be a spatial idea. With due attention to critical and social contexts, the book aims to reveal a profound shift in contemporary American fiction.