Their music could be fatal, but their legacy lives on. Mia Dermott documents the stories of surviving in the back room of a record store, seeking a connection to the father she never got a chance to know. Her latest interviewee recounts a story of the band’s first gig, and the surprisingly legacy that her father left behind: the sole bootleg of the four-piece’s gigs that actually registered their music. It’s a tape Mia needs to find if she ever wants to understand why her father chose to die. And a tape the obsessed fans would kill to hear, if only they knew where to find it. Issue 2 in The Kaleidoscope’s Children, a mosaic series of uncanny tales set in the world of Hornets Attack Your Best Friend Victor & Other Things We Called The Band.

The Grateful Dead were one of the most successful live acts of the rock era. Performing more than 2,300 shows between 1965 and 1995, the Grateful Dead’s reputation as a “live band” was—and continues to be—sustained by thousands of live concert recordings from every era of the group’s long and colorful career. In Live Dead, musicologist John Brackett examines how live recordings—from the group’s official releases to fan-produced tapes, bootlegs to “Betty Boards,” and Dick’s Picks to From the Vault—have shaped the general history and popular mythology of the Grateful Dead for more than fifty years. Drawing on a diverse array of materials and documents contained in the Grateful Dead Archive, Live Dead details how live recordings became meaningful among the band and their fans not only as sonic souvenirs of past musical performances but also as expressions of assorted ideals, including notions of “liveness,” authenticity, and the power of recorded sound.

The Musician’s Business and Legal Guide provides vital information to help demystify the music business and the complex body of law that shapes it. This book answers such questions as how to protect name and copyright; what is and is not legal about sampling; what are the legal issues surrounding digital downloads and streaming; what are the jobs of managers, talent agents and publishers; what are common contractual relationship between independent and major labels. The new edition includes chapters not covered in depth by other books: social media law, TV talent shows, YouTube, and international copyright. As in previous editions, the book features clause-by-clause contract analyses for 360 record deals, music publishing, management, and producer agreements.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Special edition of the Federal Register, containing a codification of documents of general applicability and future effect ... with ancillaries.