National consolidation and romantic novels go hand in hand in Latin America. Foundational Fictions shows how 19th century patriotism and heterosexual passion historically depend on one another to engender productive citizens.

More extreme than punk, industrial music revolted against the very ideas of order and reason. This book traces industrial music's attitudes and practices from their earliest articulations-a hundred years ago-through the genre's mid-1970s formation and beyond.

This book examines the international dimensions of democratization processes, showing the degree to which international actors, ranging from states to non-governmental players, have an influence on what were once thought of as exclusively domestic processes of political change. The contributors to the volume look at changes in foreign policy resulting from transitions to democracy in a number of countries and regions. Some of the areas covered include: Portugal and Spain in Europe in the 1970s Brazil and Argentina in Latin America from the early 1980s Eastern and Central Europe in the 1990s Various countries in the Arab World The chapters adopt a theoretical and empirical perspective: while the two introductory chapters of the book place a special emphasis on interpretation and quantitative analysis of regime change and the role of international actors in such processes, the remaining chapters examines specific case studies. The International Politics of Democratization will be of interest to students and researchers of International Relations, Politics and Democracy.

First published in 1967, This biography of Dom Pedro's reign tells how he met the problems arising from relations with the neighboring South American states, the premature political system of his own country, the struggle between church and state, the abolition of slavery, and the fostering of education. He died in exile after ruling Brazil for nearly fifty years but is ranked among the finest personalities of his time.

The aim of this book is to explore the definition(s) of ‘theatre’ and ‘metatheatre’ that scholars use when studying the ancient Greek world. Although in modern languages their meaning is mostly straightforward, both concepts become problematical when applied to ancient reality. In fact, ‘theatre’ as well as ‘metatheatre’ are used in many different, sometimes even contradictory, ways by modern scholars. Through a series of papers examining questions related to ancient Greek theatre and dramatic performances of various genres the use of those two terms is problematized and put into question. Must ancient Greek theatre be reduced to what was performed in proper theatre-buildings? And is everything was performed within such buildings to be considered as ‘theatre’? How does the definition of what is considered as theatre evolve from one period to the other? As for ‘metatheatre’, the discussion revolves around the interaction between reality and fiction in dramatic pieces of all genres. The various definitions of ‘metatheatre’ are also explored and explicited by the papers gathered in this volume, as well as the question of the distinction between paratheatre (understood as paratragedy/comedy) and metatheatre. Readers will be encouraged by the diversity of approaches presented in this book to re-think their own understanding and use of ‘theatre’ and ‘metatheatre’ when examining ancient Greek reality.