Over 250 photographs from several museums and archives adorn a chronicle of Ukrainians in North America. Begins with a survey of the political and economic conditions in the homeland; describes the three different waves of immigration over the past century; and concludes with a comparison between settlers in Canada and the US. Annotation copyrighted by Book News, Inc., Portland, OR

Exploring a rich array of folk traditions that developed in the Ukrainian diaspora and in Ukraine during the twentieth century, Ukrainian Otherlands is an innovative exploration of modern ethnic identity and the deeply felt (but sometimes deeply different) understandings of ethnicity in homeland and diaspora.

A quixotic figure, Vasile Avramenko (1895-1981) used folk culture and modern media in a life-long crusade to promote Ukraine’s struggle for independence to North American audiences. From his base in New York City, he built a network of folk dance schools and produced musical spectacles to help Ukrainian immigrants sustain their identity. His feature-length Ukrainian language films made in the 1930s with Hollywood director Edgar G. Ulmer, the “king of ethnic and B movies,” were shown throughout North America. Orest T. Martynowych’s The Showman and the Ukrainian Cause is a fascinating portrait how culture can become a political tool in a diaspora community.

In this fascinating book, Vic Satzewich traces one hundred and twenty-five years of Ukranian migration, from the economic migration at the end of the nineteenth century to the political migration during the inter-war period and throughout the 1960s and 1980s resulting from the troubled relationship between Russia and the Ukraine. The author looks at the ways the Ukranian Diaspora has retained its identity, at the different factions within it and its response to the war crimes trials of the 1980s.

The history of Ukrainian immigration, settlement, and community-building in Canada.

This book is the first comprehensive survey of Ukrainian historical writing in North America during the Cold War. The author describes the development of Ukrainian historical studies in Canada and the United States as an open, sometimes difficult dialogue between the Ukrainian ethnic and academic communities on the one hand and between Ukrainian scholars and Western academic mainstream on the other. He focuses on the institutional and the intellectual issues including various interpretations of major topics related to the Ukrainian national grand narrative, considering them in the evolving academic and political contexts of Slavic, East European, and Soviet studies.