Hasta hace muy poco, en nuestro debate era una rara avis poder escuchar a ucranianos hablar en primera persona de sus experiencias y compartir sus perspectivas, sus anhelos, como el sujeto histórico que conforman. Este libro, anterior a la invasión rusa a gran escala de 2022, surgió en gran medida en respuesta a ello. Era necesario entonces y sigue siéndolo ahora: el futuro de Ucrania como país europeo libre e independiente, un país normal, con una vida digna, sigue desgraciadamente en cuestión. Que se haya traducido al español un libro así, es muy buena noticia: en nuestra lengua y contexto cultural, es aún enorme el vacío de conocimiento sobre Ucrania - y más aún contada por intelectuales ucranianos.Así que por favor lean a estos autores y autoras ucranianas con calma, sin prejuicios ni ideas preconcebidas: escúchenles, tienen mucho que decir, que contar. Quién sabe, quizás se animen después a coger un avión y un tren - esos magníficos trenes ucranianos que me inspiraron a escribir allí - para conocer de primera mano las historias o, mejor aún, experiencias históricas vivas y personajes vivos que fluyen a través de estas páginas.

A poignant, inspirational account of women’s suffering and resilience in Stalin’s forced labor camps—diligently transcribed in the kitchens and living rooms of 9 survivors. “A worthy addition to the literature of the gulag that also features intimate glimpses of the author of Doctor Zhivago.” —Kirkus Reviews The pain inflicted by the gulags has cast a long and dark shadow over Soviet-era history. Zgustová’s collection of interviews with former female prisoners not only chronicles the hardships of the camps, but also serves as testament to the power of beauty in face of adversity. Where one would expect to find stories of hopelessness and despair, Zgustová has unearthed tales of the love, art, and friendship that persisted in times of tragedy. Across the Soviet Union, prisoners are said to have composed and memorized thousands of verses. Galya Sanova, born in a Siberian gulag, remembers reading from a hand-stitched copy of Little Red Riding Hood. Irina Emelyanova passed poems to the male prisoner she had grown to love. In this way, the arts lent an air of humanity to the women’s brutal realities. These stories, collected in the vein of Svetlana Alexievich’s Nobel Prize-winning oral histories, turn one of the darkest periods of the Soviet era into a song of human perseverance, in a way that reads as an intimate family history. “We see the darkest years of Soviet history illuminated, again and again, by small yet radiant flashes of humanity, of art, of beauty.” —Olga Grushin, author of The Dream Life of Sukhanov

A never-before-translated collection by the bestselling author of Suite Française Written between 1934 and 1942, these ten gem-like stories mine the same terrain of Némirovsky's bestselling novel Suite Française: a keen eye for the details of social class; the tensions between mothers and daughters, husbands and wives; the manners and mannerisms of the French bourgeoisie; questions of religion and personal identity. Moving from the drawing rooms of pre-war Paris to the lives of men and women in wartime France, here we find the beautiful work of a writer at the height of her tragically short career.

For deft plotting, riotous inventiveness, unforgettable characters, and language that brilliantly captures the lively rhythms of American speech, no American writer comes close to Mark Twain. This sparkling anthology covers the entire span of Twain’s inimitable yarn-spinning, from his early broad comedy to the biting satire of his later years. Every one of his sixty stories is here: ranging from the frontier humor of “The Celebrated Jumping Frog of Calaveras County,” to the bitter vision of humankind in “The Man That Corrupted Hadleyburg,” to the delightful hilarity of “Is He Living or Is He Dead?” Surging with Twain’s ebullient wit and penetrating insight into the follies of human nature, this volume is a vibrant summation of the career of–in the words of H. L. Mencken–“the father of our national literature.”

How far would you go to save a life? How far would you go to save your own life?Aleppo- Syria 2011. During the war, a child is wounded and is cared for by Samira in one of the city's hospitals.Keled tells his nurse, whom he calls his guardian angel, what his life has been like during the war. Due to his blindness, caused by an explosion, he begins to live life by the sounds around him.Samira then lives in her own flesh the search for freedom, which will lead her to be part of the sister plans of the dangerous Islamic State.It's not time to die is a poignant story full of touches blending fiction and truth, weaving together feelings of solidarity, faith, and empathy. With this novel, the author delves into the pain of children and the enslavement of women who are, in this monstrous dispute, weapons of war. Apart from the pain and sacrifices that the protagonists an antagonists go through, hope is alive and perennial, and the will to save a life is the instinct of those who have faith until the end.

How to Raise Kids Who Aren't Assholes is a clear, actionable, sometimes humorous (but always science-based) guide for parents on how to shape their kids into honest, kind, generous, confident, independent, and resilient people...who just might save the world one day. As an award-winning science journalist, Melinda Wenner Moyer was regularly asked to investigate and address all kinds of parenting questions: how to potty train, when and whether to get vaccines, and how to help kids sleep through the night. But as Melinda's children grew, she found that one huge area was ignored in the realm of parenting advice: how do we make sure our kids don't grow up to be assholes? On social media, in the news, and from the highest levels of government, kids are increasingly getting the message that being selfish, obnoxious and cruel is okay. Hate crimes among children and teens are rising, while compassion among teens has been dropping. We know, of course, that young people have the capacity for great empathy, resilience, and action, and we all want to bring up kids who will help build a better tomorrow. But how do we actually do this? How do we raise children who are kind, considerate, and ethical inside and outside the home, who will grow into adults committed to making the world a better place? How to Raise Kids Who Aren't Assholes is a deeply researched, evidence-based primer that provides a fresh, often surprising perspective on parenting issues, from toddlerhood through the teenage years. First, Melinda outlines the traits we want our children to possess—including honesty, generosity, and antiracism—and then she provides scientifically-based strategies that will help parents instill those characteristics in their kids. Learn how to raise the kind of kids you actually want to hang out with—and who just might save the world.

"Sevastopol Sketches (Sebastopol Sketches)" is a collection of three works of historical fiction in which Tolstoy draws upon his real life experiences during the Siege of Sevastopol. The titular location draws its name from that of a city in Crimea and takes place during the Crimean war. The three tales in this collection are respectively titled "Sevastopol in December", "Sevastopol in May", and "Sevastopol in August". In the December tale Tolstoy introduces us to Sevastopol by giving the reader a tour and introducing us to the settings, mannerisms, and background that would relevant in the following tales. In the May tale Tolstoy examines the senselessness of war, musings that would lay the foundation for his much larger work and magnum opus "War and Peace." In the third and final tale the fall of the town is detailed. Published in 1855 "Sevastopol" was written near the beginning of the author's literary career. It is a book in which we begin to see the writer exhibit a quality of prose that would one day establish him as the greatest of all writers in the Russian and any other language.