The little-known author Jan van Naaldwijk, whose two early sixteenth-century Dutch chronicles of Holland are preserved in autograph manuscripts in the British Library, wrote at a moment reputed to be the turning point between medieval and Renaissance modes of historical writing. While he primarily relied on the medieval historical tradition of Holland, he expanded it in ways that allow us to appreciate the broader impact of innovations occurring at the same time in more 'professional' scholarly circles. This is the first in-depth study of these chronicles and their relation to their sources, placed in the wider context of history writing running from the mid-fourteenth century into the eighteenth, providing new insights into the continuities and transitions that characterized the historical tradition of Holland from the late middle ages well into the early modern period. An accompanying cd-rom contains transcriptions of both Jan's chronicles. Winner of the Society for Renaissance Studies Book Prize 2012 Short-listed for the Royal Historical Society Gladstone Prize 2012.

More than ten years ago, some mediaevalists of the K.U.Leuven and the University of Ghent joined together to create a repertory of medieval narrative sources focusing on the southern Low Countries. A pre-print was published in a paper version and was soon followed by the electronic database entitled Narrative Sources which is available through the Internet. Since 1996, Narrative Sources has been adapted, supplemented and rearranged every year and over the years the number of inventoried items has been increased to far more than 2150 titles. The information present thus far in Narrative Sources already allows and facilitates the study of the sources as such, individually or collectively, qualitatively or quantitatively.In a next step the goal would be the exploitation of the contents, with a specific focus on monastic historiography, its social setting, and self-image. In this book some of the scholars working on this project present their work, their methodology and their results to-date.

Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.

This book investigates the chronological and narrative structure at work in the Chronicle of Halych-Volhynia, in order to answer a broader question: was the Chronicle part of a curated historical collection to create a new historiographical entity in medieval Rus’?

This book consists of an annotated translation of a history of a Cistercian monastery known as the Henryków Book (1268-1310) and of some thirty charters further illustrating that history, as well as a sustained introductory essay.

Examination of the self-produced histories of a number of religious communities, tracing out the complex reasons for their composition. The creation of a past for themselves was of pressing importance to religious communities, enabling them to increase their status and legitimise their existence. This book examines the process in a group of communities from the southern part of Flanders (the monks of Saint-Bertin at Saint-Omer, the community of Saint-Rictrude at Marchiennes and the canons of Saint-Amé at Douai) over a period running from the ninth to the end of the eleventh century. The central contention is that the communities produced their narratives (history, hagiography, charter materials) for a specific time and purpose, frequently as a response to or intended resolution of internal or external crises. The book also discusses how the circumstances which triggered narrative production had an impact not only on the content but also on the form of the texts.