'Roy Strong's diaries are a treasure . . . magnificently readable' THE TIMES 'Essential reading' TATLER 'When it comes to viperish high-society gossip, Roy Strong is in a class of his own' DAILY MAIL In January 2004, where his third volume of Diaries begins, Roy Strong was in a state of deep grief following the death of his wife, Julia Trevelyan Oman, three months earlier. Yet the following years demonstrate his determination, energy and creativity. New ideas for books are brought to fruition, regular forays into the worlds of TV and radio are made, concluding with the Sir Portrait exhibition at the National Portrait Gallery and news of his forthcoming appointment as a Companion of Honour for services to the nation's culture. Encounters with churchmen, politicians, royalty - and friends old and new - are all described with a telling eye for detail and delicious wit. While there is frustration at the changing world around him, Types and Shadows is a hugely informative and entertaining record of a uniquely full and colourful life.

With equal measures of wit and wisdom, the author of 99 Glimpses of Princess Margaret draws a deeply original, hilarious, and telling portrait of the Queen herself. She was the most famous person on earth; she first appeared on the cover of Time magazine at the age of three. When she died, few people were old enough to recall a time when she was not alive. Her likeness has been reproduced—in photographs, on stamps, on the notes and coins of thirty different currencies—more than any since Jesus. It is probable that, over the course of her ninety-six years, she was introduced to a greater number of different people than anyone else who has ever lived—likely well over half a million. Yet this most closely observed of all women rarely left any real impression on those she encountered beyond vague notions of her "radiance" and "sense of duty." A high proportion of those she met can remember what they said to her, but not a word of what she said to them. Up until now, the curious tactic employed by biographers of the Queen has been to ignore what is interesting and to concentrate on what is not. Craig Brown, the author of 150 Glimpses of the Beatles and Hello Goodbye Hello, rejects this formula, bringing his kaleidoscopic approach to the most famous—and most guarded— woman on earth, examining the Queen through a succession of interlocking prisms. With Q, this fantastically funny, marvelously insightful journalist gives us an unforgettable portrait of the omnipresent, elusive Queen Elizabeth II.

'The Alan Clark diaries of cultural politics' Sunday Times 'At every word a reputation dies' A. N. Wilson Roy Strong is best known as the flamboyant former director of two great cultural institutions - the National Portrait Gallery and the Victoria & Albert Museum. In his first volume of diaries, he takes the reader into the heart of his career, revealing himself to be not just a mercurial and brilliant administrator, but also a shrewd observer of the glittering and political milieu into which he was drawn. We encounter David Hockney in his studio, the poignant figure of Cecil Beaton in decline, Nureyev fizzing with ideas and the Philistine Mrs Thatcher among many others, including a bevy of the Royal Family. And throughout the diaries runs the thread of an exceptional marriage, following his elopement with the designer Julia Trevelyan Oman. Splendours and Miseries provides a unique panorama of the world of the arts, fashion and society, taking us from the outrageous Swinging Sixties to the hard-edged glitz of Thatcher's Britain.

Virginia Woolf’s Unwritten Histories explores the interrelatedness of Woolf’s modernism, feminism and her understanding of history as a site of knowledge and a writing practice that enabled her to negotiate her heritage, to find her place among the moderns as a female artist and intellectual, and to elaborate her poetics of the "new": not as radical rupture but as the result of a process of unwriting and rewriting "traditional" historiographical orthodoxies. Its central argument is that unless we comprehend the genealogy of Woolf’s historical thought and the complexity of its lineage, we cannot fully grasp the innovative thrust of her attempt to "think back through our mothers." Bringing together canonical texts such as Orlando (1928), A Room of One’s Own (1929), Three Guineas (1938) or Between the Acts (1941) and under-researched ones — among which stand Woolf’s essays on historians and reviews of history books and her pieces on literary history and nineteenth-century women’s literature — this book argues that Woolf’s textual "conversations" with nineteenth-century writers, historians and critics, many of which remain unexplored, are interwoven with her historiographical poiesis and constitute the groundwork for her alternative histories and literary histories: "unwritten," open-textured, unacademic and polemical counter-narratives that keep track of the past and engage politically with the future.

"Kooser has written more perfect poems than any poet of his generation." -Dana Gioia, Can Poetry Matter?

A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.

'A triumph' INDEPENDENT 'A thought-provoking and indispensable book' DAILY MAIL 'An instant classic ... I have been reading it with unalloyed admiration and delight' EVENING STANDARD Roy Strong has written an exemplary introduction to the history of Britain, as first designated by the Romans. It is a brilliant and balanced account of successive ages bound together by a compelling narrative which answers the questions: 'Where do we come from?' and 'Where are we going?' Beginning with the earliest recorded Celtic times, and ending with the present day of Brexit Britain, it is a remarkable achievement. With his passion, enthusiasm and wide-ranging knowledge, he is the ideal narrator. His book should be read by anyone, anywhere, who cares about Britain's national past, national identity and national prospects.