Six years after his election as a segregationist, Florida governor LeRoy Collins denounced racial discrimination as contrary to “moral, simple justice.” In 1991, the Florida House of Representatives eulogized Collins as the “Floridian of the Twentieth Century,” and today Collins is remembered as one of Florida’s outstanding governors. As champion against rural misrule in 1954 and as the voice of racial moderation in 1956, Collins won the two most important gubernatorial elections in Florida history. In Floridian of His Century, a political portrait of this controversial Southern governor, Martin Dyckman argues that Collins’s courageous moral leadership spared Florida the humiliation that befell other states under less enlightened leaders.

The first book-length study to examine the materials and techniques used in the fabrication and painting of the American pop artist Roy Lichtenstein’s outdoor sculpture. Vibrant color was essential to the paintings of the American pop artist Roy Lichtenstein (1923–1997), and when he began exploring the creation of outdoor sculpture in the late 1970s, vivid hues remained an important part of his artistic vocabulary. Today, preserving these remarkable works after they have endured decades in outdoor environments around the world is an issue of pressing concern. This abundantly illustrated volume is based on extensive archival research of Lichtenstein’s studio materials, interviews with his assistants, and a thorough technical analysis of the sculpture Three Brushstrokes. The book concludes with a chapter showing various options for the care, conservation, and restoration of his sculptural works, making this an essential resource for conservators, curators, and others interested both in the iconic artist and modern sculpture in general.

A critically acclaimed practitioner of conceptual and installation art, David Ireland has taken the concept of art itself as one of his subjects. This book accompanies a full-scale retrospective of his work and offers an overview of more than 30 years ofhis accomplishments.

Arranged in five thematic parts, "The Oral History Reader" covers key debates in the post-war development of oral history.

Tinderbox tells the exclusive, explosive, uninhibited true story of HBO and how it burst onto the American scene and screen to detonate a revolution and transform our relationship with television forever. The Sopranos, Game of Thrones, Sex and the City, The Wire, Succession...HBO has long been the home of epic shows, as well as the source for brilliant new movies, news-making documentaries, and controversial sports journalism. By thinking big, trashing tired formulas, and killing off cliches long past their primes, HBO shook off the shackles of convention and led the way to a bolder world of content, opening the door to all that was new, original, and worthy of our attention. In Tinderbox, award-winning journalist James Andrew Miller uncovers a bottomless trove of secrets and surprises, revealing new conflicts, insights, and analysis. As he did to great acclaim with SNL in Live from New York; with ESPN in Those Guys Have All the Fun; and with talent agency CAA in Powerhouse, Miller continues his record of extraordinary access to the most important voices, this time speaking with talents ranging from Abrams (J. J.) to Zendaya, as well as every single living president of HBO—and hundreds of other major players. Over the course of more than 750 interviews with key sources, Miller reveals how fraught HBO’s journey has been, capturing the drama and the comedy off-camera and inside boardrooms as HBO created and mobilized a daring new content universe, and, in doing so, reshaped storytelling and upended our entertainment lives forever.

This catalogue brings together for the first time 81 of Robert Morris's Blind Time Drawings, selected from the six series that make up the corpus of this work to which Morris has dedicated more than 30 years. The entire range is present from the early drawings of 1973 up to the Moral Drawings of 2000, with a particular emphasis on the fourth series, a group of works inspired by the writings of the philosopher Donald Davidson. Visually striking, the Blind Time Drawings, as the name implies, were executed by the artist with his eyes covered. Consisting of stark black-and-white contrasts, explosions of graphite, and obsessive markings that move organically throughout the page, the works are anything but haphazard. Morris followed a strict plan when doing the works, and his writing, which describes his process, is instrumental to understanding them. In addition, these works are placed within the context of Morris's Minimalist and Conceptualist masterpieces such as Card File (1962), Mirrored Cubes (1965) and Portland Mirrors (1977).