This work was produced in furtherance of the Center's statutory mandate to conduct, coordinate, and encourage programs relating to the history of the judicial branch ...

11th Subejct: National Security -- United States-- 20th century.

Arranged in five thematic parts, "The Oral History Reader" covers key debates in the post-war development of oral history.

INSTANT NEW YORK TIMES BESTSELLER “Most appealing... technical accuracy and lightness of tone... Impeccable.”—Wall Street Journal “A porthole into another world.”—Scientific American “Brings science dissemination to a new level.”—Science The most trusted explainer of the most mind-boggling concepts pulls back the veil of mystery that has too long cloaked the most valuable building blocks of modern science. Sean Carroll, with his genius for making complex notions entertaining, presents in his uniquely lucid voice the fundamental ideas informing the modern physics of reality. Physics offers deep insights into the workings of the universe but those insights come in the form of equations that often look like gobbledygook. Sean Carroll shows that they are really like meaningful poems that can help us fly over sierras to discover a miraculous multidimensional landscape alive with radiant giants, warped space-time, and bewilderingly powerful forces. High school calculus is itself a centuries-old marvel as worthy of our gaze as the Mona Lisa. And it may come as a surprise the extent to which all our most cutting-edge ideas about black holes are built on the math calculus enables. No one else could so smoothly guide readers toward grasping the very equation Einstein used to describe his theory of general relativity. In the tradition of the legendary Richard Feynman lectures presented sixty years ago, this book is an inspiring, dazzling introduction to a way of seeing that will resonate across cultural and generational boundaries for many years to come.

Visionary landscape architecture and garden design at mid-century in North America is captured by the greats of the era, including Julius Shulman and Ezra Stoller in many previously unpublished photographs. The treasures of mid-century American architecture have long been celebrated. Less appreciated has been the landscape design that provides the framing for these masterworks. But more than frame, landscape architecture is an art worthy of the spotlight, particularly at mid-century, when the notion that “gardens are outdoor spaces for people to live in” was championed and brought to the fore; now gardens and landscapes are not just external attributes to the house but a continuation of it and its living spaces in a relationship of symbiosis, with its pools and terraces, its winding lawns, and its partly enclosed room-like spaces flanked by brick or stone or plantings in a range of colors and forms. Approximately seventy-five mostly residential projects are thoroughly documented and recounted. Landscape architects whose work is featured include Thomas Church, Lawrence Halprin, and Garrett Eckbo, among others. Highlights include the dramatic surrounds of Richard Neutra’s Perkins House in its Pasadena hillside setting and Frank Lloyd Wright’s Marin County Civic Center, where environment and building comingle in an extraordinary modernist vision of the future made real. This book is both a wishful gesture toward a realignment of building with nature and a must-have for anyone with a visceral appreciation for a designed environment understood as an integrated whole. Ultimately, the book underlines the fundamental importance of gardens and landscape design, intended in the widest possible sense, for the quality of living of all individuals.