Tyler Perry is the most successful African-American filmmaker of his generation, garnering both accolades and controversies with each new film. In Tyler Perry’s America, Shayne Lee digs into eleven of Perry’s highest-grossing films to explore key themes of race, gender, class, and religion, and, ultimately, to discuss what Perry’s films reveal about contemporary African-American life. Filled with slapstick humor, musical wizardry, and religious imagery, Tyler Perry’s films have inspired legions of fans, and yet critics often dismiss them or demean their audience. Tyler Perry’s America takes the films seriously in their own right. After providing essential background information on Perry’s life and film career, the book looks at what the films reveal about post–civil rights America and why they inspire so many people. The book examines the way the films explore social class in America—featuring characters from super-rich Wesley Deeds to homeless Lindsey Wakefield—and the way Perry both celebrates upward mobility and critiques soulless wealth. The book discusses the way religion fills the films—from gospel music to biblical quotes, the power of sexuality, and more. Lee also devotes a chapter to Madea, one of Perry’s most controversial and complicated characters. Tyler Perry’s America is a thought-provoking examination of this powerhouse filmmaker which highlights the way Perry’s films appeal to viewers by connecting a rich African-American folk-cultural past with the promise of modern sophistication.

Tyler Perry is the most successful African-American filmmaker of his generation, garnering both accolades and controversies with each new film. In Tyler Perry’s America, Shayne Lee digs into eleven of Perry’s highest-grossing films to explore key themes of race, gender, class, and religion, and, ultimately, to discuss what Perry’s films reveal about contemporary African-American life. Filled with slapstick humor, musical wizardry, and religious imagery, Tyler Perry’s films have inspired legions of fans, and yet critics often dismiss them or demean their audience. Tyler Perry’s America takes the films seriously in their own right. After providing essential background information on Perry’s life and film career, the book looks at what the films reveal about post–civil rights America and why they inspire so many people. The book examines the way the films explore social class in America—featuring characters from super-rich Wesley Deeds to homeless Lindsey Wakefield—and the way Perry both celebrates upward mobility and critiques soulless wealth. The book discusses the way religion fills the films—from gospel music to biblical quotes, the power of sexuality, and more. Lee also devotes a chapter to Madea, one of Perry’s most controversial and complicated characters. Tyler Perry’s America is a thought-provoking examination of this powerhouse filmmaker which highlights the way Perry’s films appeal to viewers by connecting a rich African-American folk-cultural past with the promise of modern sophistication.

A career-spanning volume, Tyler Perry: Interviews collects sixteen interviews, ranging from the early 2000s to 2018. Once a destitute and struggling playwright, Tyler Perry (b. 1969) is now a multimedia phenomenon and one of the most lucrative auteurs in Hollywood. Known for his unwavering and audacious rhetorical style, Perry has produced an impressive body of work by rejecting Hollywood’s procedures and following his personal template. Featuring mostly African American actors and centering primarily on women, Perry’s films lace drama and comedy with Christianity. Despite the skepticism of Hollywood executives who claimed that church-going black people do not go to the movies, Perry achieved critical success with the release of his first film, Diary of a Mad Black Woman, which became the US’s highest-grossing movie of 2005. With his movies, Perry has discovered an untapped audience for the stories he has to offer—stories about adversity, faith, family, and redemption. Critics, including African American filmmaker Spike Lee, have censured Perry’s work for being repetitive and reinforcing negative stereotypes that have long plagued the African American community. Supporters, however, praise Perry for creating films that allow his audience to see themselves onscreen. Regardless of how his films are received, Perry’s accomplishments—establishing the Tyler Perry brand, building one of the largest movie studios in the country, employing more African Americans in front of and behind the camera than any other studio, and creating cinematic content for audiences other filmmakers have ignored—undeniably establish him as one of the most powerful multimedia moguls in the country.

Tyler Perry has become a significant figure in media due to his undeniable box office success led by his character Madea and popular TV sitcoms House of Payne and Meet the Browns. Perry built a multimedia empire based largely on his popularity among African American viewers and has become a prominent and dominant cultural storyteller. Along with Perry’s success has come scrutiny by some social critics and Hollywood well-knowns, like Spike Lee, who have started to deconstruct the images in Perry’s films and TV shows suggesting, as Lee did, that Perry has used his power to advance stereotypical depictions of African Americans. The book provides a rich and thorough overview of Tyler Perry’s media works. In so doing, contributors represent and approach their analyses of Perry’s work from a variety of theoretical and methodological angles. The main themes explored in the volume include the representation of (a) Black authenticity and cultural production, (b) class, religion, and spirituality, (c) gender and sexuality, and (d) Black love, romance, and family. Perry’s critical acclaim is also explored.

African Americans have played a definitive role in shaping the American traditions, economics, culture and beliefs. It is becoming increasingly clear that thousands of black Americans have added much much to the growth and development of our country. Despite the persecutions and cruelty perpetrated on blacks over the years, records show that they have accomplished much and have overcome incredible hardships with very little to sustain them but their determination , courage and faith. Of those African Americans not mentioned and remain anonymous, we set out to acknowledge and honor them.

This book explores the factors contributing to the under-representation of African American female directors in mainstream cinema leadership. It also unmasks the potential strategies African American female film directors might pursue to reduce this inequity. Author Tracy L. F. Worley draws on research around ethics to conclude that there are specific consequences of the male gaze on women in cinema leadership, especially African American female directors of box office cinema. Combining extensive analysis of ethics and ethical stance relative to the motion picture industry with perspectives from working African American female directors, the text discusses the ethical considerations and historical inequities, including the male gaze, and uses those findings to define how the inequities can be opportunities. The efficacy model for cinematic leadership is presented as a mechanism for viewing obstacles through the lenses of gender, ethnicity, and culture so they become drivers for African American women to achieve success. Ideal for students of directing and filmmaking, as well as aspiring professional filmmakers wishing to gain a better understanding of the industry as it stands today.

A comprehensive look at the history of African Americans on television that discusses major trends in black TV and examines the broader social implications of the relationship between race and popular culture as well as race and representation. Previous treatments of the history of African Americans in television have largely lacked theoretical analysis of the relationship between representations and social contexts. African Americans on Television: Race-ing for Ratings fills the existing void by supplying fundamental history with critical analyses of the racial politics of television, documenting the considerable effect that television has had on popular notions of black identity in America since the inception of television. Covering a spectrum of genres—comedy, drama, talk shows, television movies, variety shows, and reality television, including shows such as Good Times, The Oprah Winfrey Show, and Chappelle's Show—this insightful work traces a cultural genealogy of African Americans in television. Its chronological analysis provides an engaging historical account of how African Americans entered the genre of television and have continued to play a central role in the development of both the medium and the industry. The book also tracks the shift in the significance of African Americans in the television market and industry, and the changing, but enduring, face of stereotypes and racism in American television culture.