Tyagaraja 1767-1947 is the most celebrated of South Indian musician saints. This book explores some of the growth processes, the transmission patterns and the cultural creativity involved in South Indian bhakti traditions, using examples of Tyagaraja`s life story, songs and social signigicance as case studies.

The Buddhist monk Upagupta, who preached and taught meditative practices in Northwest India over two thousand years ago, is venerated today by the laity in parts of Burma, Thailand, and laos as a proctective figure endowed with magical powers. The author demonstrates a remarkable continuity among traditions focused on Upagupta in ancient Sarvastivadin Sanskrit materials, key Pali texts, medieval Thai and Burmese texts, and rituals in Southeast Asia. In so doing he reflects the orientation of popular Sanskrit Hinayana Buddhism, which allows for new perspectives on such classic questions as the nature of enlightnment, the evil, the worship of the Buddha image, the veneration of saints, master-disciple relationships, the treatment of heterodoxy, and the relation of myth and ritual.

Tiruvarur in the Thanjavur district of Tamilnadu was the centre of Saiva and Sakta worship from very ancient times. The Saiva cult revolved around the Tyagaraja icon enshrined in a temple bearing the name of the image. Interestingly, Tyagaraja is not the principle deity but a processional icon and is in fact an amalgam of three deities--Siva his consort Uma and their child Skanda. Tyagaraja is a Somaskanda and the first visual representation of this composite deity can be traced to the time of Pallava rule.

For more than fifty years, students and teachers have made the two-volume resource Sources of Indian Traditions their top pick for an accessible yet thorough introduction to Indian and South Asian civilizations. Volume 2 contains an essential selection of primary readings on the social, intellectual, and religious history of India from the decline of Mughal rule in the eighteenth century to today. It details the advent of the East India Company, British colonization, the struggle for liberation, the partition of 1947, and the creation of Pakistan, Bangladesh, and contemporary India. This third edition now begins earlier than the first and second, featuring a new chapter on eighteenth-century intellectual and religious trends that set the stage for India's modern development. The editors have added material on Gandhi and his reception both nationally and abroad and include different perspectives on and approaches to Partition and its aftermath. They expand their portrait of post-1947 India and Pakistan and add perspectives on Bangladesh. The collection continues to be divided thematically, with a section devoted to the drafting of the Indian constitution, the rise of nationalism, the influence of Western thought, the conflict in Kashmir, nuclear proliferation, minority religions, secularism, and the role of the Indian political left. A phenomenal text, Sources of Indian Traditions is more indispensable than ever for courses in philosophy, religion, literature, and intellectual and cultural history.

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

The Vijayanagara Empire flourished in South India between 1336 and 1565. Conveying the depth and creativity of Hindu religious and literary expression during that time, Vijayanagara Voices explores some of the contributions made by poets, singer-saints, and philosophers. Through translations and discussions of their lives and times, Jackson presents the voices of these cultural figures and reflects on the concerns of their era, looking especially into the vivid images in their works and their legends. He examines how these images convey both spiritual insights and physical experiences with memorable candour. The studies also raise intriguing questions about the empire's origins and its response to Muslim invaders, its 'Hinduness', and reasons for its ultimate decline. Vijayanagara Voices is a book about patterns in history, literature and life in South India. By examining the culture's archetypal displays, by understanding the culture in its own terms, and by comparing associated images and ideas from other cultures, this book offers unique insights into a rich and influential period in Indian history.

In this volume, sixty-eight of the world's leading authorities explore and describe the wide range of musics of India, Pakistan, Bangladesh, Sri Lanka, Kashmir, Nepal and Afghanistan. Important information about history, religion, dance, theater, the visual arts and philosophy as well as their relationship to music is highlighted in seventy-six in-depth articles.