Ty Cobb called baseball a “red-blooded game for red-blooded men,” warning that “molly coddles had better stay out.” By this, Cobb meant that baseball was the ultimate expression of the masculine ideal – a game of aggression, rivalry, physical and mental dexterity, self-reliance, and primal honor. For over twenty years, Cobb expressed his fierce brand of manhood in ballparks throughout the American Northeast, gaining for himself a level of celebrity that was unsurpassed in the early twentieth century. Fans idolized Cobb not only because he was the best player in the game, but because his boisterous and combative style of play satisfied their desire for exhibitions of visceral manhood. They found in Cobb an antidote for what they feared were the corrupting influences of over-civilization. With balance, precision, and empathy, Steven Elliott Tripp brings the era to life in a narrative Publisher’s Weekly has called “stunning.” In contrast to recent biographies of Cobb that have tried to minimize his more brutish behavior and minimize his racial antipathies, Tripp contextualizes Cobb, placing him squarely within the cultural milieu of both the rural South of his birth and the Northern sporting culture of his professional career. Moreover, Tripp’s reconstruction of early twentieth-century sporting culture isolates an important source of modern America’s culture of hyper-masculinity. Ty Cobb, Baseball, and American Manhood is both an important work of social and cultural history and an absorbing tale of ambition and the quest for dominance. Tripp has written the rare narrative that is as appealing to scholars as it is to general readers and sports enthusiasts.

Veteran sports writer S. A. Kramer recounts the on-the-field triumphs and off-the-field troubles of the tormented "Georgia Peach," perhaps the most hated man ever to play baseball.

Published in 1914, Busting 'Em was the first of three books credited to Ty Cobb the author. Though in fact it was ghostwritten by John N. Wheeler, who also penned Mathewson's Pitching in a Pinch, the book fascinates with its insights into Cobb as a public figure. The reader is presented Cobb's explanation of the beating incident at Hilltop Park, the Baker spiking, and his contentious relationship with teammates. His thoughts--or those he sanctioned--of umpires, his contemporaries, crowds, and strategy are also shared. This book, long out of print and increasingly hard to find, is essential reading for those who would understand Cobb's awareness of and investment in the shape of his public image.

The New York Times–bestselling, award-winning biography of the baseball superstar: “The best work ever written on this American sports legend.” —The Boston Globe Ty Cobb is baseball royalty, maybe even the greatest player ever. His lifetime batting average is still the highest in history, and when he retired in 1928, after twenty-one years with the Detroit Tigers and two with the Philadelphia Athletics, he held more than ninety records. But the numbers don’t tell half of Cobb’s tale. The Georgia Peach was by far the most thrilling player of the era: When the Hall of Fame began in 1936, he was the first player voted in. But Cobb was also one of the game’s most controversial characters. He got in a lot of fights, on and off the field, and was often accused of being overly aggressive. Even his supporters acknowledged that he was a fierce competitor, but he was also widely admired. After his death in 1961, however, his reputation morphed into that of a virulent racist who also hated children and women, and was in turn hated by his peers. How did this happen? Who is the real Ty Cobb? Setting the record straight, Charles Leerhsen pushed aside the myths, traveled to Georgia and Detroit, and re-traced Cobb’s journey from the shy son of a professor and state senator who was progressive on race for his time to America’s first true sports celebrity. The result is a “noble [and] convincing” (The New York Times Book Review) biography that is “groundbreaking, thorough, and compelling . . . The most complete, well-researched, and thorough treatment that has ever been written” (The Tampa Tribune).

Ty Cobb was one of the most famous baseball players who every lived. The author puts Cobb into the context of his times, describing the very different game on the field then, and successfully probes Cobb's complex personality.

The Cooperstown Symposium on Baseball and American Culture, 2009-2010 is an anthology of scholarly essays that utilize the national game to examine topics whose import extends beyond the ballpark and constitute a significant academic contribution to baseball literature. The essays represent sixteen of the leading presentations from the two most recent proceedings of the annual Cooperstown Symposium on Baseball and American Culture, held, respectively, on June 3-5, 2009, and June 2-4, 2010. The anthology is divided into five parts: Baseball as Culture: Dance, Literature, National Character, and Myth; Constructing Baseball Heroes; Blacks in Baseball: From Segregation to Conflicted Integration; The Enterprise of Baseball: Economics and Entrepreneurs; and Genesis and Legacy of Baseball Scholarship, which features an essay written by the co-creator of baseball scholarship, Dorothy Seymour Mills.