A rare combination of personal and academic, this book showcases the myriad avenues for transcending the boundaries of reality through direct sensory experience. The Varieties of Magical Experience: Indigenous, Medieval, and Modern Magic provides a comprehensive volume that examines magic in all its aspects. Through detailed case studies, verbatim accounts of personal experiences, and first-hand experience from the authors' own active participation in many alternative religious rituals and ceremonies, this unique book reveals how magic can be a universal phenomenon that crosses cultural, historical, and spatial boundaries. The work is organized in five sections that embrace several broad themes: indigenous magical and shamanic practices; medieval witchcraft; sorcery and hermetic magic; and contemporary Western magical practices, including the role of sexuality, trance, and meditation. The introductory section explores the idea of magic, other realities, and the employment of all the senses, while the final section discusses contemporary issues of ecology and cybermagic. The authors give voice to the powerful emotions and feelings that result from a magical encounter, providing engaging and accessible information to general readers, while those well versed in the opaque world of magic and occultism, consciousness studies, and imaginal and disembodied realms will appreciate the book's content at a deeper level.

The Western magical traditions are currently undergoing an international resurgence. In Stealing Fire from Heaven, Nevill Drury offers an overview of the modern occult revival and seeks to explain this growing interest in ancient magical belief systems. Gnosticism and the Hermetica, the medieval Kabbalah, Tarot and Alchemy, and more recently, Rosicrucianism and Freemasonry, collectively laid the basis for the modern magical revival, which first began to gather momentum in Europe at the end of the nineteenth century. Western magic has since become increasingly eclectic, drawing on such diverse sources as classical Greco-Roman mythology, Celtic cosmology, Kundalini yoga and Tantra, shamanism, chaos theory, and the various spiritual traditions associated in many different cultures with the Universal Goddess. Drury traces the rise of various forms of magical belief and practice, from the influential Hermetic Order of the Golden Dawn to the emergence of Wicca and Goddess worship as expressions of contemporary feminine spirituality. He also explores Chaos Magick and the occult practices of the so-called Left-Hand Path, as well as twenty-first-century magical forays into cyberspace. He believes that the rise of modern Western magic stems essentially from the quest for personal spiritual transformation and direct experience of the sacred--a quest which the trance occultist and visionary artist Austin Osman Spare once referred to as "stealing fire from heaven." Considered in this light, Drury argues, modern Western magic can be regarded as a form of alternative spirituality in which the practitioners seek direct engagement with the mythic realm.

Explore Three Centuries of Vital Tarot Texts by Leading Authorities on Western Magic Featuring invaluable essays written by prominent occultists from the 18th, 19th, and 20th centuries, this must-have collection presents the fascinating evolution of Tarot as a magical tool. Renowned occult scholar Donald Tyson has edited and annotated these works, and he offers his full English translation of two Tarot essays from Antoine Court de Gébelin's Monde Primitif. This compendium also provides, for the first time anywhere, a complete understanding of the essays on the English Method of playing card divination, an important precursor to reading Tarot's suit cards. Essential Tarot Writings reveals where many of our fundamental assumptions about the Tarot come from, including card meanings, Hebrew and Kabbalistic correspondences, and how the cards are used in ceremonial magic. All of the essays are connected by each century's understanding of Tarot and the influences these great thinkers had on one another. Showcasing esteemed writers like the Comte de Mellet, S. L. MacGregor Mathers, J. W. Brodie-Innes, and A. E. Waite, this resource gives you a comprehensive overview of the evolution of Tarot in Western magic.

Satanism is a phenomenon that has existed as a prominent trope since very beginning of Christianity, when the Church Fathers entertained fantasies about people worshipping the Devil and indulging in macabre rituals. In the early modern period, similarly unfounded ideas led to the infamous witch trials which transpired primarily between 1400 and 1700. In the 1980s and 1990s, what has been labelled a "Satanic Panic" swept the United States and parts of Europe, with again, unfounded rumors about secret Satanist networks committing gruesome murders, kidnappings and ritualistic child abuse. Today, the so called Pizzagate and QAnon conspiracy theories in the United States again draw on these motifs, this time postulating that left-wing Satanists are secretly manipulating politics and doing nefarious deeds in the shadows. This book, however, is only indirectly concerned with the purely fictional Satanism of such paranoid fantasies. It does not deal directly with the literary tradition of Satanism either, where Satanists can appear as antagonists (or, more rarely, protagonists) in the plot of a story, or authors express Satanic sympathies in a poem or two. Rather, our selection of source texts focuses on actual, existing Satanic groups, and thinkers of importance to the emergence of a Satanic milieu that forms part of a broader landscape of alternative religion. Some of the texts do in a sense belong to the above-mentioned categories, e.g., Léo Taxil's spoof on conspiracy theories, or the quite literary pseudo-histories of Satanism - in fact Satanic tracts in disguise of Jules Michelet and Stanislaw Przybyszewski, but we have aimed to concentrate on 1. self-designated Satanic groups and ideologists, 2. groups and ideologists who prominently revere a figure they identify with Satan, even though they may not self-designate as Satanists, and 3. groups and ideologists mostly excluding, however, literary texts and conspiracy theories whose re-interpretations of Satan were crucial to the growth of such ideas--

From keys and handkerchiefs to sweets and rubber bands, the curious objects we surround ourselves with, though often seemingly mundane, have a magical quality. Their surprising power to disturb, soothe, seduce or absorb give these quirky objects histories and meanings we rarely ponder. Yet we would be lost without them. Take bags, for example. Why do most women carry handbags, while men rely on pockets? Why do so many houses have bags of bags? And why do we 'let the cat out the bag' or 'give someone the sack'? What significance do our bags hold for us? In this highly imaginative and entertaining book, Steven Connor embarks on a historical, philosophical and linguistic journey that explores our relationships with the curious things with which we have a forgotten but daily intimacy.

A work that combines biography and pyschogeography to trace Aleister Crowley's life in London. "I dreamed I was paying a visit to London," Aleister Crowley wrote in Italy, continuing, "It was a vivid, long, coherent, detailed affair of several days, with so much incident that it would make a good-sized volume." Crowley had a love-hate relationship with London, but the city was where he spent much of his adult life, and it was the capital of the culture that created him: Crowley was a post-decadent with deviant Victorian roots in the cultural ferment of the 1890s and the magical revival of the Golden Dawn. Not a walking guide, although many routes could be pieced together from its pages, this is a biography by sites. A fusion of life-writing with psychogeography, steeped in London's social history from Victoria to the Blitz, it draws extensively on unpublished material and offers an exceptionally intimate picture of the Great Beast. We follow Crowley as he searches for prostitutes in Hyde Park and Pimlico, drinks absinthe and eats Chinese food in Soho, and find himself down on his luck in Paddington Green--and never quite losing sight of the illumination that drove him: "the abiding rapture," he wrote in his diary, "which makes a 'bus in the street sound like an angel choir!"

Austin Osman Spare is the definitive biography of the controversial occultist and artist, an enfant terrible of the Edwardian art world whose work was both hailed as genius and decried as immoral decadence. As George Bernard Shaw reportedly said, "Spare's medicine is too strong for the average man." Trained as a draughtsman, Spare enjoyed early acclaim when, at the age of seventeen, his work was shown at the Royal Academy in London. But his star soon declined; Spare went underground, falling out of the gallery system to live in poverty and obscurity. After a brief association with Aleister Crowley, he became absorbed in occultism and sorcery, voyaging into inner dimensions, while developing his own magical philosophy of pleasure, obsession, and the subjective nature of reality. All the while, Spare continued to produce extraordinary art, and held his exhibitions outside of the conventional art world, in London pubs. Today Spare is both forgotten and famous, a cult figure whose modest life has been much mythologised since his death; the world's largest Spare collection is held by Jimmy Page of Led Zeppelin. Biographer Phil Baker separates fact from myth, providing wide-ranging insights into Spare's art and mind, reconnecting him with the art community that ignored him and exploring the rich tapestry of the culture that surrounded him, interweaving the birth of psychoanalysis, the historiography of the occult, and the British class system. This richly readable and illuminating biography, containing 50 black and white and 8 color photographs of Spare's art, takes us deep into the strange inner world of this enigmatic artist.