Masterful storytelling from Catholic fiction author Brian Kennelly,Two Statues is the story of belief in what is unbelievable! Buck Washington moved to the quiet shores of Edisto Island, South Carolina to retire and live out his life in peace. Instead he found a mysterious violin-playing neighbor named Walt...and an adventure he would never forget. A thousand miles away in Worcester, Massachusetts, Father Peter Moore is suffering a crisis of faith. But before he can leave his vocation and the Church he has served since youth, Peter is given a final mission: To investigate whether a strangely-acting statue of the Virgin Mary is a fraud, a freak of nature - or a finger pointing to the providence of God. In Two Statues first-time novelist Brian Kennelly has penned a tale of family, life and adventure that will absorb you as you rush through its pages, and stay with you long after the last one is turned.

In this first English translation of one of his most important works, Michel Serres presents the statue as more than a static entity: for Serres it is the basis for knowledge, society, the subject and object, the world and experience. Serres demonstrates how sacrificial art founded and still persists in society and reflects on the centrality of death and the statufied dead body to the human condition. Each section covers a different time period and statuary topic, ranging from four thousand years ago to 1986; from Baal, the paintings of Carpaccio, and the Eiffel Tower, to Rodin's The Gates of Hell, the Challenger disaster and the literature of Maupassant, La Fontaine and Jules Verne. Expository, lyrical, fictionalized and hallucinatory, Statues plays with time and place, history and story in order to provoke us into thinking in entirely new ways. Through mythic and poetic meditations on various kinds of descent into the underworld and new insights into the relation of the subject and object and their foundation in death, Statues contains great treasures and provocations for philosophers, literary critics, art historians and sociologists.

Contains a large quantity and variety of epigraphy - Combines both archaeological and epigraphical material - Offers a new cultural history of the Hellenistic city and a detailed examination of family statues - Illustrated throughout

About 240 wooden statues survive from the Old Kingdom (c. 2575 - 2134 BC). The statues that can be dated by external criteria have been gathered together into a chronological catalogue and their features studied to establish dating criteria. The criteria are then applied to the remaining statues, enabling many of them to be assigned dates within individual reigns of the Old Kingdom.

The aim of this book is to approach Ptolemaic and Imperial royal sculpture in Egypt dating between 300 BC and AD 220 from a contextual point of view. To collect together the statuary items that are identifiably royal and have a secure archaeological context, within Egypt.

Spanning centuries and the vastness of the Roman Empire, The Last Statues of Antiquity is the first comprehensive survey of Roman honorific statues in the public realm in Late Antiquity. Drawn from a major research project and corresponding online database that collates all the available evidence for the 'statue habit' across the Empire from the late third century AD onwards, the volume examines where, how, and why statues were used, and why these important features of urban life began to decline in number before eventually disappearing around AD 600. Adopting a detailed comparative approach, the collection explores variation between different regions-including North Africa, Asia Minor, and the Near East-as well as individual cities, such as Aphrodisias, Athens, Constantinople, and Rome. A number of thematic chapters also consider the different kinds of honorand, from provincial governors and senators, to women and cultural heroes. Richly illustrated, the volume is the definitive resource for studying the phenomenon of late-antique statues. The collection also incorporates extensive references to the project's database, which is freely accessible online.

This book explores the ways in which statues have been experienced in public in different cultures and the role that has been played by statues in defining publicness itself. The meaning of public statues is examined through discussion of their appearance and their spatial context and of written discourses having to do with how they were experienced. Bringing together experts working on statues in different cultures, the book sheds light on similarities and differences in the role that public statues had in different times and places throughout history. The book will also provide insight into the diverse methods and approaches that scholars working on these different periods use to investigate statues. The book will appeal to historians, art historians and archaeologists of all periods who have an interest in the display of sculpture, the reception of public art or the significance of public monuments.