From his earliest publications onwards Pushkin has been the source of inspiration, and imitation, for other writers, as well as composers, painters and, more recently, film-makers. This book seeks to explore the different relationship his followers have sought with the ‘founding father’ of modern Russian culture. Pushkin’s Secret: Russian Writers Reread and Rewrite Pushkin takes a variety of approaches. Some contributors to the collection trace the way Pushkin’s works provided the template for the characters and stories which were produced in the first decades after his untimely death in 1837. Others reveal the impact the myths surrounding Pushkin’s tragic life were used (and abused) by followers, as well as governments of various hues. Yet other studies explore the very precise ways Pushkin’s successors used his texts as source material for their own works. ‘Pushkin’s Secret’: Russian Writers Reread and Rewrite Pushkin offers a series of fascinating insights into the impact that Alexander Pushkin has had on Russian culture over the last 200 years. Pushkin’s Secret: Russian Writers Reread and Rewrite Pushkin will be followed by two further volumes devoted to Pushkin within the SSLP series, Pushkin: Myth and Monument and Pushkin’s Legacy.

A wide-ranging consideration of the nature and significance of Pushkin's African heritage Roughly in the year 1705, a young African boy, acquired from the seraglio of the Turkish sultan, was transported to Russia as a gift to Peter the Great. This child, later known as Abram Petrovich Gannibal, was to become Peter's godson and to live to a ripe old age, having attained the rank of general and the status of Russian nobility. More important, he was to become the great-grandfather of Russia's greatest national poet, Alexander Pushkin. It is the contention of the editors of this book, borne out by the essays in the collection, that Pushkin's African ancestry has played the role of a "wild card" of sorts as a formative element in Russian cultural mythology; and that the ways in which Gannibal's legacy has been included in or excluded from Pushkin's biography over the last two hundred years can serve as a shifting marker of Russia's self-definition. The first single volume in English on this rich topic, Under the Sky of My Africa addresses the wide variety of interests implicated in the question of Pushkin's blackness-race studies, politics, American studies, music, mythopoetic criticism, mainstream Pushkin studies. In essays that are by turns biographical, iconographical, cultural, and sociological in focus, the authors-representing a broad range of disciplines and perspectives-take us from the complex attitudes toward race in Russia during Pushkin's era to the surge of racism in late Soviet and post-Soviet contemporary Russia. In sum, Under the Sky of My Africa provides a wealth of basic material on the subject as well as a series of provocative readings and interpretations that will influence future considerations of Pushkin and race in Russian culture.

Alexander Pushkin is Russia’s most beloved poet. Pushkin is a decedent of a noble family on his father’s side and on his mother’s side the great-grandson of Peter the Great’s Blackamoor slave, who was presented with his freedom and became a general in the tsar’s Navy. Pushkin’s poem “Ode to Liberty” brought hope to the Russian people during a time when other countries were defining their democracy. He is considered to be the Shakespeare of Russian literature having inspired many other writers to follow him. He was revered for his masterpiece Eugene Onegin, and like the hero in his masterpiece became changed by the woman he loved. As a poet, he was also known as the patron saint of dueling having fought many duels during his short life, often over a matter of words or women. His last duel was surrounded with mystery involving an anonymous letter accusing his wife of being unfaithful. He fought this duel to defend his wife’s honor and the mystery of the anonymous letter was never solved, until now! Explore the poetry and letters of Pushkin and read about his fascination with dueling, issues with religion, his struggles with censorship, the years he spent in exile while still serving the autocracy, his tribute to his comrades who fought in the Decembrist Uprising and his search for happiness as he finds and marries the most beautiful woman in all of Russia. Author M. A. DuVernet tells a captivating story of a black poet in Russia during the 1800’s, a man who believed in himself and became a legend in spite of the powerful few who hated him.

Pushkin's status as Russia's national poet rests as much on the breadth of his cultural influence as on the intrinsic quality of his works. Pushkin's Legacy reflects in various ways the areas in which this influence has been felt. Part I considers some of the key factors in defining Pushkin for posterity, in particular the crucial role played by the critic Belinskii and the problematics of periodising Pushkin. Part II examines the richness of Pushkin's poetics, including the ways in which his work challenged the established boundaries between poetry and prose. Part III examines Russian music's debt to Pushkin and vice versa: Russian music's role in popularising his works. Part IV examines Pushkin's influence abroad via studies of his influence on Mérimée and Henry James and, on a more personal level, through his descendants in England. Pushkin's Legacy offers a variety of approaches to Pushkin and his oeuvre and to the nature of his complex impact on Russian and European culture. Pushkin's Legacy is the third volume devoted to Pushkin to be published in the SSLP series, under the general title Two Hundred Years of Pushkin. It follows volume I, Pushkin's Secret: Russian Writers Reread and Rewrite Pushkin, and volume II, Alexander Pushkin: Myth and Monument.

Pushkin and Romantic Fashion is about the interpenetration of culture and personality, specifically Alexander I's Russian Empire, a latecomer in post-Napoleonic European history, and Aleksandr Pushkin, virtuoso improvisor yet prisoner of the Golden Age discourses that now bear his name. It focuses on Pushkin's use of the Romantic fragment, especially the link between the fragment and Romantic irony's fundamental and modern questioning of the sources and intentionality of language. In the view of such irony's most eloquent formulator, Friedrich Schlegel, "identity" does not precede speech, but is forged in each improvisational interaction with interlocutor or reader. One finds out who one is by speaking, and all utterances and texts stand in a fragmentary, contingent relation to an accumulating life-text. Pushkin may actually come closest of all major European poets to realizing what Schlegel prescribed, or diagnosed, as the poetics of modernity, not because of any direct links, but because as common latecomers on the European cultural scene, Russian and German writers shared a fascination with European fashions and an ironic talent for conflating or stepping outside them. Thus Pushkin's kaleidoscopic explorations of fashionable European genres, from "Augustan" erotic elegy to the archaic Greek lyric fragment, from the Byronic Oriental poetic tale to Shakespearean chronicle drama, from the modern "society tale" to the Walter Scott historical novel, can be seen as ever more dramatic rewritings of and meditations on a previous life-text. This fragmentary and ironic self-presentation has ensured that every generation of Pushkin readers, no matter how gilded with cultural authority the poetbecame, "talked back." The author is deeply concerned to embed Pushkin in a larger European context in a way critically consonant with the best in Western Romantic studies. She locates Pushkin's penchant for fragmentary structures in a European discourse of fragmentation, reveali

From the award-winning translators: the complete prose narratives of the most acclaimed Russian writer of the Romantic era and one of the world's greatest storytellers. The father of Russian literature, Pushkin is beloved not only for his poetry but also for his brilliant stories, which range from dramatic tales of love, obsession, and betrayal to dark fables and sparkling comic masterpieces, from satirical epistolary tales and romantic adventures in the manner of Sir Walter Scott to imaginative historical fiction and the haunting dreamworld of "The Queen of Spades." The five short stories of The Late Tales of Ivan Petrovich Belkin are lightly humorous and yet reveal astonishing human depths, and his short novel, The Captain's Daughter, has been called the most perfect book in Russian literature.