This fifth volume in the Gandharan Buddhist Texts series (GBT) presents two fragmentary manuscripts of the poem "Songs of Lake Anavatapta." Previously known from versions in Sanskrit, Pali, Tibetan, and Chinese, the two recently discovered Gandhari-language versions confirm the poem's popularity in the ancient Buddhist world. The "Songs of Lake Anavatapta" consists of a series of narrations by the Buddha's foremost disciples (and finally by the Buddha himself) in which each reveals his own complex karmic history over many past lives and explains how, as a result of good deeds, he has come to be an enlightened disciple of the Buddha. An important theme is the complexity of karma, whereby not only the enlightened beings but even the Buddha himself suffer the effects of remnants of bad karma from evil deeds long-ago. For more information go to the Early Buddhist Manuscript Project web site at http: //www.ebmp.org/

In this landmark book the renowned scholar of religion Mircea Eliade lays the groundwork for a Western understanding of Yoga, exploring how its guiding principle, that of freedom, involves remaining in the world without letting oneself be exhausted by such "conditionings" as time and history. Drawing on years of study and experience in India, Eliade provides a comprehensive survey of Yoga in theory and practice from its earliest foreshadowings in the Vedas through the twentieth century. The subjects discussed include Patañjali, author of the Yoga-sutras; yogic techniques, such as concentration "on a Single Point," postures, and respiratory discipline; and Yoga in relation to Brahmanism, Buddhism, Tantrism, Oriental alchemy, mystical erotism, and shamanism.

Launches the series of text editions and studies of the birth bark scrolls in the British Library's Kharosthi manuscript collection, dating from about the first century AD. Most of the Gandhari fragments have yet to be identified, but the Rhinoceros Sutra is also known in Pali and Sanskrit versions. A 100-page introduction to the language and manuscript is followed by a transcribed text with translation and an annotated text with translation and commentary. Color photographs of the fragments themselves are also included. Ghandhari words are indexed, but not subjects. c. Book News Inc.

Script and writing were among the most important inventions in human history, and until the invention of printing, the handwritten book was the primary medium of literary and cultural transmission. Although the study of manuscripts is already quite advanced for many regions of the world, no unified discipline of ‘manuscript studies’ has yet evolved which is capable of treating handwritten books from East Asia, India and the Islamic world equally alongside the European manuscript tradition. This book, which aims to begin the interdisciplinary dialogue needed to arrive at a truly systematic and comparative approach to manuscript cultures worldwide, brings together papers by leading researchers concerned with material, philological and cultural aspects of different manuscript traditions.

This collection of essays explores the history of the book in pre-modern South Asia looking at the production, circulation, fruition and preservation of manuscripts in different areas and across time. Edited by the team of the Cambridge-based Sanskrit Manuscripts Project and including contributions of the researchers who collaborated with it, it covers a wide range of topics related to South Asian manuscript culture: from the material dimension (palaeography, layout, decoration) and the complicated interactions of manuscripts with printing in late medieval Tibet and in modern Tamil Nadu, to reading, writing, editing and educational practices, from manuscripts as sources for the study of religious, literary and intellectual traditions, to the creation of collections in medieval India and Cambodia (one major centre of the so-called Sanskrit cosmopolis), and the formation of the Cambridge collections in the colonial period. The contributions reflect the variety of idioms, literary genres, religious movements, and social actors (intellectuals, scribes, patrons) of ancient South Asia, as well as the variety of approaches, interests and specialisms of the authors, and their impassionate engagement with manuscripts.