Set in the more general context of tale telling by the descendants of Africans throughout the Americas and of recent scholarship in performance studies, these Saramaka tales are presented as a dramatic script. With the help of nearly forty photographs, readers become familiar not only with the characters in folktale-land, but also with the men and women who so imaginatively bring them to life. And because music complements narration in Saramaka just as it does elsewhere in Afro-America, more than fifty songs are presented here in musical notation.

As the geographic boundaries of early American history have expanded, so too have historians' attempts to explore the comparative dimensions of this history. At the same time, historians have struggled to find a conceptual framework flexible enough to incorporate the sweeping narratives of imperial history and the hidden narratives of social history into a broader, synthetic whole. No such paradigm that captures the two perspectives has yet emerged. New World Orders addresses these broad conceptual issues by reexamining the relationships among violence, sanction, and authority in the early modern Americas. More specifically, the essays in this volume explore the wide variety of legal and extralegal means—from state-sponsored executions to unsanctioned crowd actions—by which social order was maintained, with a particular emphasis on how extralegal sanctions were defined and used; how such sanctions related to legal forms of maintaining order; and how these patterns of sanction, embedded within other forms of colonialism and culture, created cultural, legal, social, or imperial spaces in the early Americas. With essays written by senior and junior scholars on the British, Spanish, Dutch, and French colonies, New World Orders presents one of the most comprehensive looks at the sweep of colonization in the Atlantic world. By juxtaposing case studies from Brazil, Venezuela, New York, California, Saint Domingue, and Louisiana with treatments of broader trends in Anglo-America or Spanish America more generally, the volume demonstrates the need to examine the questions of violence, sanction, and authority in hemispheric perspective.

Rainforest Warriors is a historical, ethnographic, and documentary account of a people, their threatened rainforest, and their successful attempt to harness international human rights law in their fight to protect their way of life—part of a larger story of tribal and indigenous peoples that is unfolding all over the globe. The Republic of Suriname, in northeastern South America, contains the highest proportion of rainforest within its national territory, and the most forest per person, of any country in the world. During the 1990s, its government began awarding extensive logging and mining concessions to multinational companies from China, Indonesia, Canada, and elsewhere. Saramaka Maroons, the descendants of self-liberated African slaves who had lived in that rainforest for more than 300 years, resisted, bringing their complaints to the Inter-American Commission on Human Rights. In 2008, when the Inter-American Court of Human Rights delivered its landmark judgment in their favor, their efforts to protect their threatened rainforest were thrust into the international spotlight. Two leaders of the struggle to protect their way of life, Saramaka Headcaptain Wazen Eduards and Saramaka law student Hugo Jabini, were awarded the Goldman Prize for the Environment (often referred to as the environmental Nobel Prize), under the banner of "A New Precedent for Indigenous and Tribal Peoples." Anthropologist Richard Price, who has worked with Saramakas for more than forty years and who participated actively in this struggle, tells the gripping story of how Saramakas harnessed international human rights law to win control of their own piece of the Amazonian forest and guarantee their cultural survival.

The question of what the nature of history is, is a key issue for all students of history. It is recognized by many that the past and history are different phenomena and that the way the past is actively historicized can be highly problematic and contested.

Based on historical research and more than thirty years of anthropological fieldwork, this wide-ranging study underlines the importance of Caribbean cultures for anthropology, which has generally marginalized Europe's oldest colonial sphere. Located at

A love letter to languages, celebrating their curiosities and smashing assumptions about correct grammar An eye-opening tour for all language lovers, What Language Is offers a fascinating new perspective on the way humans communicate. from vanishing languages spoken by a few hundred people to major tongues like Chinese, and with copious revelations about the hodgepodge nature of English, John McWhorter shows readers how to see and hear languages as a linguist does. Packed with big ideas about language alongside wonderful trivia, What Language Is explains how languages across the globe (the Queen's English and Suriname creoles alike) originate, evolve, multiply, and divide. Raising provocative questions about what qualifies as a language (so-called slang does have structured grammar), McWhorter takes readers on a marvelous journey through time and place—from Persia to the languages of Sri Lanka—to deliver a feast of facts about the wonders of human linguistic expression.

Slaves achieved a degree of economic independence, producing food, tending cash crops, raising livestock, manufacturing furnished goods, marketing their own products, consuming and saving the proceeds and bequeathing property to their descendants. The editors of this volume contend that the legacy of slavery cannot be understood without a full appreciation of the slaves' economy.