From the acclaimed DC Comics writer and the artist of the #1 New York Times bestselling and National Book Award–winning illustrated trilogy March comes a stunning crime noir graphic novel exploring the intertwining threads of crime, conspiracy, racism, and insanity in the post-World War II Deep South. After World War II, tensions rise in a Southern city ruled by organized crime, touching countless residents as they struggle to make sense of the new world. A sudden act of violence sets off a series of bloody events between the police and mafia as they lash out against one another. As the violence worsens, desperation grows to stop it, by any means necessary. Told in multiple perspectives—from a seemingly untouchable mafia don, to a gun-happy seasoned detective succumbing to the depths of his schizophrenia, to a newly minted police lieutenant haunted by his recent service in the war, and two African-American brothers, one mired in corruption and the other leading a local militia in an effort to see that justice is served—Two Dead is at once a white-knuckled and unputdownable thriller, a roman à clef inspired by true events, and a book about post-traumatic stress disorder and the underlying social traumas of how war and segregation affect their survivors on all fronts.

Not since Hunter Thompson's seminal Hells Angels: A Strange & Terrible Saga of the Outlaw Motorcycle Gangs in 1967 has there been such a thorough account of the Angels. This book documents the gang's bumpy ride from its origins as a Stateside club for WWII fighter pilots to its freewheeling terror tactics of the early sixties, to its absurd flirtation with the hippie scene, to its current status as one of the most powerful underground organisations in North America, rivalling even the Mafia.

Coburn's been dead now for close to a century, but seeing as how he's a vampire and all, it doesn't much bother him. Or at least it didn't, not until he awoke from a forced five-year slumber to discover that most of human civilization was now dead--but not dead like him, oh no. See, Coburn likes blood. The rest of the walking dead, they like brains. He's smart. Them, not so much. But they outnumber him by about a million to one. And the clotted blood of the walking dead cannot sustain him. Now he's starving. And nocturnal. And more pissed-off than a bee-stung rattlesnake. The vampire not only has to find human survivors (with their sweet, sweet blood), but now he has to transition from predator to protector--after all, a man has to look after his food supply.

Finalist for the National Book Critics Circle Award Finalist for the Los Angeles Times Book Prize Diane Seuss’s brilliant follow-up to Four-Legged Girl, a finalist for the Pulitzer Prize for Poetry Still life with stack of bills phone cord cig butt and freezer-burned Dreamsicle Still life with Easter Bunny twenty caged minks and rusty meat grinder Still life with whiskey wooden leg two potpies and a dead parakeet Still life with pork rinds pickled peppers and the Book of Revelation Still life with feeding tube oxygen half-eaten raspberry Zinger Still life with convenience store pecking order shotgun blast to the face —from “American Still Lives” Still Life with Two Dead Peacocks and a Girl takes its title from Rembrandt’s painting, a dark emblem of femininity, violence, and the viewer’s own troubled gaze. In Diane Seuss’s new collection, the notion of the still life is shattered and Rembrandt’s painting is presented across the book in pieces—details that hide more than they reveal until they’re assembled into a whole. With invention and irreverence, these poems escape gilded frames and overturn traditional representations of gender, class, and luxury. Instead, Seuss invites in the alienated, the washed-up, the ugly, and the freakish—the overlooked many of us who might more often stand in a Walmart parking lot than before the canvases of Pollock, O’Keeffe, and Rothko. Rendered with precision and profound empathy, this extraordinary gallery of lives in shards shows us that “our memories are local, acute, and unrelenting.”

Promoter Darby Hill has no problem bending the facts. After all, making TerraTech's video game arcade look good is why she was hired. Nope, no problem at all until she's asked to bend the facts about a murder and then another A behind-the-scenes look at the exciting state-of-the-art world of TerraTech Video Games. Smart and savvy Darby Hill is competing against her former lover for a top spot on the corporate ladder. But soon she finds herself struggling with more than her job. She's fighting for justice and then her life in this fast-paced insider look at the competitive world of public relations, corporate cover-ups and murder. Who needs video games when you have a Darby Hill book in your hands? -Penny Warner, Author of the award-winning Connor Westphal mystery series BLIND SIDE, SILENCE IS GOLDEN A stellar debut! Louise Hoblitt has a keen sense of pacing, a terrific ear for dialogue, and Darby Hill is a compelling and sympathetic sleuth. Find a comfortable chair and plan to stay up late. Highly recommended. -Sheldon Siegel, New York Times Best Selling Author of FINAL VERDICT

The Green Mile, Stephen King’s #1 New York Times bestselling novel, was first published twenty years ago in six original paperback installments. Inspiration for the Oscar-nominated film starring Tom Hanks about an innocent man on death row, The Green Mile is now available for the first time in e-serial form. Two Dead Girls is Volume One. Welcome to Cold Mountain Penitentiary, home to the Depression-worn men of E Block. Convicted killers all, each awaits his turn to walk the Green Mile—the prison’s death row. This is the story, told by former guard Paul Edgecombe, of what happened there in 1932 when an unusual inmate named John Coffey arrives. Condemned for a crime terrifying in its violence and shocking in its depravity, he has the body of a giant and the mind of a child. But there’s something about Coffey that makes Paul question if this man could have committed that crime. He is a rare, gentle spirit along the Green Mile.

A New York Times Best Book of the Year Nobel Prize Laureate Mazurka for Two Dead Men, the culmination of Camilo José Cela‘s literary art, opens in 1936 at the beginning of the Spanish Civil War: Lionheart Gamuzo is savagely murdered. In 1939, as the war ends, his brother avenges his death. For both deaths, the blind accordion player Gaudencio plays the same mazurka. Set in backward rural Galicia, Cela’s excellent novel portrays a reign of fools, and works like contrapuntal music, its themes calling and responding, alternately brutal, melancholy, funny, lyrical, and coarse.