Author and Charlene appeared on the Sally Jessy Raphael show on April 11, 2002. Lewis Junior High, now a Middle School, where three hired killers attempted to kill Charlene as she sat waiting in her car for school dismissal. She was like "a sitting duck," said the judge who called Floyd "a pretty greedy husband" who victimized his wife in front of a school, of all places motivated to collect 3/4 of a million dollars." The students at Lewis Junior High School crowded around the exit door but were locked in. They clamored to see who had been shot. "Jericha, look! It's your mother! They got her!" A dating service brought Floyd and Charlene together. During their courtship Floyd charmed, romanced and lied his way into Charlene's heart, convincing her to become his "forever girl". Thus began the story of a woman whose dreams for a long and love-filled marriage became hellish nightmares of threats, violence and eventually, her attempted murder. Using code words was Floyd's way of life. Only Floyd and his best buddies knew what they meant. He even had a code for murder. When the hitmen completed their mission of murder in front of Lewis Junior High School where Charlene was waiting for one of her daughters, they paged him with that code as the contract demanded. But, they botched the job and Floyd got caught. At the trial, snickers floated through the packed courtroom as the defense lawyers derisively repeated "Wahbee, Wahbee", what the prosecution claimed was Floyd's code for the hit. Only it wasn't funny to Charlene. She knew who had made it up and what it meant. The challenge was how to prove it.

An action-packed, blood-soaked, futuristic thriller by Lindsay Cummings, co-author (with Sasha Alsberg) of the New York Times #1 Bestseller Zenith. This is the dark and compelling sequel to The Murder Complex, which Booklist praised as “carefully crafted . . . chilling,” and which Justine Magazine called “a must-read for fans of action-packed dystopians like The Hunger Games and Divergent.” With short, fast-paced, alternating-point-of-view chapters, The Death Code starts several weeks after The Murder Complex ended. Zephyr keeps the secret about Meadow close—that if she dies, The Murder Complex will be destroyed, too. Meadow, desperate to find her brother, father, and little sister, is determined to fight fearlessly to the end, even if it means sacrificing herself and her friends, new and old. The Death Code introduces a memorable cast of secondary characters and delivers a vivid and scary thrill-ride read.

Second book in the Main Street Book Club mysteries! You won't be able to stop turning the pages of this small town mystery, which is: Perfect for Fans of Ellery Adams and Lorna Barrett A riveting book club cozy mystery For readers of club mysteries and small-town cozy mysteries This murder will have to be solved by the book... It was only a few months ago that the ladies of Arlo's Friday Night Book Club—Fern, Camille, and Helen—solved the murder of the renowned author, Wally Harrison. So when they select Wally's bestseller, Missing Girl, for their next discussion, Arlo is hopeful it will be the end of their mystery hunt. But since their recent success as sleuths the crew officially see themselves as a women's mystery club, and they're convinced Missing Girl was inspired by a 50-year-old cold case. It's a case from their own Sugar Springs, Mississippi—the disappearance of Mary Kennedy—and Arlo can do little to stop the book club ladies from investigating. But what starts out as a fun hunch quickly turns into a very real cold case murder mystery when a young girl is murdered in the exact place the women believe Mary went missing all those years ago. It's clear the two cases are connected—and the mystery book club is determined to find answers. With Arlo's help, they may just be able to crack the case.

X is the New York Times number 1 bestseller and thrilling, twenty-fourth book in the Kinsey Millhone Alphabet series from Sue Grafton. In hindsight, I marvel at how clueless I was . . . What I ask myself even now is whether I should have picked up the truth any faster than I did, which is to say not fast enough . . . When a glamorous red head wishes to locate the son she put up for adoption thirty-two years ago, it seems like an easy two hundred bucks for private investigator Kinsey Millhone. But when a cop tells her she was paid with marked bills, and Kinsey's client is nowhere to be found, it becomes apparent this mystery woman has something to hide. Riled, Kinsey won't stop until she's found out who fooled her and why. Meanwhile, the widow of the recently murdered P. I. – and Kinsey's old friend – Pete Wolinsky, needs help with her IRS audit. This seemingly innocuous task takes a treacherous turn when Kinsey finds a coded list amongst her friend's files. It soon leads her to an unhinged man with a catalogue of ruined lives left in his wake. And despite the devastation, there isn't a single conviction to his name. It seems this sociopath knows exactly how to cause chaos without leaving a trace. As Kinsey delves deeper into the investigation she quickly becomes the next target of this tormentor. But can Kinsey prove her case against him before she becomes the next victim?

Potboilers looks at the many forms of popular narrative - in print, film and TV. It considers the ways in they have been analysed in literary criticism, sociology, communications, media and cultural studies. The book introduces and summarizes two decades of debate about mass-produced fictions and their position within popular culture. It assesses the methods that have been used in these debates, focussing both on narrative analysis and the communications process. It explores generic conventions, the role of commercial strategies, and the nature of the audience with reference to crime fiction, soap opera, romance and TV sitcom. Distinctions between `high' and `low' culture have relegated many popular forms to the trash-can of `great' literature. This book takes stock of the methods and concepts used to analyse popular culture and argues for a non-elitist approach to the study of literature, film and television.