In Two Bits, Christopher M. Kelty investigates the history and cultural significance of Free Software, revealing the people and practices that have transformed not only software but also music, film, science, and education. Free Software is a set of practices devoted to the collaborative creation of software source code that is made openly and freely available through an unconventional use of copyright law. Kelty explains how these specific practices have reoriented the relations of power around the creation, dissemination, and authorization of all kinds of knowledge. He also makes an important contribution to discussions of public spheres and social imaginaries by demonstrating how Free Software is a “recursive public”—a public organized around the ability to build, modify, and maintain the very infrastructure that gives it life in the first place. Drawing on ethnographic research that took him from an Internet healthcare start-up company in Boston to media labs in Berlin to young entrepreneurs in Bangalore, Kelty describes the technologies and the moral vision that bind together hackers, geeks, lawyers, and other Free Software advocates. In each case, he shows how their practices and way of life include not only the sharing of software source code but also ways of conceptualizing openness, writing copyright licenses, coordinating collaboration, and proselytizing. By exploring in detail how these practices came together as the Free Software movement from the 1970s to the 1990s, Kelty also considers how it is possible to understand the new movements emerging from Free Software: projects such as Creative Commons, a nonprofit organization that creates copyright licenses, and Connexions, a project to create an online scholarly textbook commons.

In Two Bits, Christopher M. Kelty investigates the history and cultural significance of Free Software, revealing the people and practices that have transformed not only software but also music, film, science, and education. Free Software is a set of practices devoted to the collaborative creation of software source code that is made openly and freely available through an unconventional use of copyright law. Kelty explains how these specific practices have reoriented the relations of power around the creation, dissemination, and authorization of all kinds of knowledge. He also makes an important contribution to discussions of public spheres and social imaginaries by demonstrating how Free Software is a “recursive public”—a public organized around the ability to build, modify, and maintain the very infrastructure that gives it life in the first place. Drawing on ethnographic research that took him from an Internet healthcare start-up company in Boston to media labs in Berlin to young entrepreneurs in Bangalore, Kelty describes the technologies and the moral vision that bind together hackers, geeks, lawyers, and other Free Software advocates. In each case, he shows how their practices and way of life include not only the sharing of software source code but also ways of conceptualizing openness, writing copyright licenses, coordinating collaboration, and proselytizing. By exploring in detail how these practices came together as the Free Software movement from the 1970s to the 1990s, Kelty also considers how it is possible to understand the new movements emerging from Free Software: projects such as Creative Commons, a nonprofit organization that creates copyright licenses, and Connexions, a project to create an online scholarly textbook commons.

Madams of brothels, houses of gambling, rampant government corruption—all these were found in a late 1800s Mormon community. This is the fascinating, well-researched, true history of Two-Bit Street—a street that became known throughout the world for its ladies of the evening and saloons that never closed. The American West’s wildest poured into this small Utah town after it was chosen to be the Junction City for the newly constructed 1869 transcontinental railroad. A history that spans three quarters of a century, this book shows how a pious people can be overpowered by an uncontrollable malignancy of lust. At times inspiring, this book also unveils the struggle between deep corruption and those who wanted this corruption to be destroyed. Infamous Twenty-Fifth Street in Ogden has been named as one of the ten great streets in America because of its past notoriety and its complete contiguous turn-of-the-century commercial architecture which remains as a witness of that colorful past. Lyle J. Barnes is the street’s original historian, and many other authors have quoted his history of Twenty-Fifth Street. With the fine additional research and writing done by Jean Barnes, this second edition makes Lyle’s best-selling history better than ever.

They said he was not worth two-bits, a mere quarter of a dollar, but to those who came to know him he proved that he was worth far more.The Story – The life of a cavalry horse was not an easy one. Two-Bits and other horses like him shared hard service and danger with the soldiers who rode them. Those men fortunate enough to ride Two-Bits soon became aware that he was a different kind of horse, a special horse, a horse they could trust with their lives. His courage and loyalty saved his riders more than once. Soldiers of all ranks came to rely on him in times of danger. He never failed them. They never forgot him.The History – Two-Bits was a real cavalry horse. During his career he served with the Regiment of Mounted Riflemen, the Third United States Cavalry Regiment, the First Regiment of New Mexico Cavalry, and lastly as an officer's mount in the Fifth United States Infantry. With the exception of a few horses of famous generals, the service of the millions of other horses was seldom recorded unless they performed an outstanding feat. Two-Bits was an exception because he demonstrated remarkable qualities and performed amazing exploits throughout his service. His last owner, Lieutenant Charles Albert Curtis, recognized Two-Bits's special qualities and recorded his story. Few others can match it.Book Extra - Includes the original November 1889 St. Nicholas Children's Magazine Article by Captain Curtis that inspired this book.

'Blown to Bits' is about how the digital explosion is changing everything. The text explains the technology, why it creates so many surprises and why things often don't work the way we expect them to. It is also about things the information explosion is destroying: old assumptions about who is really in control of our lives.

* Learn to tie 17 best-selling patterns for trout, bass, and saltwater flats species such as bonefish and permit * Over 750 step-by-step photos * 60 pattern recipes, with author's favorite variations Charlie Craven has been a commercial fly tier for more than thirty years, tying flies for almost every species of gamefish, freshwater and saltwater, though he specializes in trout flies for the Rockies. He is a signature tier for Umpqua Feather Merchants, which produces fifteen of his patterns. His first book is Basic Fly Tying (978-0-9793460-2-6). He was the photographer and fly tier for Barr Flies (978-0-8117-0236-2), and photographer, author, and tier for the Fly Fisherman Foundation Forty found on flyfisherman.com, as well as the tier for the FlyBench iPhone app. Craven is co-owner of Charlie's Fly Box in Olde Town Arvada, Colorado, which was the winner of the 2009 Fly Fishing Retailer of the Year Award.

Two foster-system-weary siblings find an unlikely family as they hope for a permanent home.Ira and Zac, veterans of the foster system, are being uprooted again. This time their destination isSkilly House, a London-based home for children. There, Ira, eleven, and Zac, nine, befriend the staffand other kids, all the while hoping to find their own family to belong to.When they’re invited to spend a holiday with Martha, a retiree, the visit opens the children’s eyesto what life in a permanent home might be like. But a tragic accident soon tests Ira, Zac, and Martha.Can they truly come together as a family? This gentle story explores the love and complexities behindthe ties that bind.