Spunky, quick-witted twenty-one year old Callie Thompson is a University of Oklahoma journalism student by day and NBA Oklahoma City Thunder dancer by night. Callie hopes her connections with the franchise might get her foot in the door for a sports broadcasting job when she graduates. She just has one rule: never date the players. Kyle Kelly is the deadly handsome and charmingly Southern Thunder man of the hour. All the twenty-six year old is looking for is an NBA championship to call his own. An unexpected meeting with an opinionated, feisty Callie, however, who is very unimpressed with his celebrity status, sets his sights toward winning two things: her heart AND the championship.

Brown takes readers along a perilous trek through spoiled relationships, perverted perceptions, and frustrating debates about whether Jesus would date and court the opposite sex.

The snow swirled around, chilling me emotionally and physically. I tried to hold on to every last bit of her energy and essence. And then they closed the doors. She was gone. Jesse will soon be home from his mission and Claire has been faithfully waiting for him. She is a recent convert to the church and has blossomed while he has been away preaching the gospel. Chaos swirls around Claire as she struggles with the expected return of Jesse and as her Grandmother’s health slips away a little more each day. What she doesn’t expect is how much this uncertainty and the loss of her Grandma can cause a storm to brew in her soul. Just like the wind of change that she fought to tame when she first met Jesse, this storm keeps growing within her, forcing her to loosen her firm grip on hope. She has always been the damsel in distress and Jesse has always been there for her. But everyone she loves has been taken from her one by one, and she can’t bear to lose Jesse too. Will he propose? Will it be too late? Join Claire as her journey continues, as she learns about herself and her faith, and whether or not she has enough hope to be there for Jesse when he needs her the most.

"They leave out a lot of important stuff in Therapy School," Blackstone begins, "like what to do when you're leading group & your skirt falls down." And from there it gets funny.... "The best thing I've read!" (Mary McClure Goulding, MSW, Co-developer of REDECISION THERAPY) "Insightful-delightful!" (Denton Roberts, M.Div., author of ABLE & EQUAL) "This book is a treasure!" (Joan Minninger, Ph.D., author of TOTAL RECALL) "Peg Blackstone has to be the funniest therapist ever to stroke a psyche!" (Patrick McManus, author of A FINE & PLEASANT MISERY). THINGS THEY NEVER TOLD ME IN THERAPY SCHOOL offers a unique, heartwarming look at real psychotherapy. Numerous clinical & personal anecdotes illustrate Blackstone's joy in her work & continuing high regard for clients' strength & resiliency. Her humorous, sensible approach challenges popular myths about therapy & human nature. In this work, Blackstone does for psychotherapy what James Herriott did for veterinary practice in ALL CREATURES GREAT & SMALL. She also prompts readers to examine their fundamental assumptions about human nature. Are people basically "good"? Can they really change in significant ways? Is almost everyone "addicted" or otherwise afflicted without knowing it? Current, entertaining & thought provoking reading.

In Music in Disney’s Animated Features James Bohn investigates how music functions in Disney animated films and identifies several vanguard techniques used in them. In addition, he also presents a history of music in Disney animated films, as well as biographical information on several of the Walt Disney Studios’ seminal composers. The popularity and critical acclaim of Disney animated features truly is built as much on music as it is on animation. Beginning with Steamboat Willie and continuing through all of the animated features created under Disney’s personal supervision, music was the organizing element of Disney’s animation. Songs establish character, aid in narrative, and fashion the backbone of the Studios’ movies from Snow White and the Seven Dwarfs through The Jungle Book and beyond. Bohn underscores these points while presenting a detailed history of music in Disney’s animated films. The book includes research done at the Walt Disney Archives as well as materials gathered from numerous other facilities. In his research of the Studios’ notable composers, Bohn includes perspectives from family members, thus lending a personal dimension to his presentation of the magical Studios’ musical history. The volume’s numerous musical examples demonstrate techniques used throughout the Studios’ animated classics.

95% of humanity died in a bat virus pandemic. Lizzie, our "anti-hero with a heart of gold," is in love, in trouble with the law, in trouble with the father of her child and their best friend, and in trouble with her father who reappeared after 15 years. Renegades are attacking, a no man's land is burned outside “The City's” wall, and martial law is declared. Lizzie, pregnant from an end of the world one night stand, can't leave her father's house without a man. She escaped the city once, but nearly lost Saj, the child she'd saved from starvation. She's started the fire of revolution, but it'll take her lover, her tenacity, and her alienated chosen family to escape the flames. Finish this apocaloptimistic road trip, return home riding shotgun with Lizzie and her chosen family.