What's your most forbidden desire? Jenna Kerry has a secret. She's always fantasized about sharing her bed with two men, but her fiancé Ryan would never approve. Then one night at a posh reception, Ryan unexpectedly appears and shows her the wildest night of her life. The trouble is, he isn't Ryan. When she discovers the truth—that her fiancé has a twin—she reignites a long-standing rivalry. Both men are determined to have her, and they set out to prove their talents in the most erotic ways imaginable. But does she dare ask them to explore her most hidden fantasy... and can she handle all that these hot-blooded twins have to offer? Lock your door and indulge in this wickedly uninhibited tale from Opal Carew—an irresistible new voice in erotic romance.

Human twins have many meanings and different histories. They have been seen as gods and monsters, signs of danger, death, and sexual deviance. They are taken as objects of wonder and violent repression, the subjects of scientific experiment. Now millions are born through fertility technologies. Their history is often buried in philosophies and medical theories, religious and scientific practices, and countless stories of devotion and tragedy. In this history of superstitions and marvels, fantasies and experiments, William Viney—himself a twin—shows how the use and abuse of twins has helped to shape the world in which we live. This book has been written not just for twins, but for anyone interested in their historical, global, and political impact.

This book draws on nearly one thousand cases and anecdotes about twins bending and breaking rules in order to fulfill or flout tenets of twinhood. Society’s unwillingness to contextualize mores and policies to suit twins may perpetuate controversy and law-breaking. Twins and Deviance shows how twins’ allegedly sacred bond violates conventions beginning at conception. Throughout their lives, they may be victimized, tortured, and neglected specifically because of their bond. Twins have lives that matter – their bond is not static or unconditional, it may be fluent and emotional. The book paints a picture of twin individuals whose lives relate to contemporary readers’ and audiences’ lives because they are weird, eccentric, ritualized, fetishized, pornographized, criminalized, and chastised by society; but what is especially interesting about twins is that society has institutionalized controversial practices and traditions sometimes implicitly or explicitly demanding that twinhood be realized or dishonored so that twins comply with social norms and expectations. Offering a truculent, unpretentious, and straightforward representation of contemporary society, Twins and Deviance does not defend or defy society’s strange, niche, and shaded view of twins. Rather, it artfully and sensitively depicts twins as historically and presently seeming like gods, heroes, renegades, saviors, mutations, terrorists, gangs, and betrayers; and skillfully discusses twins’ bodies to elucidate their individuality, decode their correspondence, and explore analytical tributaries new to sociocultural research. Using vivid examples, Twins and Deviance postulates that twins intrigue and entrance singletons because they deviate from norms, embody principles of duality, fulfill self-reflexive fantasies, and symbolize eternal life and the afterlife. The value of twins and twinhood to singletons is evident in psychoanalysis, reflections, religion and mythology, words, and politics; and yet, this is the only book to bring to light the immense depth of this captivating insight. Twins and Deviance challenges and improves previous research by collecting new topics to retool twins and deviance discussions. As such, it is a must-read for students, professors, and audiences engaging in gender, justice, sexuality, legal, and cultural studies, and all researchers conducting twin studies.

Sometimes the price of destiny is higher than anyone imagined.... Dark Magic, Hidden Destiny For three centuries a divine prophecy and a line of warrior queens protected Skala. But the people grew complacent and Erius, a usurper king, claimed his young half sister’s throne. Now plague and drought stalk the land, war with Skala’s ancient rival Plenimar drains the country’s lifeblood, and to be born female into the royal line has become a death sentence as the king fights to ensure the succession of his only heir, a son. For King Erius the greatest threat comes from his own line — and from Illior’s faithful, who spread the Oracle’s words to a doubting populace. As noblewomen young and old perish mysteriously, the king’s nephew — his sister’s only child — grows toward manhood. But unbeknownst to the king or the boy, strange, haunted Tobin is the princess’s daughter, given male form by a dark magic to protect her until she can claim her rightful destiny. Only Tobin’s noble father, two wizards of Illior, and an outlawed forest witch know the truth. Only they can protect young Tobin from a king’s wrath, a mother’s madness, and the terrifying rage of her brother’s demon spirit, determined to avenge his brutal murder....

A young woman is haunted by the ghost of her conjoined twin, in Lisa Brown's The Phantom Twin, a sweetly spooky graphic novel set in a turn-of-the-century sideshow. Isabel and Jane are the Extraordinary Peabody Sisters, conjoined twins in a traveling carnival freak show—until an ambitious surgeon tries to separate them and fails, causing Jane's death. Isabel has lost an arm and a leg but gained a ghostly companion: Her dead twin is now her phantom limb. Haunted, altered, and alone for the first time, can Isabel build a new life that's truly her own?

Fiction. Drama. Literary Nonfiction. Film. Asian & Asian American Studies. Women's Studies. Part exegesis on Nobuhiko Obayashi's film HOUSE and part meditation on the ineffable specters that inhabit homes and ancestral histories, FANTASY is a daughter's story of her Vietnamese mother and their twin journeys towards belonging with one another and in the world. Where exilic, inherited memory encounters its limits, FANTASY reaches towards cult cinematic atmospheres, irreverent flowers, pop culture, and photographs with no images, making for a reading experience like no other. "Schreiber uses the fabric of cinema and horror to quasi-measure the length and width of her pre-adolescent and adolescent consciousness. It's a GORGEOUS dress that the ghost in her psyche demands that it wears before falling into ash. Here, in these immolatable, scriptive dialogues with all of her consanguineous, anecdotal, exegetical selves ('who become shoes without feet that walk back and forth' in a house that eats like hungry ghosts), her psyche is cut, recut, uncut, though not forgotten, un-linearly and nonchalantly and numerously, by her relationship to film and her relationship with her Vietnamese mother, surrogated mother in grandmother(s) and auntie(s). ... As Kim-Anh Schreiber seeks closure with the uncloseable, we see an acutely talented scholar and inventive memoirist." --Vi Khi Nao. "'Schreiber, the daughter of a Vietnamese refugee and a German immigrant, combines recognizable modes--memoir, criticism, dramatic play script--into something as uncategorizable as the film she deploys throughout the book as muse and foil: Nobuhiko Obayashi's 1977 post-Hiroshima 'horror-comedy' HOUSE, in which generations of women are trapped together in a haunted house. Beginning with extended considerations of the instability of memory ('an evocative curator'), of the 'impossible problem of drawing a picture,' and of the pull to use projection and doubling as bridges across gaps in experience and understanding, FANTASY finally resolves into a flickering, unstable but vivid portrait of a mother and daughter both separated and bonded by history, violence, human fallibility, and love." --Anna Moschovakis