Its name means 'centre of the world', and since the dawn of history the Mediterranean Sea has formed the shared horizon of innumerable cultures. Here, history has blurred with legend. The glittering surface of the sea conceals the remnants of lost civilisations, wrecked treasure ships and the bones of long-drowned sailors, traders and modern refugees. Of the many cities that dot this ancient coastline, Tyre, Carthage, Syracuse, Ravenna and Antioch are among the oldest and most intriguing. All are beautifully situated, and for layers of history and cultural riches they are rivalled only by their sister cities of Rome, Istanbul and Jerusalem. Yet their fates have been remarkably different. Once major power centres, all five have declined into relative obscurity. Nevertheless, their entwined history takes in Alexander the Great, Nebuchadnezzar, Archimedes and the Roman, Byzantine, Arab and Norman conquests, and their greatness still lingers for those who seek it out. To bring these mysterious lost capitals to life, historian Katherine Pangonis sets out on a voyage from the dawn of civilisation on the Lebanese coast to a modern-day Turkey wracked by the devastation of the 2023 earthquake. Combining on the ground research with spellbinding storytelling skills, here is a revelatory new story of the Mediterranean, and a powerful reflection on the sometimes fleeting glory of empires.

In 1187 Saladin's armies besieged the holy city of Jerusalem. He had previously annihilated Jerusalem's army at the battle of Hattin, and behind the city's high walls a last-ditch defence was being led by an unlikely trio - including Sibylla, Queen of Jerusalem. They could not resist Saladin, but, if they were lucky, they could negotiate terms that would save the lives of the city's inhabitants. Queen Sibylla was the last of a line of formidable female rulers in the Crusader States of Outremer. Yet for all the many books written about the Crusades, one aspect is conspicuously absent: the stories of women. Queens and princesses tend to be presented as passive transmitters of land and royal blood. In reality, women ruled, conducted diplomatic negotiations, made military decisions, forged alliances, rebelled, and undertook architectural projects. Sibylla's grandmother Queen Melisende was the first queen to seize real political agency in Jerusalem and rule in her own right. She outmanoeuvred both her husband and son to seize real power in her kingdom, and was a force to be reckoned with in the politics of the medieval Middle East. The lives of her Armenian mother, her three sisters, and their daughters and granddaughters were no less intriguing. The lives of this trailblazing dynasty of royal women, and the crusading Queen Eleanor of Aquitaine, are the focus of Katherine Pangonis's debut book. In QUEENS OF JERUSALEM she explores the role women played in the governing of the Middle East during periods of intense instability, and how they persevered to rule and seize greater power for themselves when the opportunity presented itself.

In the Lovecraftian universe there exists many terrible and horrifying things, from extraterrestrial gods and portentous nightmares, to zealous cults, supernatural beasts and beyond. Perhaps some of the most terrifying imagery, however, originates from Lovecraft's hellish cities. This volume contains a collection of some of Lovecraft's most chilling horror fiction all containing reference to one of his nightmarish cities. A fantastic collection of classic horror fiction highly recommended for lovers of the genre. The stories include: “The Nameless City”, “What the Moon Brings”, “The Dream-Quest of Unknown Kadath”, “The Dreams in the Witch House”, “Through the Gates of the Silver Key”, and “The Quest of Iranon”. Other notable works by this author include: “At the Mountains of Madness”, “The Rats in the Walls”, and “The Shadow Over Innsmouth”. Read & Co. is publishing this classic collection of short stories now in a new edition complete with a dedication by George Henry Weiss.

In Divisible Cities takes Italo Calvino's classic re-imagining of Venice, viewed in the mind's eye from many different metaphysical angles, and projects it on to the world at large. Where the Italian saw his favorite city as an impossible metropolis of many moods, shades, and ways of being, this unauthorized sequel unpacks the Escheresque streets in unexpected directions. In Divisible Cities is thus an exercise in cartographic origami: the reflective and poetic result of the narrator's desire to map hidden cities, secret cities, imaginary cities, impossible cities, and overlapping cities, existing beneath the familiar Atlas of everyday perception. Stitching these different places and spaces together is a "double helix" or "Siamese seduction" between the traveler and his romantic shadow, revealing -- step by step -- a clandestine itinerary of hidden affinities, nestled within the habitual rhythm of things. Matter matters. That's what the drone of the city tells us. And yet we dream of something beyond these invisible walls. Were I an architect-deity, I would create an Escheresque subway system, linking all the cities in the world. The tunnels themselves, and the people decanted from one place to the other, would eventually create an Ecumenopolis: a single and continuous city, enlaced and endless. Were this the case I could get on the F train at Delancey Street, Manhattan, and -- after a couple of changes mid-town -- emerge in the night-markets of Taipei, or near the Roman baths of Budapest. Or perhaps even downtown Urville.

A passionate account of how the gulf between France’s metropolitan elites and its working classes are tearing the country apart Christophe Guilluy, a French geographer, makes the case that France has become an “American society”—one that is both increasingly multicultural and increasingly unequal. The divide between the global economy’s winners and losers in today’s France has replaced the old left-right split, leaving many on “the periphery.” As Guilluy shows, there is no unified French economy, and those cut off from the country’s new economic citadels suffer disproportionately on both economic and social fronts. In Guilluy’s analysis, the lip service paid to the idea of an “open society” in France is a smoke screen meant to hide the emergence of a closed society, walled off for the benefit of the upper classes. The ruling classes in France are reaching a dangerous stage, he argues; without the stability of a growing economy, the hope for those excluded from growth is extinguished, undermining the legitimacy of a multicultural nation.

The City is the best, funniest, saddest, and most thought-provoking compilation ever assembled on the urban scene. James A. Clapp has arranged more than three thousand quotations—epigrams, epithets, verses, proverbs, scriptural references, witticisms, lyrics, literary references, and historical observations—on urban life from antiquity until the present. These quotes are drawn from the written and spoken words of more than one thousand writers throughout history. This volume, with contributions from speakers, poets, song writers, politicians philosophers, scientists, religious leaders, historians, social scientists, humorists, architects, journalists, and travelers from and to many lands is designed to be used by writers, speechmakers, students, and scholars on cities and urban life. Clapp's text is striking for its sharp contrasts of urban and rural life and the urbanization process in different historical times and geographical areas. This second edition includes four hundred new entries, updated birth dates and occupations of quoted authors, and an expanded and updated introduction and preface. Clapp also added new introduction pages for each section containing pictures and unique quotations. The indexes have also been expanded to include more subjects and cities. The scope of this book is international, including entries on most major and many minor cities of the world. It is noteworthy for its pleasures as well as its insights.