Photographs of Texas’ frontier past are valuable as both art and artifact. Recording not only the lives and surroundings of days gone by, but also the artistry of those who captured the people and their times on camera, the rare images in Lens on the Texas Frontier offer a documentary record that is usually available to only a few dedicated collectors. In this book, prominent collector Lawrence T. Jones III showcases some of the most interesting and historically important glimpses of Texas history included among the five thousand photographs in the collection that bears his name at the DeGolyer Library of Southern Methodist University. One of the nation’s most comprehensive and valuable Texas-related photography collections, the Lawrence T. Jones III Collection documents all aspects of Texas photography from the years 1846–1945, including rare examples of the various techniques practiced from its earliest days in the state: daguerreotypes, ambrotypes, tintypes, and paper print photographs in various formats. The selections in the book feature cartes de visite, cabinet cards, oversized photographs, stereographs, and more. The subjects of the photos include Confederate and Union soldiers and officers in the Civil War; Mexicans, including ranking military officials from the Mexican Revolution; and a wide spectrum of Texan citizens, including African American, Native American, Hispanic, and Caucasian women, men, and children.

Personal narrative of army life from approximately 1867-1871. Includes appendices: The cowboy's verdict, by R.G. Carter (pages 301-306) and Cattle-thieving in Texas, by WWW (pages 307-313).

Berlandier: A French Naturalist on the Texas Frontier tells the history of Jean Louis Berlandier (1805-1851), remembered as one of the most enlightened naturalists of the American Southwest. He was one of the first to investigate the natural history of the Gulf Coastal Plain, the Rio Grande Valley, the Balcones Escarpment and the Edwards Plateau. Students of Texas biology have learned about Berlandier through such species as the Texas Green-Eyed Sunflower, Texas Windflower, Texas Tortoise, and the Rio Grande Leopard Frog. Between 1826 and 1828, Berlandier collected these species for the Academy of Natural Sciences, Geneva, and studied the Indians of Texas for the Mexican Ministry of the Interior, resulting in his scholarly treatise, The Indians of Texas, in 1830. Berlandiers plant collections are in twenty-seven world herbaria, and many hundreds of his insects, mollusks, reptiles, birds, and mammals are in prestigious institutions such as the Smithsonian and the United States National Museum. Most of the Indian material collected by Berlandier is in the Gilchrest Museum, and the wealth of his writing resides in the libraries of Yale, Harvard, Texas A&M, and the University of Texas. His diary, the most important of his writings, consists of more than 1,500 pages, currently housed in the Library of Congress; it serves as the basis of this history of his life and work.

In the nineteenth century, Texas’s advancing western frontier was the site of one of America’s longest conflicts between white settlers and native peoples. The Texas Hill Country functioned as a kind of borderland within the larger borderland of Texas itself, a vast and fluid area where, during the Civil War, the slaveholding South and the nominally free-labor West collided. As in many borderlands, Nicholas Roland argues, the Hill Country was marked by violence, as one set of peoples, states, and systems eventually displaced others. In this painstakingly researched book, Roland analyzes patterns of violence in the Texas Hill Country to examine the cultural and political priorities of white settlers and their interaction with the century-defining process of national integration and state-building in the Civil War era. He traces the role of violence in the region from the eve of the Civil War, through secession and the Indian wars, and into Reconstruction. Revealing a bitter history of warfare, criminality, divided communities, political violence, vengeance killings, and economic struggle, Roland positions the Texas Hill Country as emblematic of the Southwest of its time.